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ON FAITH & MEDIA View Comments

The Smurfs

By
Kurt Jensen
Source: Catholic News Service


Brainy, Papa, Grouchy, Gutsy and Smurfette appear in a scene from the movie "The Smurfs."
Young children should giggle constantly through "The Smurfs" (Columbia), a comedy mixing animation and live action in which 3-D versions of the famous blue elves (only three apples high) leave their enchanted forest village to interact with an all-star cast in our world—and get tossed around and squished like so many Nerf balls in the process.

As for accompanying adults—who may or may not have grown up with the 1980s Hanna-Barbera cartoon series on NBC—they're more likely to think, "Hey, at least it only lasts 86 minutes!"

Some forays into potty humor aside, director Raja Gosnell and the screenwriting team of J. David Stem, David N. Weiss, Jay Scherick and David Ronn keep the slapstick-laden story mostly free of objectionable elements.

Extending a franchise that originated in the 1950s with the work of Belgian cartoonist Peyo (Pierre Culliford, 1928-1992), the filmmakers kick off this latest adventure with Gargamel (Hank Azaria), the evil wizard who has long been the Smurfs' nemesis, chasing a sextet of them off their home turf and pursuing them through a wormhole that leads smack dab into New York's Central Park (convenient, that!).

Once there, it's great fun to see the six Smurfs—Papa, Gutsy, Smurfette, Brainy, Grouchy and Clumsy (voiced, respectively, by Jonathan Winters, Alan Cumming, Katy Perry, Fred Armisen, George Lopez and Anton Yelchin)—attempt to get their bearings and navigate Gotham. As they do, they discover famed toy store FAO Schwarz, and come to the aid of an expectant couple: advertising whiz Patrick Winslow (Neil Patrick Harris) and his wife, Grace (Jayma Mays).

Patrick is trying to come up with a new ad campaign for a fragrance, and this becomes the cue for Gargamel—who's still dogging the Smurfs—to find that he fits in quite well with Manhattan's sophisticated fashionistas. In one of the film's in-jokes youngsters are unlikely to comprehend, the elite of the rag trade come to regard Gargamel as an eccentric genius in a bathrobe.

Of course, his ability to conjure up Smurf-powered eternal youth and beauty puts him in demand, while his quest for magic Smurf essence drives the plot forward.

A scene in which Gargamel mistakes a champagne bucket for a chamber pot seems grafted from an Adam Sandler film. Similarly, when the traveling Smurfs find themselves temporarily confined in Patrick's briefcase, one of them demands, "All right, who smurfed?"

At another point, we hear Gutsy proclaim, "You've got to grab life by the grapes!"

Such gags, though rare, suggest that the filmmakers couldn't decide whether to keep this iteration pure and sweet or descend into crude riffs on the classic characters.

Additionally, the conclusion is a bit intense—closer to a "Harry Potter"-style climax than the gentle wrap-up of a tale for tots.

The film contains moderately intense action sequences, mild scatological humor, and some slapstick violence. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Eusebius of Vercelli: Someone has said that if there had been no Arian heresy denying Christ's divinity, it would be very difficult to write the lives of many early saints. Eusebius is another of the defenders of the Church during one of its most trying periods. 
<p>Born on the isle of Sardinia, he became a member of the Roman clergy and is the first recorded bishop of Vercelli in Piedmont in northwest Italy. He is also the first to link the monastic life with that of the clergy, establishing a community of his diocesan clergy on the principle that the best way to sanctify his people was to have them see a clergy formed in solid virtue and living in community. </p><p>He was sent by Pope Liberius to persuade the emperor to call a council to settle Catholic-Arian troubles. When it was called at Milan, Eusebius went reluctantly, sensing that the Arian block would have its way, although the Catholics were more numerous. He refused to go along with the condemnation of St. Athanasius; instead, he laid the Nicene Creed on the table and insisted that all sign it before taking up any other matter. The emperor put pressure on him, but Eusebius insisted on Athanasius’ innocence and reminded the emperor that secular force should not be used to influence Church decisions. At first the emperor threatened to kill him, but later sent him into exile in Palestine. There the Arians dragged him through the streets and shut him up in a little room, releasing him only after his four-day hunger strike. They resumed their harassment shortly after. </p><p>His exile continued in Asia Minor and Egypt, until the new emperor permitted him to be welcomed back to his see in Vercelli. He attended the Council of Alexandria with Athanasius and approved the leniency shown to bishops who had wavered. He also worked with St. Hilary of Poitiers against the Arians. </p><p>He died peacefully in his own diocese at an advanced age.</p> American Catholic Blog In a world that encourages us to take all we can for ourselves, sacrifice is often seen as a distasteful and negative word. Yet, if we want to help the poor, we must embrace some personal sacrifice.

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