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ON FAITH & MEDIA View Comments

Fright Night

By
John Mulderig
Source: Catholic News Service

Initially restrained bloodletting gives way to gore galore in the horror-comedy mix "Fright Night" (Disney). As penned by Marti Noxon (TV's "Buffy the Vampire Slayer"), moreover, the script for director Craig Gillespie's nocturnal remake of the 1985 cult classic of the same title is peppered with obscenities from beginning to end.

Set in a physical and spiritual wasteland—a small Levittown-style suburb on the outskirts of Las Vegas that eerie opening shots reveal to be surrounded by the Nevada desert—this is the story of ex-geek and current cool dude Charley Brewster (Anton Yelchin).

Charley's rise up the teen social ladder has gained him the love interest of comely classmate Amy (Imogen Poots). But it's also required him to ditch his still-nerdy best friend of boyhood days, Ed (Christopher Mintz-Plasse).

So when Ed insists on pestering Charley with his wild claim that Charley's new neighbor Jerry (Colin Farrell) is a vampire responsible for the sudden disappearance of a number of their school chums, Charley is inclined to chalk it up to Ed's overheated, Dungeons and Dragons-haunted imagination.

Until, that is, Ed himself disappears, leaving behind such evidence of Jerry's real nature as videotapes on which—true to bloodsucker lore—Jerry is present, but invisible.

Fearful that the toothy predator's next victim could be either Amy or his flirtatious divorced mom Jane (Toni Collette), Charley seeks the aid of occult-obsessed illusionist Peter Vincent (David Tennant). A dissolute Brit whose decadent booze-and-broads lifestyle is currently financed by a successful show on the Strip, Peter bills himself as an expert on the undead.

"Fright Night's" intentionally jarring contrast of glum realism and occult fantasy is occasionally intriguing. And the proceedings do yield some fun humor; Ed, for instance, is grievously insulted when Charley accuses him of being a "Twilight" fan, while hard-drinking Peter's tipple of choice is not scotch or bourbon but the melon-flavored liqueur Midori.

Yet the blood spurting and vulgarity spouting soon extinguish such flickers of wit.

Equally troublesome is a portrayal of teen sexuality that implies that there's something abnormal in the fact that Charley and Amy—high school seniors both who therefore may or may not be of age—have yet to sleep together. Midway through, Amy is ready to change this, but Charley is too distracted by his pursuit of Jerry to take advantage of the opportunity.

By the time the credits are about to roll, however, circumstances have changed, and the off-screen result is presented as something of a reward for our hero, and the consummation, so to speak, of a happy ending.

The film contains excessive graphic violence, a benign view of teen sexual activity, brief rear nudity, several uses of profanity and pervasive rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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