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ON FAITH & MEDIA View Comments

Sarah’s Key

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Kristen Scott Thomas plays Julia, an American journalist in Paris who is married to a Frenchman, Bertrand Tezac. In 2002, as the 60th anniversary of the Vel' d'Hiv Roundup of Jews in Paris by the French police, Julia wants to write the story as it has not been told before. Few people realize that thousands of Jews were sent to the death camps not by the Nazis, but by the French police. As Julia begins her research, she and her husband and daughter prepare to move into a Paris flat that has been in the Tezac family for decades. Julia also discovers that in middle age, she is pregnant.
 
In July, 1942, the police arrive at the apartment building that houses several Jewish families.  They tell the families to pack enough for three days and to come with them. Twelve- year-old Sarah Starzynski pushes her little brother into a closet and tells him not to move, that she will come back to get him. She locks him in and takes the key. She and her parents are taken to a popular winter sports arena that is closed over. For five days more than 13,000 people are locked in without water, food or toilets. Sarah and another girl, Rachel, escape with the help of a kindly guard  everyone else is transported to Nazi extermination camps in the east, especially Auschwitz.
 
Sarah is taken in by a kindly farmer and his family that takes her to Paris to find her brother.  New people have already moved into the apartment.
 
It is difficult to tell more of the story without giving key aspects away, so I will just say that this is a film about life, the extermination of life, abortion for convenience—that can easily be compared to the extermination of Jews and others by the Nazis for convenience. Whether or not the author of the book (French title is “Elle s'appelait Sarah”), Tatiana de Rosnay, intended this parallel, I don’t know, but it seemed clear to me. Survivor’s guilt is also an important topic that taken together with all of the life themes in the film, offer much to talk about.
 
More than anything I think the story wants to say: how easily we forget the crimes against humanity of the past. We need to remember or we are doomed to repeat them. There are consequences to ignoring or forgetting history, just as there are consequences to not seeing genocide and man-made famine in our world today. History in the making. How do we want to be remembered?
 
“Sarah’s Key” is a very moving film that reaches in and takes you by way of the heart.




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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Good parenthood is a blend of yes and no. Knowing when to say no and enforce it leads to more yeses. No doesn’t shrink a child’s world; it expands it.

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