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ON FAITH & MEDIA View Comments

The Debt

By
Joseph McAleer
Source: Catholic News Service


Sam Worthington and Jessica Chastain star in a scene from the movie "The Debt."
The spy thriller is alive and kicking in "The Debt" (Focus), a stylish—though frequently violent—remake of the 2007 Israeli film of the same name. Directed with flair by John Madden ("Shakespeare in Love"), "The Debt" follows top-rate actors across two time periods in a suspenseful game of cat-and-mouse that will keep mature viewers on the edge of their seats, guessing whether there's more to the central events than the official story recounts.

Thirty years after their secret mission in the 1960s to capture a Nazi war criminal, three Mossad agents—Rachel (Helen Mirren), Stephan (Tom Wilkinson) and David (Ciaran Hinds)—reunite to tell their tale in a new book. The details of their exploit are told in flashback by their younger selves, portrayed respectively by Jessica Chastain, Marton Csokas and Sam Worthington.

The trio became national heroes by tracking down and capturing Dieter Vogel (Jesper Christensen), the "Surgeon of Birkenau," a Josef Mengele-like monster who killed thousands of Jews, young and old, through viciously inhumane experimentation during the Holocaust.

Vogel is discovered practicing as a gynecologist in 1965 East Berlin. The agents lay a trap with Rachel as bait; she poses as a young bride with fertility issues. Their scenes together in the examination room are squirm-inducing, as Rachel faces the man who murdered—among so many others—her own mother.

Vogel is captured and detained in the claustrophobic apartment the agents occupy, as they await the unfolding of their plan to smuggle him to the West—and to justice. When the first attempt fails, and the delay becomes interminable, patience wears thin. A psychological game begins, with Vogel—the bald, unrepentant face of anti-Semitism—playing the agents off against each other.

Rachel, an emotional wreck, has her judgment further clouded by her romantic feelings for both Stephan and David. Toss in unresolved issues of loss, anger, revenge, justice and honor and you have a deadly mix ready to explode.

While the elements listed below preclude endorsement for all but well-grounded adults open to challenging material, "The Debt" will certainly keep them guessing right to the end.

The film contains considerable bloody violence, a disturbing portrayal of anti-Semitism, brief nongraphic premarital sexual activity and some rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service



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Bernard of Clairvaux: Man of the century! Woman of the century! You see such terms applied to so many today—“golfer of the century,” “composer of the century,” “right tackle of the century”—that the line no longer has any punch. But Western Europe's “man of the twelfth century,” without doubt or controversy, has to be Bernard of Clairvaux. Adviser of popes, preacher of the Second Crusade, defender of the faith, healer of a schism, reformer of a monastic Order, Scripture scholar, theologian and eloquent preacher: any one of these titles would distinguish an ordinary man. Yet Bernard was all of these—and he still retained a burning desire to return to the hidden monastic life of his younger days. 
<p>In the year 1111, at the age of 20, Bernard left his home to join the monastic community of Citeaux. His five brothers, two uncles and some 30 young friends followed him into the monastery. Within four years a dying community had recovered enough vitality to establish a new house in the nearby valley of Wormwoods, with Bernard as abbot. The zealous young man was quite demanding, though more on himself than others. A slight breakdown of health taught him to be more patient and understanding. The valley was soon renamed Clairvaux, the valley of light. </p><p>His ability as arbitrator and counselor became widely known. More and more he was lured away from the monastery to settle long-standing disputes. On several of these occasions he apparently stepped on some sensitive toes in Rome. Bernard was completely dedicated to the primacy of the Roman See. But to a letter of warning from Rome, he replied that the good fathers in Rome had enough to do to keep the Church in one piece. If any matters arose that warranted their interest, he would be the first to let them know. </p><p>Shortly thereafter it was Bernard who intervened in a full-blown schism and settled it in favor of the Roman pontiff against the antipope. </p><p>The Holy See prevailed on Bernard to preach the Second Crusade throughout Europe. His eloquence was so overwhelming that a great army was assembled and the success of the crusade seemed assured. The ideals of the men and their leaders, however, were not those of Abbot Bernard, and the project ended as a complete military and moral disaster. </p><p>Bernard felt responsible in some way for the degenerative effects of the crusade. This heavy burden possibly hastened his death, which came August 20, 1153.</p> American Catholic Blog One of the things that we need to remember is that we’re preaching Jesus, not the institutional Church. It’s easy to get caught up in the rules and regulations of the institution and forget that we are saved not by the Church but by the person of Jesus or the Church as the body of Christ.

 
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