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ON FAITH & MEDIA View Comments

Cowboys & Aliens

By
John Mulderig
Source: Catholic News Service


Daniel Craig stars in the movie "Cowboys & Aliens."
When aggressive extraterrestrials attack a ramshackle 19th-century frontier village in "Cowboys & Aliens" (Universal), the hopelessly outgunned townsfolk are—not surprisingly—perplexed. "Who are these celestial invaders, armed with machines that can fly," they seem to wonder, "and why are they interrupting our Western?"

While judgments may vary as to the aesthetic success of this experiment in genre bending, this much can be said with certainty: Interludes of harsh violence, ranging from brutal fistfights to more high-tech mayhem, restrict the appropriate audience for director Jon Favreau's adaptation of Scott Mitchell Rosenberg's graphic novel.

So, too, do some tacked-on but dubious theological trimmings. These come courtesy of the two-bit burg's resident preacher, Meacham (Clancy Brown).

Though the filmmakers have done enough research to create an atmospheric, if downbeat, evocation of the Old West, their inquiries do not seem to have extended to the Protestantism that prevailed amid the tumbleweeds. That much becomes clear when Meacham talks, incongruously, of granting "absolution" to another character.

That term, if it had meant anything to a minister of Meacham's ostensible stripe, would have been exclusively associated with the Catholic clergy, and therefore with the supposed "errors" of the Church of Rome. Yet Absolution, we learn, is also the name of the very town Meacham shepherds.

In the same conversation, Meacham seems to suggest that being true to ourselves is more important than following God's plan for us, though his phraseology—as supplied by no fewer than five credited screenwriters—is too diffuse to pin down precisely.

On the receiving end of Meacham's discourse is one of the two flawed heroes of the piece, ex-outlaw Jake Lonergan (Daniel Craig), a man who—as it develops—could certainly afford to be well shriven. At the moment, however, Jake can remember nothing of his past, sinful or otherwise, because he's just back from an alien abduction that left him with a bad case of amnesia and a strange bracelet on his wrist.

When the unwanted visitors follow up their rough treatment of Jake with the aforementioned assault on the local community, a posse is formed to pursue these inexplicable adversaries and rescue their victims.

Jake is joined, at the head of this hunt, by ruthless local cattle baron Woodrow Dolarhyde (Harrison Ford) and by mysterious stranger Ella Swenson (Olivia Wilde), who seems to know more than she's saying.

As the motley crew under their command gradually unites, both Jake and Dolarhyde show the better sides of themselves, returning us to the theme of reform and redemption.

Second chances have always accompanied westward expansion, at least onscreen So it's not surprising, perhaps that the sometimes clever, but ultimately unsatisfying "Cowboys & Aliens" works much better, in the end, as a campfire tale than as an intergalactic showdown.

The film contains intense, sometimes gory violence, including torture, brief partial nudity, ritual drug use, about a half-dozen uses of profanity, as well as a few crude and some crass terms. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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Ven. Pierre Toussaint
This former slave is one of many American holy people whose life particularly models Christian values.

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