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ON FAITH & MEDIA View Comments

The Help

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

“The Help” is based on Kathryn Stockett’s 2009 best selling novel of the same name.  I thoroughly enjoyed the book. Even though it is a fast read, it is a great read.
 
It is Jackson, Mississipi, in 1962.  Eugenia “Skeeter” Phelan (Emma Stone) returns home to her privileged life in Jackson, Mississipi.  All her friends are married with children and following the paths of their mother’s before them, they have hired maids, or “the help”. These are African American women who have served these families for generations, with great love and personal sacrifice. And for what? Often for very low wages and to be mistreated.
 
Skeeter tries to get a job in New York but an editor tells her to get experience. She is hired at the local paper to write household hints, about which she knows nothing. So she asks “the help.”
 
She begins with Aibileen Clark (Viola Davis) who tells the little girl she cares for, “You is kind, you is smart, you is important.” But the child is chubby and her mother is embarrassed by her.
 
Meanwhile, Minnie (Octavia Spencer) manages to get herself fired by the horrible rumor monger Holly Holbrook, who heads the local women’s society. Minnie’s sweet revenge is priceless. Sissy Spacek plays Mrs. Walter, Hilly’s mother. She is in the early stages of dementia, and she gets Hilly, too, with hilarious élan.
 
The rest of the maids are unwilling to tell their stories because they fear retribution. But an event galvanizes them. When the book is published, you can imagine the reaction.
 
The cast is filled with the finest African American actresses of our day, beginning with Cicely Tyson, as Constantine, the maid who brought up Skeeter. Emma Stone seems everywhere this summer, and she is credible and spirited. 
 
Yes, the white women are caricatures as contrasted with “the help.” And the film looks almost too pretty to tell stories of such heartbreak and betrayal.
 
But we get the point. Racism, white on white, too—and domestic abuse—is with us today, hidden behind closed doors.
 
“The Help” is a tribute to human dignity, faith, and forgiveness. It  is relevant, engaging, and entertaining. It will take you by the heart.


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Ludovico of Casoria: Born in Casoria (near Naples), Arcangelo Palmentieri was a cabinet-maker before entering the Friars Minor in 1832, taking the name Ludovico. After his ordination five years later, he taught chemistry, physics and mathematics to younger members of his province for several years. 
<p>In 1847 he had a mystical experience which he later described as a cleansing. After that he dedicated his life to the poor and the infirm, establishing a dispensary for the poor, two schools for African children, an institute for the children of nobility, as well as an institution for orphans, the deaf and the speechless, and other institutes for the blind, elderly and for travelers. In addition to an infirmary for friars of his province, he began charitable institutes in Naples, Florence and Assisi. He once said, "Christ’s love has wounded my heart." This love prompted him to great acts of charity.
</p><p>To help continue these works of mercy, in 1859 he established the Gray Brothers, a religious community composed of men who formerly belonged to the Secular Franciscan Order. Three years later he founded the Gray Sisters of St. Elizabeth for the same purpose.
</p><p>Toward the beginning of his final, nine-year illness, Ludovico wrote a spiritual testament which described faith as "light in the darkness, help in sickness, blessing in tribulations, paradise in the crucifixion and life amid death." The local work for his beatification began within five months of Ludovico’s death. He was beatified in 1993.</p> American Catholic Blog Father, there are so many times when I attempt to do something good, and disturbing situations arise, as if someone or some power is trying to stop me. Give me the grace never to be afraid or avoid doing good for fear of Satan. In Jesus's name, Father, I ask for this grace, Amen.


 
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