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ON FAITH & MEDIA View Comments

Our Idiot Brother

By
John Mulderig
Source: Catholic News Service


Adam Scott and Paul Rudd star in a scene from the movie "Our Idiot Brother."
As it follows its gentle, ridiculously naive central character's efforts to navigate his way through the cynical jungle of modern society, "Our Idiot Brother" (Weinstein) recalls such memorable screen tales as "Being There" from 1980 and 1994's "Forrest Gump." Yet, while occasionally effective—though hardly equal in impact to those earlier titles—this satire is also sexually errant.

Opening scenes see our hero, a hippie produce farmer named Ned (Paul Rudd), demonstrating his profound cluelessness by blithely selling a stash of marijuana to a uniformed police officer. Emerging from prison some years later, Ned find that his selfish live-in girlfriend Janet (Kathryn Hahn) has taken up with a new beau called Billy (T.J. Miller), leaving no room—or role—on the farm for Ned.

Homeless and broke, Ned seeks shelter with his mother, Ilene (Shirley Knight). But Ilene's lifestyle alternates boring errands by day with tippling by night.

So it's not long before Ned is lodging, in succession, with each of his trio of tightly wound sisters: politically correct lefty homemaker and overprotective mom Liz (Emily Mortimer), driven fashion journalist Miranda (Elizabeth Banks) and aspiring stand-up comic Natalie (Zooey Deschanel).

Predictably, Ned's habit of guileless truth-telling wreaks havoc on the lives of his self-serious siblings, as he unintentionally hurls verbal grenades that threaten Liz's marriage to pretentious documentarian Dylan (Steve Coogan), Miranda's romance-tinged friendship with her neighbor Jeremy (Adam Scott) and bisexual Natalie's relationship with cohabiting girlfriend Cindy (Rashida Jones).

Director Jesse Peretz's underplayed comedy scores a few hits on modern mores as it contrasts Ned's straightforwardness with the compromises and moral corner-cutting that underlie his sisters' ostensibly more successful lives. But its use of nudity and sexual situations to elicit laughs, as well as its mainstreaming of Natalie's lesbianism, make it inappropriate for all.

The film contains strong sexual content, including graphic aberrant sexual activity, adultery, partial frontal, upper female and rear nudity, implicit acceptance of homosexual behavior, a narcotics theme, about a dozen uses of profanity and much rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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All Saints: The earliest certain observance of a feast in honor of all the saints is an early fourth-century commemoration of "all the martyrs." In the early seventh century, after successive waves of invaders plundered the catacombs, Pope Boniface IV gathered up some 28 wagonloads of bones and reinterred them beneath the Pantheon, a Roman temple dedicated to all the gods. The pope rededicated the shrine as a Christian church. According to Venerable Bede, the pope intended "that the memory of all the saints might in the future be honored in the place which had formerly been dedicated to the worship not of gods but of demons" (<i>On the Calculation of Time</i>). 
<p>But the rededication of the Pantheon, like the earlier commemoration of all the martyrs, occurred in May. Many Eastern Churches still honor all the saints in the spring, either during the Easter season or immediately after Pentecost. </p><p>How the Western Church came to celebrate this feast, now recognized as a solemnity, in November is a puzzle to historians. The Anglo-Saxon theologian Alcuin observed the feast on November 1 in 800, as did his friend Arno, Bishop of Salzburg. Rome finally adopted that date in the ninth century.</p> American Catholic Blog Touch can be an act of kindness when someone is dying. If you visit a sick person and find that you are at a loss for words, reach out and touch her hand.

 
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