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ON FAITH & MEDIA View Comments

Conan the Barbarian

By
John P. McCarthy
Source: Catholic News Service

Bringing 21st-century moviemaking techniques to the sword-and-sorcery subgenre, the makers of "Conan the Barbarian" (Lionsgate) have delivered up a blood-saturated piece of hokum. Although visually dynamic, the 3-D action-adventure is exceedingly violent and bereft of any positive message.

In the role that brought Arnold Schwarzenegger to prominence back in 1982, Jason Momoa plays the eponymous warrior. Bent on avenging his father's murder, which he witnessed as a boy (after literally being born on the battlefield), Conan pursues the culprit, Khalar Zym (Stephen Lang), throughout the mythical land of Hyboria.

The stakes are raised when warlord Zym and his half-witch daughter, Marique (Rose McGowan), kidnap the last descendant of the House of Acheron, a martial arts maiden named Tamara (Rachel Nichols). Tamara's blood has the ability to reanimate an ancient mask, thus giving Zym supreme powers.

About two-thirds of the way in, Conan expresses his philosophy: "I live. I love. I slay...I am content." He's right about the slaying part, but the only values he upholds are filial loyalty and an antipathy toward slavery. Regrettably, he demonstrates the latter by urging freed slaves to kill their former captor in a distinctly cruel and inhumane manner.

With Marcus Nispel—who specializes in directing remakes (such as 2003's "The Texas Chainsaw Massacre" and 2009's "Friday the 13th")—at the helm, the production values are quite impressive. The expected cheesiness is minimized by solid cinematography and special effects; and the 3-D format proves more of a plus than is often the case.

As for the plot, the three credited screenwriters—Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood—attempt to ground the mayhem in a relatively detailed legend about the pagan milieu, based on the 1930s pulp fiction of Conan creator Robert E. Howard. Alas, with few respites from the brutality, the story quickly becomes irrelevant.

As one fight sequence follows another, blood appears to begin spurting even before the sword blows have landed.

No mercy is shown for anyone on, or off, the screen. And since no social or moral values, other than those mentioned above—and, perhaps, brute physical courage—are actually affirmed, the numerous objectionable elements listed below stand out all the more starkly.

The film contains pervasive graphic violence -- including decapitations, severed limbs and torture—explicit nonmarital sexual activity, considerable upper female and brief rear male nudity, some sexual innuendo and one instance of crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Peter Regalado: Peter lived at a very busy time in history. The Great Western Schism (1378-1417) was settled at the Council of Constance (1414-1418). France and England were fighting the Hundred Years’ War, and in 1453 the Byzantine Empire was completely wiped out by the loss of Constantinople to the Turks. At Peter’s death the age of printing had just begun in Germany, and Columbus's arrival in the New World was less than 40 years away. 
<p>Peter came from a wealthy and pious family in Valladolid, Spain. At the age of 13, he was allowed to enter the Conventual Franciscans. Shortly after his ordination, he was made superior of the friary in Aguilar. He became part of a group of friars who wanted to lead a life of greater poverty and penance. In 1442 he was appointed head of all the Spanish Franciscans in his reform group. </p><p>Peter led the friars by his example. A special love of the poor and the sick characterized Peter. Miraculous stories are told about his charity to the poor. For example, the bread never seemed to run out as long as Peter had hungry people to feed. Throughout most of his life, Peter went hungry; he lived only on bread and water. </p><p>Immediately after his death on March 31, 1456, his grave became a place of pilgrimage. Peter was canonized in 1746.</p> American Catholic Blog Father, Jesus offered us the greatest gift he could–Himself as the food for ourselves–and the people's rejection of that gift broke His heart. Yet many Christians do the same thing today by reducing the gift of Christ’s body and blood to near symbolism. Father, help us to understand and accept Jesus as He is and never let us be a disappointment to Him! We ask this in His name, Amen.


 
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