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ON FAITH & MEDIA View Comments

Conan the Barbarian

By
John P. McCarthy
Source: Catholic News Service

Bringing 21st-century moviemaking techniques to the sword-and-sorcery subgenre, the makers of "Conan the Barbarian" (Lionsgate) have delivered up a blood-saturated piece of hokum. Although visually dynamic, the 3-D action-adventure is exceedingly violent and bereft of any positive message.

In the role that brought Arnold Schwarzenegger to prominence back in 1982, Jason Momoa plays the eponymous warrior. Bent on avenging his father's murder, which he witnessed as a boy (after literally being born on the battlefield), Conan pursues the culprit, Khalar Zym (Stephen Lang), throughout the mythical land of Hyboria.

The stakes are raised when warlord Zym and his half-witch daughter, Marique (Rose McGowan), kidnap the last descendant of the House of Acheron, a martial arts maiden named Tamara (Rachel Nichols). Tamara's blood has the ability to reanimate an ancient mask, thus giving Zym supreme powers.

About two-thirds of the way in, Conan expresses his philosophy: "I live. I love. I slay...I am content." He's right about the slaying part, but the only values he upholds are filial loyalty and an antipathy toward slavery. Regrettably, he demonstrates the latter by urging freed slaves to kill their former captor in a distinctly cruel and inhumane manner.

With Marcus Nispel—who specializes in directing remakes (such as 2003's "The Texas Chainsaw Massacre" and 2009's "Friday the 13th")—at the helm, the production values are quite impressive. The expected cheesiness is minimized by solid cinematography and special effects; and the 3-D format proves more of a plus than is often the case.

As for the plot, the three credited screenwriters—Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood—attempt to ground the mayhem in a relatively detailed legend about the pagan milieu, based on the 1930s pulp fiction of Conan creator Robert E. Howard. Alas, with few respites from the brutality, the story quickly becomes irrelevant.

As one fight sequence follows another, blood appears to begin spurting even before the sword blows have landed.

No mercy is shown for anyone on, or off, the screen. And since no social or moral values, other than those mentioned above—and, perhaps, brute physical courage—are actually affirmed, the numerous objectionable elements listed below stand out all the more starkly.

The film contains pervasive graphic violence -- including decapitations, severed limbs and torture—explicit nonmarital sexual activity, considerable upper female and brief rear male nudity, some sexual innuendo and one instance of crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.





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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog We have a responsibility to balance the scales, to show love where there is hate, to provide food where there is hunger, and to protect what is vulnerable. If life has treated you well, then justice demands that you help balance the scales.

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