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ON FAITH & MEDIA View Comments

The Smurfs

By
Kurt Jensen
Source: Catholic News Service


Brainy, Papa, Grouchy, Gutsy and Smurfette appear in a scene from the movie "The Smurfs."
Young children should giggle constantly through "The Smurfs" (Columbia), a comedy mixing animation and live action in which 3-D versions of the famous blue elves (only three apples high) leave their enchanted forest village to interact with an all-star cast in our world—and get tossed around and squished like so many Nerf balls in the process.

As for accompanying adults—who may or may not have grown up with the 1980s Hanna-Barbera cartoon series on NBC—they're more likely to think, "Hey, at least it only lasts 86 minutes!"

Some forays into potty humor aside, director Raja Gosnell and the screenwriting team of J. David Stem, David N. Weiss, Jay Scherick and David Ronn keep the slapstick-laden story mostly free of objectionable elements.

Extending a franchise that originated in the 1950s with the work of Belgian cartoonist Peyo (Pierre Culliford, 1928-1992), the filmmakers kick off this latest adventure with Gargamel (Hank Azaria), the evil wizard who has long been the Smurfs' nemesis, chasing a sextet of them off their home turf and pursuing them through a wormhole that leads smack dab into New York's Central Park (convenient, that!).

Once there, it's great fun to see the six Smurfs—Papa, Gutsy, Smurfette, Brainy, Grouchy and Clumsy (voiced, respectively, by Jonathan Winters, Alan Cumming, Katy Perry, Fred Armisen, George Lopez and Anton Yelchin)—attempt to get their bearings and navigate Gotham. As they do, they discover famed toy store FAO Schwarz, and come to the aid of an expectant couple: advertising whiz Patrick Winslow (Neil Patrick Harris) and his wife, Grace (Jayma Mays).

Patrick is trying to come up with a new ad campaign for a fragrance, and this becomes the cue for Gargamel—who's still dogging the Smurfs—to find that he fits in quite well with Manhattan's sophisticated fashionistas. In one of the film's in-jokes youngsters are unlikely to comprehend, the elite of the rag trade come to regard Gargamel as an eccentric genius in a bathrobe.

Of course, his ability to conjure up Smurf-powered eternal youth and beauty puts him in demand, while his quest for magic Smurf essence drives the plot forward.

A scene in which Gargamel mistakes a champagne bucket for a chamber pot seems grafted from an Adam Sandler film. Similarly, when the traveling Smurfs find themselves temporarily confined in Patrick's briefcase, one of them demands, "All right, who smurfed?"

At another point, we hear Gutsy proclaim, "You've got to grab life by the grapes!"

Such gags, though rare, suggest that the filmmakers couldn't decide whether to keep this iteration pure and sweet or descend into crude riffs on the classic characters.

Additionally, the conclusion is a bit intense—closer to a "Harry Potter"-style climax than the gentle wrap-up of a tale for tots.

The film contains moderately intense action sequences, mild scatological humor, and some slapstick violence. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Our Father’s love can be summed up in one word: Jesus! Throughout history, God has reached out to His people with unconditional love. This love reached its climax when He sent His Son to become our redeemer.


 
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