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ON FAITH & MEDIA View Comments

Don't Be Afraid of the Dark

By
Kurt Jensen
Source: Catholic News Service

"Don't Be Afraid of the Dark" (FilmDistrict) has so little to commend it—even as a conventional horror film—that it might as well be titled "You Won't Be Afraid of This Movie."

With only one real fright—generated by the initial appearance of a cluster of tiny, angry goblins living in a basement furnace—this staid and stale remake of the 1973 made-for TV film offers equally little fodder for moral discussion.

About the closest thing to dialogue it might inspire would be viewers shouting at the characters on screen, "How can you people be so dumb?"

It appears that the filmmakers pushed for an R rating to give their project some credibility with fans of gore. But surprisingly, and happily, there's little of that to be seen.

As directed by Troy Nixey and written by Guillermo del Toro and Matthew Robbins, this version adds a sad and troubled child to the earlier film's haunted-house mix. That's Sally (Bailee Madison), the daughter of ambitious, divorced architect Alex (Guy Pearce).

Together with his new live-in girlfriend Kim (Katie Holmes), Alex is restoring a brick Tudor mansion in Providence, R.I., with the aim of showcasing it in Architectural Digest and launching his career into the big time.

The house had been owned by famed artist Emerson Blackwood (Garry McDonald) whose life, along with that of his young son, came to a mysterious end in the manse. Sally's not thrilled about staying there since she realizes that her mother has abandoned her, and since she's by no means keen on Kim. Plus, it's autumn and the place is gloomy both inside and out.

Spooky high jinks ensue, logic flies out every available fenestration, and soon there are demons in the ductwork. Sally finds the sealed-off basement, is lured to the furnace, lets out the goblins and tries to befriend them. By then, the only remaining question is: Who's going to get pulled to the lower depths?

On a library visit to investigate Blackwood, Kim learns that the critters need humans to restore their ranks (though how, exactly, this works is never explained), and that they also had some dealings with Pope Sylvester II way back in the late 10th, early 11th century.

Open your church history textbooks and you'll discover that this is an ancient canard. The pontiff in question—an energetic advocate of church reform and the first Frenchman to occupy the chair of Peter—had a number of talents, including a gift for mathematics. He is credited not only with the introduction of Arabic numerals into Western math but also as the inventor of the pendulum clock.

Sylvester, however, was so fast with his abacus—a device he is also said to have reintroduced to Europe—that the more superstitious members of his flock murmured that he was in league with Satan.

For this, poor man, he gets smeared in a bad horror movie more than a millennium after his death.

The film contains intense action scenes with a bit of gore, cohabitation and fleeting profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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