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ON FAITH & MEDIA View Comments

The Debt

By
Joseph McAleer
Source: Catholic News Service


Sam Worthington and Jessica Chastain star in a scene from the movie "The Debt."
The spy thriller is alive and kicking in "The Debt" (Focus), a stylish—though frequently violent—remake of the 2007 Israeli film of the same name. Directed with flair by John Madden ("Shakespeare in Love"), "The Debt" follows top-rate actors across two time periods in a suspenseful game of cat-and-mouse that will keep mature viewers on the edge of their seats, guessing whether there's more to the central events than the official story recounts.

Thirty years after their secret mission in the 1960s to capture a Nazi war criminal, three Mossad agents—Rachel (Helen Mirren), Stephan (Tom Wilkinson) and David (Ciaran Hinds)—reunite to tell their tale in a new book. The details of their exploit are told in flashback by their younger selves, portrayed respectively by Jessica Chastain, Marton Csokas and Sam Worthington.

The trio became national heroes by tracking down and capturing Dieter Vogel (Jesper Christensen), the "Surgeon of Birkenau," a Josef Mengele-like monster who killed thousands of Jews, young and old, through viciously inhumane experimentation during the Holocaust.

Vogel is discovered practicing as a gynecologist in 1965 East Berlin. The agents lay a trap with Rachel as bait; she poses as a young bride with fertility issues. Their scenes together in the examination room are squirm-inducing, as Rachel faces the man who murdered—among so many others—her own mother.

Vogel is captured and detained in the claustrophobic apartment the agents occupy, as they await the unfolding of their plan to smuggle him to the West—and to justice. When the first attempt fails, and the delay becomes interminable, patience wears thin. A psychological game begins, with Vogel—the bald, unrepentant face of anti-Semitism—playing the agents off against each other.

Rachel, an emotional wreck, has her judgment further clouded by her romantic feelings for both Stephan and David. Toss in unresolved issues of loss, anger, revenge, justice and honor and you have a deadly mix ready to explode.

While the elements listed below preclude endorsement for all but well-grounded adults open to challenging material, "The Debt" will certainly keep them guessing right to the end.

The film contains considerable bloody violence, a disturbing portrayal of anti-Semitism, brief nongraphic premarital sexual activity and some rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service



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Mary Ann of Jesus of Paredes: Mary Ann grew close to God and his people during her short life. 
<p>The youngest of eight, Mary Ann was born in Quito, Ecuador, which had been brought under Spanish control in 1534. She joined the Secular Franciscans and led a life of prayer and penance at home, leaving her parents’ house only to go to church and to perform some work of charity. She established in Quito a clinic and a school for Africans and indigenous Americans. When a plague broke out, she nursed the sick and died shortly thereafter.</p><p>She was canonized by Pope Pius XII in 1950.</p> American Catholic Blog At times Scripture holds a mirror up to our face and we don’t like what we see. The Word is truth, and sometimes the truth is painful. But so is antiseptic on a wound. Scripture challenges us only to heal us and call us to growth. No pain, no gain.


 
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