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Cowboys & Aliens

John Mulderig
Source: Catholic News Service

Daniel Craig stars in the movie "Cowboys & Aliens."
When aggressive extraterrestrials attack a ramshackle 19th-century frontier village in "Cowboys & Aliens" (Universal), the hopelessly outgunned townsfolk are—not surprisingly—perplexed. "Who are these celestial invaders, armed with machines that can fly," they seem to wonder, "and why are they interrupting our Western?"

While judgments may vary as to the aesthetic success of this experiment in genre bending, this much can be said with certainty: Interludes of harsh violence, ranging from brutal fistfights to more high-tech mayhem, restrict the appropriate audience for director Jon Favreau's adaptation of Scott Mitchell Rosenberg's graphic novel.

So, too, do some tacked-on but dubious theological trimmings. These come courtesy of the two-bit burg's resident preacher, Meacham (Clancy Brown).

Though the filmmakers have done enough research to create an atmospheric, if downbeat, evocation of the Old West, their inquiries do not seem to have extended to the Protestantism that prevailed amid the tumbleweeds. That much becomes clear when Meacham talks, incongruously, of granting "absolution" to another character.

That term, if it had meant anything to a minister of Meacham's ostensible stripe, would have been exclusively associated with the Catholic clergy, and therefore with the supposed "errors" of the Church of Rome. Yet Absolution, we learn, is also the name of the very town Meacham shepherds.

In the same conversation, Meacham seems to suggest that being true to ourselves is more important than following God's plan for us, though his phraseology—as supplied by no fewer than five credited screenwriters—is too diffuse to pin down precisely.

On the receiving end of Meacham's discourse is one of the two flawed heroes of the piece, ex-outlaw Jake Lonergan (Daniel Craig), a man who—as it develops—could certainly afford to be well shriven. At the moment, however, Jake can remember nothing of his past, sinful or otherwise, because he's just back from an alien abduction that left him with a bad case of amnesia and a strange bracelet on his wrist.

When the unwanted visitors follow up their rough treatment of Jake with the aforementioned assault on the local community, a posse is formed to pursue these inexplicable adversaries and rescue their victims.

Jake is joined, at the head of this hunt, by ruthless local cattle baron Woodrow Dolarhyde (Harrison Ford) and by mysterious stranger Ella Swenson (Olivia Wilde), who seems to know more than she's saying.

As the motley crew under their command gradually unites, both Jake and Dolarhyde show the better sides of themselves, returning us to the theme of reform and redemption.

Second chances have always accompanied westward expansion, at least onscreen So it's not surprising, perhaps that the sometimes clever, but ultimately unsatisfying "Cowboys & Aliens" works much better, in the end, as a campfire tale than as an intergalactic showdown.

The film contains intense, sometimes gory violence, including torture, brief partial nudity, ritual drug use, about a half-dozen uses of profanity, as well as a few crude and some crass terms. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

John Mulderig is on the staff of Catholic News Service.

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Marie-Rose Durocher: Canada was one diocese from coast to coast during the first eight years of Marie-Rose Durocher’s life. Its half-million Catholics had received civil and religious liberty from the English only 44 years before. When Marie-Rose was 29, Bishop Ignace Bourget became bishop of Montreal. He would be a decisive influence in her life. 
<p>He faced a shortage of priests and sisters and a rural population that had been largely deprived of education. Like his counterparts in the United States, he scoured Europe for help and himself founded four communities, one of which was the Sisters of the Holy Names of Jesus and Mary. Its first sister and reluctant co-foundress was Marie-Rose. </p><p>She was born in a little village near Montreal in 1811, the 10th of 11 children. She had a good education, was something of a tomboy, rode a horse named Caesar and could have married well. At 16, she felt the desire to become a religious but was forced to abandon the idea because of her weak constitution. At 18, when her mother died, her priest brother invited her and her father to come to his parish in Beloeil, not far from Montreal. For 13 years she served as housekeeper, hostess and parish worker. She became well known for her graciousness, courtesy, leadership and tact; she was, in fact, called “the saint of Beloeil.” Perhaps she was too tactful during two years when her brother treated her coldly. </p><p>As a young woman she had hoped there would someday be a community of teaching sisters in every parish, never thinking she would found one. But her spiritual director, Father Pierre Telmon, O.M.I., after thoroughly (and severely) leading her in the spiritual life, urged her to found a community herself. Bishop Bourget concurred, but Marie-Rose shrank from the prospect. She was in poor health and her father and her brother needed her. </p><p>She finally agreed and, with two friends, Melodie Dufresne and Henriette Cere, entered a little home in Longueuil, across the Saint Lawrence River from Montreal. With them were 13 young girls already assembled for boarding school. Longueuil became successively her Bethlehem, Nazareth and Gethsemani. She was 32 and would live only six more years—years filled with poverty, trials, sickness and slander. The qualities she had nurtured in her “hidden” life came forward—a strong will, intelligence and common sense, great inner courage and yet a great deference to directors. Thus was born an international congregation of women religious dedicated to education in the faith. </p><p>She was severe with herself and by today’s standards quite strict with her sisters. Beneath it all, of course, was an unshakable love of her crucified Savior. </p><p>On her deathbed the prayers most frequently on her lips were “Jesus, Mary, Joseph! Sweet Jesus, I love you. Jesus, be to me Jesus!” Before she died, she smiled and said to the sister with her, “Your prayers are keeping me here—let me go.” </p><p>She was beatified in 1982.</p> American Catholic Blog It is in them [the saints] that Christian love becomes credible; they are the poor sinners’ guiding stars. But every one of them wishes to point completely away from himself and toward love…. The genuine saints desired nothing but the greater glory of God’s love… <br />—Hans Urs von Balthasar


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