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ON FAITH & MEDIA View Comments

Drive

By
Joseph McAleer
Source: Catholic News Service

NEW YORK (CNS) -- You'll need a good road map to navigate the plot twists and turns of "Drive" (FilmDistrict), a dark, introspective drama about a self-absorbed loner who lives for the open road but unexpectedly finds his conscience along the way.

Despite stylish direction from Nicolas Winding Refn ("Valhalla Rising"), "Drive" ultimately suffers from an identity crisis, unable to decide whether it is an action movie, a love story, a slasher film or a morality tale. Turns out it's a little bit of everything.

Ryan Gosling portrays the driver, who is aptly called Driver, a man of few words but master of the long, penetrating stare. His coolness quotient is off the charts, reminiscent of a young Steve McQueen.

By day, Driver has two jobs: He's a stunt car driver for action movies, and he fixes cars at the auto body shop run by Shannon (Bryan Cranston).

By night, Driver and Shannon show their true colors, running heists around Los Angeles. Driver is the getaway driver, considered the best in the business.

His wheels? A souped-up Chevy Impala. "It's the most common car in California," Shannon says. "No one will be looking for it."

Not content with petty crime, Shannon buys a race car, and is determined to make Driver a star. He seeks the backing of two mob bosses, Bernie Rose (Albert Brooks), a washed-up film producer, and Nino (Ron Perlman), whose Italian restaurant (which serves Chinese food) is a front for organized crime. Soon, Shannon learns that neither mobster is particularly interested in an honest living on the NASCAR circuit.

Meanwhile, "Drive" shifts gears, as Driver takes notice of his new high-rise neighbor, Irene (Carey Mulligan), and her adorable son, Benicio (Kaden Leos). Something stirs in Driver, and soon he is part of the family, experiencing a kind of domestic bliss. Good thing Irene's husband, Standard (Oscar Isaac), is away in prison.

Just when "Drive" should be heading off into a happily-ever-after (if immoral) sunset, the film takes another turn. Standard is sprung and comes home, determined to make life better for his family. One thing, though: He still owes the mob money, and is beaten to a pulp. Driver takes pity on him, and offers to arrange one last heist, which will raise enough to put Standard and his family on the straight and narrow.

Of course, the road to redemption is never straight, and "Drive" takes off in yet another unexpected—and shocking—direction.

"Drive" is determined to make Driver, despite his flaws, a sympathetic character. While his concern for innocent victims is laudable, the violence he uses to exact justice is not. His moral compass is badly skewed and veers him off the correct path.

The film contains brutal bloody violence and gore, upper female nudity and frequent rough language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog My hope is that my children reach beyond me in character. I don’t want to be their moral ceiling. That makes me responsible to guide and discipline them in directions I don’t always follow. And above all, to show them mercy for their human frailty, as I ask them to show me that same mercy for mine.

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