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ON FAITH & MEDIA View Comments

Final Destination 5

By
John Mulderig
Source: Catholic News Service

What has become a cinematic meat grinder of a franchise churns on with "Final Destination 5" (Warner Bros.). Appealing exploitatively to the worst in human nature—a morbid desire to watch special-effects-fodder characters killed off in various nauseating ways—director Steven Quale's gorefest is mind-numbingly boring when not repulsive.

The current retread of the all-too-familiar formula behind these flicks sees a group of paper factory executives—played by Emma Bell, Miles Fisher, Ellen Wroe, P.J. Byrne, Arlen Escarpeta and David Koechner—managing to evade death thanks to the timely premonition of a colleague named Sam (Nicholas D'Agosto). Sam mystically foresees the collapse of the bridge the co-workers are crossing on their way to a corporate retreat.

But the Grim Reaper, who clearly doesn't appreciate being hustled, begins evening his accounts by subjecting each survivor in succession to a bizarre and grisly end. These range from an acupuncture session and a laser eye surgery appointment that both go horribly wrong to a gymnastics incident that even the notorious East German Olympic judges of old would have been justified in scoring low.

Stitching these scenes of mayhem together, barely, is something like a plotline about Sam leaving the paper industry behind to pursue his real interest—haute cuisine—by becoming an intern chef at a Paris restaurant.

But what will this mean for his relationship with girlfriend Molly (Bell)? Of course no one cares, and the cooking angle is just an excuse to tease viewers with the meat cleavers, flaming skillets and bubbling deep fryers of the eatery where Sam moonlights after office hours.

Those conversant with Russian dramatist Anton Chekhov's dictum that, if a revolver is seen in the first act of a play it must be fired in the second or third act, will be suitably alarmed to note that this array of kitchen equipment also includes a huge pointed skewer for roasting meat.

Coming at you, as they say, and in 3-D.

The film contains pervasive gruesome violence, a few rough and about a dozen crude terms and some sexual references. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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