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ON FAITH & MEDIA View Comments

The Debt

By
Joseph McAleer
Source: Catholic News Service


Sam Worthington and Jessica Chastain star in a scene from the movie "The Debt."
The spy thriller is alive and kicking in "The Debt" (Focus), a stylish—though frequently violent—remake of the 2007 Israeli film of the same name. Directed with flair by John Madden ("Shakespeare in Love"), "The Debt" follows top-rate actors across two time periods in a suspenseful game of cat-and-mouse that will keep mature viewers on the edge of their seats, guessing whether there's more to the central events than the official story recounts.

Thirty years after their secret mission in the 1960s to capture a Nazi war criminal, three Mossad agents—Rachel (Helen Mirren), Stephan (Tom Wilkinson) and David (Ciaran Hinds)—reunite to tell their tale in a new book. The details of their exploit are told in flashback by their younger selves, portrayed respectively by Jessica Chastain, Marton Csokas and Sam Worthington.

The trio became national heroes by tracking down and capturing Dieter Vogel (Jesper Christensen), the "Surgeon of Birkenau," a Josef Mengele-like monster who killed thousands of Jews, young and old, through viciously inhumane experimentation during the Holocaust.

Vogel is discovered practicing as a gynecologist in 1965 East Berlin. The agents lay a trap with Rachel as bait; she poses as a young bride with fertility issues. Their scenes together in the examination room are squirm-inducing, as Rachel faces the man who murdered—among so many others—her own mother.

Vogel is captured and detained in the claustrophobic apartment the agents occupy, as they await the unfolding of their plan to smuggle him to the West—and to justice. When the first attempt fails, and the delay becomes interminable, patience wears thin. A psychological game begins, with Vogel—the bald, unrepentant face of anti-Semitism—playing the agents off against each other.

Rachel, an emotional wreck, has her judgment further clouded by her romantic feelings for both Stephan and David. Toss in unresolved issues of loss, anger, revenge, justice and honor and you have a deadly mix ready to explode.

While the elements listed below preclude endorsement for all but well-grounded adults open to challenging material, "The Debt" will certainly keep them guessing right to the end.

The film contains considerable bloody violence, a disturbing portrayal of anti-Semitism, brief nongraphic premarital sexual activity and some rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service





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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog We have a responsibility to balance the scales, to show love where there is hate, to provide food where there is hunger, and to protect what is vulnerable. If life has treated you well, then justice demands that you help balance the scales.

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CATHOLIC GREETINGS
Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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Send an encouraging message to someone you know who cares for another, either professionally or at home.

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