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ON FAITH & MEDIA View Comments

Don't Be Afraid of the Dark

By
Kurt Jensen
Source: Catholic News Service

"Don't Be Afraid of the Dark" (FilmDistrict) has so little to commend it—even as a conventional horror film—that it might as well be titled "You Won't Be Afraid of This Movie."

With only one real fright—generated by the initial appearance of a cluster of tiny, angry goblins living in a basement furnace—this staid and stale remake of the 1973 made-for TV film offers equally little fodder for moral discussion.

About the closest thing to dialogue it might inspire would be viewers shouting at the characters on screen, "How can you people be so dumb?"

It appears that the filmmakers pushed for an R rating to give their project some credibility with fans of gore. But surprisingly, and happily, there's little of that to be seen.

As directed by Troy Nixey and written by Guillermo del Toro and Matthew Robbins, this version adds a sad and troubled child to the earlier film's haunted-house mix. That's Sally (Bailee Madison), the daughter of ambitious, divorced architect Alex (Guy Pearce).

Together with his new live-in girlfriend Kim (Katie Holmes), Alex is restoring a brick Tudor mansion in Providence, R.I., with the aim of showcasing it in Architectural Digest and launching his career into the big time.

The house had been owned by famed artist Emerson Blackwood (Garry McDonald) whose life, along with that of his young son, came to a mysterious end in the manse. Sally's not thrilled about staying there since she realizes that her mother has abandoned her, and since she's by no means keen on Kim. Plus, it's autumn and the place is gloomy both inside and out.

Spooky high jinks ensue, logic flies out every available fenestration, and soon there are demons in the ductwork. Sally finds the sealed-off basement, is lured to the furnace, lets out the goblins and tries to befriend them. By then, the only remaining question is: Who's going to get pulled to the lower depths?

On a library visit to investigate Blackwood, Kim learns that the critters need humans to restore their ranks (though how, exactly, this works is never explained), and that they also had some dealings with Pope Sylvester II way back in the late 10th, early 11th century.

Open your church history textbooks and you'll discover that this is an ancient canard. The pontiff in question—an energetic advocate of church reform and the first Frenchman to occupy the chair of Peter—had a number of talents, including a gift for mathematics. He is credited not only with the introduction of Arabic numerals into Western math but also as the inventor of the pendulum clock.

Sylvester, however, was so fast with his abacus—a device he is also said to have reintroduced to Europe—that the more superstitious members of his flock murmured that he was in league with Satan.

For this, poor man, he gets smeared in a bad horror movie more than a millennium after his death.

The film contains intense action scenes with a bit of gore, cohabitation and fleeting profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog A mother journeys with her children all the way through their lives. She does not abandon her maternal mission when they are grown, though that mission certainly takes on different characteristics. The Church, too, accompanies us every step of the way. While baptism gives us birth into the Church, the other sacraments in their own way also nurture our souls as needed.

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