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ON FAITH & MEDIA View Comments

Friends With Benefits

By
John Mulderig
Source: Catholic News Service

Viewers familiar with the slang phrase "Friends With Benefits" (Screen Gems) will pretty well know what to expect from the central relationship in director and co-writer Will Gluck's thoroughly unromantic romantic comedy.

And, indeed, this story of two newfound pals who make a pact to maintain their friendship while also sharing commitment-free, emotionally uninvolved sex entirely fulfills such expectations. The result, need it be said, is neither friendly nor beneficial.

The buddies in question are Jamie (Mila Kunis), a successful New York headhunter, and Dylan (Justin Timberlake), the formerly L.A.-based art director she recently recruited for a job in Gotham.

Dylan's new employer is Sports Illustrated, and we're meant to be tickled when, practically on arrival for his first day of work there, he's invited on a gay debauch by out-of-the-closet and in-your-face colleague Tommy (Woody Harrelson). For all his self-acceptance, Tommy, it seems, has yet to liberate himself from the cliched assumption that all artsy men must be light in their loafers.

But back to our hotshot heterosexuals. Though both are doing well professionally, the opening scenes have demonstrated Jamie and Dylan's shared frustration with the urban dating scene, thus paving the way for the titular arrangement. Since "sometimes you just need it," they agree, sex should be approached "like tennis."

Inevitably, the script—on which Gluck collaborated with Keith Merryman and David A. Newman—brings the pair somewhat to their senses on this score. But not before treating the audience to excessively detailed bedroom scenes and dialogue replete with obscenities.

Nor does the eventual nod to true love compensate for a frivolous view of human sexuality that embraces not only the main duo's initial experimentation and Tommy's blithely referenced lifestyle, but the played-for-laughs promiscuity of Jamie's mom, Lorna (Patricia Clarkson).

Lorna—to whom we're first introduced when she suddenly interrupts Dylan and her daughter in flagrante—never can seem to remember which of her innumerable partners was, in fact, Jamie's father.

Lost amid all this carnal chaos is some occasionally witty patter and a stab at seriousness from Richard Jenkins in the role of Dylan's Alzheimer's-afflicted dad.

The film contains strong sexual content including graphic nonmarital sexual activity, rear nudity, pervasive sexual and some irreverent humor as well as relentless rough and crude language. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Augustine of Canterbury: In the year 596, some 40 monks set out from Rome to evangelize the Anglo-Saxons in England. Leading the group was Augustine, the prior of their monastery in Rome. Hardly had he and his men reached Gaul (France) when they heard stories of the ferocity of the Anglo-Saxons and of the treacherous waters of the English Channel. Augustine returned to Rome and to the pope who had sent them—St. Gregory the Great (September 3 )—only to be assured by him that their fears were groundless. 
<p>Augustine again set out. This time the group crossed the English Channel and landed in the territory of Kent, ruled by King Ethelbert, a pagan married to a Christian, Bertha. Ethelbert received them kindly, set up a residence for them in Canterbury and within the year, on Pentecost Sunday, 597, was himself baptized. After being consecrated a bishop in France, Augustine returned to Canterbury, where he founded his see. He constructed a church and monastery near where the present cathedral, begun in 1070, now stands. As the faith spread, additional sees were established at London and Rochester. </p><p>Work was sometimes slow and Augustine did not always meet with success. Attempts to reconcile the Anglo-Saxon Christians with the original Briton Christians (who had been driven into western England by Anglo-Saxon invaders) ended in dismal failure. Augustine failed to convince the Britons to give up certain Celtic customs at variance with Rome and to forget their bitterness, helping him evangelize their Anglo-Saxon conquerors </p><p>Laboring patiently, Augustine wisely heeded the missionary principles—quite enlightened for the times—suggested by Pope Gregory the Great: purify rather than destroy pagan temples and customs; let pagan rites and festivals be transformed into Christian feasts; retain local customs as far as possible. The limited success Augustine achieved in England before his death in 605, a short eight years after he arrived in England, would eventually bear fruit long after in the conversion of England. Augustine of Canterbury can truly be called the “Apostle of England.”</p> American Catholic Blog A hero isn’t someone born with unconquerable strength and selflessness. Heroes are not formed in a cataclysmic instant. Heroism is developed over time, one decision after another, moment by moment, formed by a deliberate, chosen, and habitual response to life.

Keeping Mary Close by Mike Aquilina

 
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