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ON FAITH & MEDIA View Comments

Captain America: The First Avenger

By
Kurt Jensen
Source: Catholic News Service

Out of the summer glut of superhero movies, "Captain America: The First Avenger" (Paramount) distinguishes itself by a complete absence of cynicism, a crackling undercurrent of dry wit, and the classical purity of its golden-age Hollywood references. In keeping with its nostalgic tone, moreover, this comic book adaptation's mostly unobjectionable content also harkens back to more innocent times.

It helps, of course, that in relating their origins story of the titular character—set during World War II —director Joe Johnston and screenwriters Christopher Markus and Stephen McFeely display a warm affinity for America in the 1940s. Thus, along with the usual nods to other figures in the Marvel Comics stable, this epic features allusions to Betty Grable musicals and the Danny Kaye wartime film "Up in Arms."

The old saying, "They don't make 'em like that anymore," notwithstanding, in this case they really have —and most intelligently. As a result, despite some scenes of destruction, "Captain America" registers, for the most part, as full-on family entertainment of the old school.

Chris Evans plays Steve Rogers, a 90-pound wannabe soldier from Brooklyn transformed into a muscular super-warrior in the Dr. Frankenstein-like lab of Dr. Abraham Erskine (Stanley Tucci), whose ultimate goal is the creation of battalions of such fearless, gene-altered fighters.

A Nazi agent, however, destroys Erskine's technology, thus breaking the mold in which Steve's new persona was formed, and leaving him an inimitable prototype.

Now what to do? First, send Steve, in his Captain America costume, and accompanied by a bevy of chorines, on a war bonds tour. But this fails to satisfy Steve, who, it seems, is no mere song-and-dance man. He wants to fight the Germans, and gets his chance when he's sent overseas to entertain the boys in the field.

Gruff Col. Chester Phillips (Tommy Lee Jones) gives Steve his own platoon, and off he goes, armed with a bulletproof red, white, and blue shield, and motivated by a suitably broadminded motto: "I don't like bullies. I don't care where they're from."

Steve and his cohorts—including his newfound love interest, fetching scientist Peggy Carter (Hayley Atwell)—end up fighting not the German military, but rogue Nazi Johann Schmidt (Hugo Weaving). Schmidt, it develops, is actually a satanic character called Red Skull. Acting in cahoots with evil scientist Arnim Zola (Toby Jones), Schmidt is out to destroy the world—or at least the eastern third of the United States.

Schmidt's source of power: a magic crystal that used to belong to the Norse gods. His preferred music: Wagner's operas. The filmmakers, as you can tell from such details, have brushed up not just on their old movies, but on their cultural cliches as well.

The film contains much action violence, including gunplay. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

Kurt Jensen is a guest reviewer for Catholic News Service.





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Joseph Benedict Cottolengo: In some ways Joseph exemplified St. Francis’ advice, "Let us begin to serve the Lord God, for up to now we have made little or no progress" (<i>1 Celano, </i>#103). 
<p>Joseph was the eldest of 12 children. Born in Piedmont, he was ordained for the Diocese of Turin in 1811. Frail health and difficulty in school were obstacles he overcame to reach ordination. </p><p>During Joseph’s lifetime Italy was torn by civil war while the poor and the sick suffered from neglect. Inspired by reading the life of St. Vincent de Paul and moved by the human suffering all around him, Joseph rented some rooms to nurse the sick of his parish and recruited local young women to serve as staff. </p><p>In 1832 at Voldocco, Joseph founded the House of Providence which served many different groups (the sick, the elderly, students, the mentally ill, the blind). All of this was financed by contributions. Popularly called "the University of Charity," this testimonial to God’s goodness was serving 8,000 people by the time of Joseph’s beatification in 1917. </p><p>To carry on his work, Joseph organized two religious communities, the Brothers of St. Vincent de Paul and the Sisters of St. Vincent de Paul. Joseph, who had joined the Secular Franciscans as a young man, was canonized in 1934.</p> American Catholic Blog The image of God! This is what it means to be human! We are not just a bunch of cells randomly thrown together by some impersonal forces. Rather, we reflect an eternal God who knew us from before we were made and purposely called us into being.

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