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ON FAITH & MEDIA View Comments

Sarah’s Key

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Kristen Scott Thomas plays Julia, an American journalist in Paris who is married to a Frenchman, Bertrand Tezac. In 2002, as the 60th anniversary of the Vel' d'Hiv Roundup of Jews in Paris by the French police, Julia wants to write the story as it has not been told before. Few people realize that thousands of Jews were sent to the death camps not by the Nazis, but by the French police. As Julia begins her research, she and her husband and daughter prepare to move into a Paris flat that has been in the Tezac family for decades. Julia also discovers that in middle age, she is pregnant.
 
In July, 1942, the police arrive at the apartment building that houses several Jewish families.  They tell the families to pack enough for three days and to come with them. Twelve- year-old Sarah Starzynski pushes her little brother into a closet and tells him not to move, that she will come back to get him. She locks him in and takes the key. She and her parents are taken to a popular winter sports arena that is closed over. For five days more than 13,000 people are locked in without water, food or toilets. Sarah and another girl, Rachel, escape with the help of a kindly guard  everyone else is transported to Nazi extermination camps in the east, especially Auschwitz.
 
Sarah is taken in by a kindly farmer and his family that takes her to Paris to find her brother.  New people have already moved into the apartment.
 
It is difficult to tell more of the story without giving key aspects away, so I will just say that this is a film about life, the extermination of life, abortion for convenience—that can easily be compared to the extermination of Jews and others by the Nazis for convenience. Whether or not the author of the book (French title is “Elle s'appelait Sarah”), Tatiana de Rosnay, intended this parallel, I don’t know, but it seemed clear to me. Survivor’s guilt is also an important topic that taken together with all of the life themes in the film, offer much to talk about.
 
More than anything I think the story wants to say: how easily we forget the crimes against humanity of the past. We need to remember or we are doomed to repeat them. There are consequences to ignoring or forgetting history, just as there are consequences to not seeing genocide and man-made famine in our world today. History in the making. How do we want to be remembered?
 
“Sarah’s Key” is a very moving film that reaches in and takes you by way of the heart.


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All Saints: The earliest certain observance of a feast in honor of all the saints is an early fourth-century commemoration of "all the martyrs." In the early seventh century, after successive waves of invaders plundered the catacombs, Pope Boniface IV gathered up some 28 wagonloads of bones and reinterred them beneath the Pantheon, a Roman temple dedicated to all the gods. The pope rededicated the shrine as a Christian church. According to Venerable Bede, the pope intended "that the memory of all the saints might in the future be honored in the place which had formerly been dedicated to the worship not of gods but of demons" (<i>On the Calculation of Time</i>). 
<p>But the rededication of the Pantheon, like the earlier commemoration of all the martyrs, occurred in May. Many Eastern Churches still honor all the saints in the spring, either during the Easter season or immediately after Pentecost. </p><p>How the Western Church came to celebrate this feast, now recognized as a solemnity, in November is a puzzle to historians. The Anglo-Saxon theologian Alcuin observed the feast on November 1 in 800, as did his friend Arno, Bishop of Salzburg. Rome finally adopted that date in the ninth century.</p> American Catholic Blog Touch can be an act of kindness when someone is dying. If you visit a sick person and find that you are at a loss for words, reach out and touch her hand.

 
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