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ON FAITH & MEDIA View Comments

Captain America: The First Avenger

By
Kurt Jensen
Source: Catholic News Service

Out of the summer glut of superhero movies, "Captain America: The First Avenger" (Paramount) distinguishes itself by a complete absence of cynicism, a crackling undercurrent of dry wit, and the classical purity of its golden-age Hollywood references. In keeping with its nostalgic tone, moreover, this comic book adaptation's mostly unobjectionable content also harkens back to more innocent times.

It helps, of course, that in relating their origins story of the titular character—set during World War II —director Joe Johnston and screenwriters Christopher Markus and Stephen McFeely display a warm affinity for America in the 1940s. Thus, along with the usual nods to other figures in the Marvel Comics stable, this epic features allusions to Betty Grable musicals and the Danny Kaye wartime film "Up in Arms."

The old saying, "They don't make 'em like that anymore," notwithstanding, in this case they really have —and most intelligently. As a result, despite some scenes of destruction, "Captain America" registers, for the most part, as full-on family entertainment of the old school.

Chris Evans plays Steve Rogers, a 90-pound wannabe soldier from Brooklyn transformed into a muscular super-warrior in the Dr. Frankenstein-like lab of Dr. Abraham Erskine (Stanley Tucci), whose ultimate goal is the creation of battalions of such fearless, gene-altered fighters.

A Nazi agent, however, destroys Erskine's technology, thus breaking the mold in which Steve's new persona was formed, and leaving him an inimitable prototype.

Now what to do? First, send Steve, in his Captain America costume, and accompanied by a bevy of chorines, on a war bonds tour. But this fails to satisfy Steve, who, it seems, is no mere song-and-dance man. He wants to fight the Germans, and gets his chance when he's sent overseas to entertain the boys in the field.

Gruff Col. Chester Phillips (Tommy Lee Jones) gives Steve his own platoon, and off he goes, armed with a bulletproof red, white, and blue shield, and motivated by a suitably broadminded motto: "I don't like bullies. I don't care where they're from."

Steve and his cohorts—including his newfound love interest, fetching scientist Peggy Carter (Hayley Atwell)—end up fighting not the German military, but rogue Nazi Johann Schmidt (Hugo Weaving). Schmidt, it develops, is actually a satanic character called Red Skull. Acting in cahoots with evil scientist Arnim Zola (Toby Jones), Schmidt is out to destroy the world—or at least the eastern third of the United States.

Schmidt's source of power: a magic crystal that used to belong to the Norse gods. His preferred music: Wagner's operas. The filmmakers, as you can tell from such details, have brushed up not just on their old movies, but on their cultural cliches as well.

The film contains much action violence, including gunplay. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

Kurt Jensen is a guest reviewer for Catholic News Service.



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Dedication of St. Mary Major Basilica: First raised at the order of Pope Liberius in the mid-fourth century, the Liberian basilica was rebuilt by Pope Sixtus III shortly after the Council of Ephesus affirmed Mary’s title as Mother of God in 431. Rededicated at that time to the Mother of God, St. Mary Major is the largest church in the world honoring God through Mary. Standing atop one of Rome’s seven hills, the Esquiline, it has survived many restorations without losing its character as an early Roman basilica. Its interior retains three naves divided by colonnades in the style of Constantine’s era. Fifth-century mosaics on its walls testify to its antiquity. 
<p>St. Mary Major is one of the four Roman basilicas known as patriarchal cathedrals in memory of the first centers of the Church. St. John Lateran (November 9) represents Rome, the See of Peter; St. Paul Outside the Walls, the See of Alexandria, allegedly the see presided over by Mark (April 25); St. Peter’s, the See of Constantinople; and St. Mary’s, the See of Antioch, where Mary is supposed to have spent most of her life. </p><p>One legend, unreported before the year 1000, gives another name to this feast: Our Lady of the Snows. According to that story, a wealthy Roman couple pledged their fortune to the Mother of God. In affirmation, she produced a miraculous summer snowfall and told them to build a church on the site. The legend was long celebrated by releasing a shower of white rose petals from the basilica’s dome every August 5.</p> American Catholic Blog We may pat ourselves on the back for doing nothing bad, but if we have done nothing good, we might need to reconsider how well we are living out the Gospels. There is a valid reason why the penitential rite, which we often pray at Mass, asks God to forgive all that we have done and all that we have failed to do.

Walk Softly and Carry a Great Bag

 
CATHOLIC GREETINGS
Mary's Flower - Juniper
Today's feast of Our Lady of the Snows commemorates Mary’s intercession in an August miracle.

St. John Vianney
Do you know a priest who reminds you of St. John Vianney? Send him an e-card to thank him for his ministry.

Birthday
May God bless you today with gentle surprises.

Mary's Flower - Fleur-de-lis
More countless than the drops in an ocean are the repetitions down the ages of those gracious words: “Hail, Full of Grace, the Lord is with thee.”

St. Ignatius Loyola
The founder of the Society of Jesus is also a patron of all who were educated by the Jesuits.




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