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ON FAITH & MEDIA View Comments

Glee The 3D Concert Movie

By
Joseph McAleer
Source: Catholic News Service

One of the more popular television programs of recent years leaps to the big screen with "Glee The 3D Concert Movie" (Fox), a documentary-style look at a live-performance tour by the show's ensemble that comes complete with backstage drama, screaming fans and some very loud music.

While its overarching message of love and tolerance may be well-intentioned, however, as directed by MTV veteran Kevin Tancharoen, "Glee" takes its hallmark "anything goes" attitude to moral excess by its endorsement of the homosexual lifestyle.

On the surface, the film, like its TV counterpart, appears to be innocent karaoke, with fresh-faced "teens" (most of them, in reality, well past high school age) expressing their inner angst and searching for acceptance by singing cover versions of popular songs by everyone from the Beatles to Barbra Streisand, Katy Perry and Lady Gaga.

More disturbingly, interspersed with the musical numbers are profiles of dedicated fans, called "Gleeks," whose lives have supposedly been transformed and given meaning by the show. These include a gay teen who is cruelly outed by his school fellows, and a perky dwarf cheerleader whose small stature proves no bar to becoming prom queen.

For Gleeks, we learn, "Glee" is their religion, a politically correct gospel of universal acceptance. Anyone can be a Gleek, regardless of race, gender, disability or sexual orientation. No one is a loser; everyone wins and takes center stage in life.

While obviously not a substitute for real faith, this credo could be, within proper limits, a good ethical message to instill in impressionable young people. But the inclusion of homosexuality among the categories by which teens are to be both defined and affirmed blurs the line between upholding the dignity of the individual and recognizing that certain sexual behavior must be rejected as immoral since, by its very nature, it detracts from the fullness of that same dignity.

While insisting on compassion and support for those with same-sex attraction, and condemning discrimination against them as individuals, the Catholic Church, in its faithfulness to Scripture and tradition, cannot condone—much less celebrate, as this movie does—the misguided choice to follow through on such an attraction.

The film contains explicit endorsement of the homosexual lifestyle as well as some provocative lyrics and dancing. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.



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Peter Julian Eymard: Born in La Mure d'Isère in southeastern France, Peter Julian's faith journey drew him from being a priest in the Diocese of Grenoble (1834) to joining the Marists (1839) to founding the Congregation of the Blessed Sacrament (1856). 
<p>In addition to those changes, Peter Julian coped with poverty, his father's initial opposition to Peter's vocation, serious illness, a Jansenistic overemphasis on sin and the difficulties of getting diocesan and later papal approval for his new religious community. </p><p>His years as a Marist, including service as a provincial leader, saw the deepening of his eucharistic devotion, especially through his preaching of Forty Hours in many parishes.<p.the x="" in="" 1905.<p="" piux="" pope="" by="" backing="" authoritative="" more="" given="" idea="" an="" communion,="" holy="" frequent="" of="" proponent="" tireless="" a="" was="" he="" again.="" communion="" receiving="" begin="" and="" repent="" to="" them="" inviting="" catholics,="" non-practicing="" out="" reached="" also="" it="" communion.="" first="" their="" receive="" prepare="" paris="" children="" with="" working="" began="" sacrament="" blessed="" the="" congregation="">Inspired at first by the idea of reparation for indifference to the Eucharist, Peter Julian was eventually attracted to a more positive spirituality of Christ-centered love. Members of the men's community, which Peter founded, alternated between an active apostolic life and contemplating Jesus in the Eucharist. He and Marguerite Guillot founded the women's Congregation of the Servants of the Blessed Sacrament. 
<p>Peter Julian Eymard was beatified in 1925 and canonized in 1962, one day after Vatican II's first session ended.</p></p.the></p><p></p><p></p><p></p> American Catholic Blog Let us learn to be detached from possessiveness and from the idolatry of money and lavish spending. Let us put Jesus first. –Pope Francis

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