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ON FAITH & MEDIA View Comments

Drive

By
Joseph McAleer
Source: Catholic News Service

NEW YORK (CNS) -- You'll need a good road map to navigate the plot twists and turns of "Drive" (FilmDistrict), a dark, introspective drama about a self-absorbed loner who lives for the open road but unexpectedly finds his conscience along the way.

Despite stylish direction from Nicolas Winding Refn ("Valhalla Rising"), "Drive" ultimately suffers from an identity crisis, unable to decide whether it is an action movie, a love story, a slasher film or a morality tale. Turns out it's a little bit of everything.

Ryan Gosling portrays the driver, who is aptly called Driver, a man of few words but master of the long, penetrating stare. His coolness quotient is off the charts, reminiscent of a young Steve McQueen.

By day, Driver has two jobs: He's a stunt car driver for action movies, and he fixes cars at the auto body shop run by Shannon (Bryan Cranston).

By night, Driver and Shannon show their true colors, running heists around Los Angeles. Driver is the getaway driver, considered the best in the business.

His wheels? A souped-up Chevy Impala. "It's the most common car in California," Shannon says. "No one will be looking for it."

Not content with petty crime, Shannon buys a race car, and is determined to make Driver a star. He seeks the backing of two mob bosses, Bernie Rose (Albert Brooks), a washed-up film producer, and Nino (Ron Perlman), whose Italian restaurant (which serves Chinese food) is a front for organized crime. Soon, Shannon learns that neither mobster is particularly interested in an honest living on the NASCAR circuit.

Meanwhile, "Drive" shifts gears, as Driver takes notice of his new high-rise neighbor, Irene (Carey Mulligan), and her adorable son, Benicio (Kaden Leos). Something stirs in Driver, and soon he is part of the family, experiencing a kind of domestic bliss. Good thing Irene's husband, Standard (Oscar Isaac), is away in prison.

Just when "Drive" should be heading off into a happily-ever-after (if immoral) sunset, the film takes another turn. Standard is sprung and comes home, determined to make life better for his family. One thing, though: He still owes the mob money, and is beaten to a pulp. Driver takes pity on him, and offers to arrange one last heist, which will raise enough to put Standard and his family on the straight and narrow.

Of course, the road to redemption is never straight, and "Drive" takes off in yet another unexpected—and shocking—direction.

"Drive" is determined to make Driver, despite his flaws, a sympathetic character. While his concern for innocent victims is laudable, the violence he uses to exact justice is not. His moral compass is badly skewed and veers him off the correct path.

The film contains brutal bloody violence and gore, upper female nudity and frequent rough language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

Life's Great Questions

 
CATHOLIC GREETINGS
Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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Rejoice with a friend who is transitioning from the highs and lows of daily employment.

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Remember today all those who have fought and died for peace.

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As Church we rely on the Holy Spirit to form us in the image of Christ.




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