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ON FAITH & MEDIA View Comments

The Smurfs

By
Kurt Jensen
Source: Catholic News Service


Brainy, Papa, Grouchy, Gutsy and Smurfette appear in a scene from the movie "The Smurfs."
Young children should giggle constantly through "The Smurfs" (Columbia), a comedy mixing animation and live action in which 3-D versions of the famous blue elves (only three apples high) leave their enchanted forest village to interact with an all-star cast in our world—and get tossed around and squished like so many Nerf balls in the process.

As for accompanying adults—who may or may not have grown up with the 1980s Hanna-Barbera cartoon series on NBC—they're more likely to think, "Hey, at least it only lasts 86 minutes!"

Some forays into potty humor aside, director Raja Gosnell and the screenwriting team of J. David Stem, David N. Weiss, Jay Scherick and David Ronn keep the slapstick-laden story mostly free of objectionable elements.

Extending a franchise that originated in the 1950s with the work of Belgian cartoonist Peyo (Pierre Culliford, 1928-1992), the filmmakers kick off this latest adventure with Gargamel (Hank Azaria), the evil wizard who has long been the Smurfs' nemesis, chasing a sextet of them off their home turf and pursuing them through a wormhole that leads smack dab into New York's Central Park (convenient, that!).

Once there, it's great fun to see the six Smurfs—Papa, Gutsy, Smurfette, Brainy, Grouchy and Clumsy (voiced, respectively, by Jonathan Winters, Alan Cumming, Katy Perry, Fred Armisen, George Lopez and Anton Yelchin)—attempt to get their bearings and navigate Gotham. As they do, they discover famed toy store FAO Schwarz, and come to the aid of an expectant couple: advertising whiz Patrick Winslow (Neil Patrick Harris) and his wife, Grace (Jayma Mays).

Patrick is trying to come up with a new ad campaign for a fragrance, and this becomes the cue for Gargamel—who's still dogging the Smurfs—to find that he fits in quite well with Manhattan's sophisticated fashionistas. In one of the film's in-jokes youngsters are unlikely to comprehend, the elite of the rag trade come to regard Gargamel as an eccentric genius in a bathrobe.

Of course, his ability to conjure up Smurf-powered eternal youth and beauty puts him in demand, while his quest for magic Smurf essence drives the plot forward.

A scene in which Gargamel mistakes a champagne bucket for a chamber pot seems grafted from an Adam Sandler film. Similarly, when the traveling Smurfs find themselves temporarily confined in Patrick's briefcase, one of them demands, "All right, who smurfed?"

At another point, we hear Gutsy proclaim, "You've got to grab life by the grapes!"

Such gags, though rare, suggest that the filmmakers couldn't decide whether to keep this iteration pure and sweet or descend into crude riffs on the classic characters.

Additionally, the conclusion is a bit intense—closer to a "Harry Potter"-style climax than the gentle wrap-up of a tale for tots.

The film contains moderately intense action sequences, mild scatological humor, and some slapstick violence. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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