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ON FAITH & MEDIA View Comments

The Help

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

“The Help” is based on Kathryn Stockett’s 2009 best selling novel of the same name.  I thoroughly enjoyed the book. Even though it is a fast read, it is a great read.
 
It is Jackson, Mississipi, in 1962.  Eugenia “Skeeter” Phelan (Emma Stone) returns home to her privileged life in Jackson, Mississipi.  All her friends are married with children and following the paths of their mother’s before them, they have hired maids, or “the help”. These are African American women who have served these families for generations, with great love and personal sacrifice. And for what? Often for very low wages and to be mistreated.
 
Skeeter tries to get a job in New York but an editor tells her to get experience. She is hired at the local paper to write household hints, about which she knows nothing. So she asks “the help.”
 
She begins with Aibileen Clark (Viola Davis) who tells the little girl she cares for, “You is kind, you is smart, you is important.” But the child is chubby and her mother is embarrassed by her.
 
Meanwhile, Minnie (Octavia Spencer) manages to get herself fired by the horrible rumor monger Holly Holbrook, who heads the local women’s society. Minnie’s sweet revenge is priceless. Sissy Spacek plays Mrs. Walter, Hilly’s mother. She is in the early stages of dementia, and she gets Hilly, too, with hilarious élan.
 
The rest of the maids are unwilling to tell their stories because they fear retribution. But an event galvanizes them. When the book is published, you can imagine the reaction.
 
The cast is filled with the finest African American actresses of our day, beginning with Cicely Tyson, as Constantine, the maid who brought up Skeeter. Emma Stone seems everywhere this summer, and she is credible and spirited. 
 
Yes, the white women are caricatures as contrasted with “the help.” And the film looks almost too pretty to tell stories of such heartbreak and betrayal.
 
But we get the point. Racism, white on white, too—and domestic abuse—is with us today, hidden behind closed doors.
 
“The Help” is a tribute to human dignity, faith, and forgiveness. It  is relevant, engaging, and entertaining. It will take you by the heart.


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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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