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ON FAITH & MEDIA View Comments

Captain America: The First Avenger

By
Kurt Jensen
Source: Catholic News Service

Out of the summer glut of superhero movies, "Captain America: The First Avenger" (Paramount) distinguishes itself by a complete absence of cynicism, a crackling undercurrent of dry wit, and the classical purity of its golden-age Hollywood references. In keeping with its nostalgic tone, moreover, this comic book adaptation's mostly unobjectionable content also harkens back to more innocent times.

It helps, of course, that in relating their origins story of the titular character—set during World War II —director Joe Johnston and screenwriters Christopher Markus and Stephen McFeely display a warm affinity for America in the 1940s. Thus, along with the usual nods to other figures in the Marvel Comics stable, this epic features allusions to Betty Grable musicals and the Danny Kaye wartime film "Up in Arms."

The old saying, "They don't make 'em like that anymore," notwithstanding, in this case they really have —and most intelligently. As a result, despite some scenes of destruction, "Captain America" registers, for the most part, as full-on family entertainment of the old school.

Chris Evans plays Steve Rogers, a 90-pound wannabe soldier from Brooklyn transformed into a muscular super-warrior in the Dr. Frankenstein-like lab of Dr. Abraham Erskine (Stanley Tucci), whose ultimate goal is the creation of battalions of such fearless, gene-altered fighters.

A Nazi agent, however, destroys Erskine's technology, thus breaking the mold in which Steve's new persona was formed, and leaving him an inimitable prototype.

Now what to do? First, send Steve, in his Captain America costume, and accompanied by a bevy of chorines, on a war bonds tour. But this fails to satisfy Steve, who, it seems, is no mere song-and-dance man. He wants to fight the Germans, and gets his chance when he's sent overseas to entertain the boys in the field.

Gruff Col. Chester Phillips (Tommy Lee Jones) gives Steve his own platoon, and off he goes, armed with a bulletproof red, white, and blue shield, and motivated by a suitably broadminded motto: "I don't like bullies. I don't care where they're from."

Steve and his cohorts—including his newfound love interest, fetching scientist Peggy Carter (Hayley Atwell)—end up fighting not the German military, but rogue Nazi Johann Schmidt (Hugo Weaving). Schmidt, it develops, is actually a satanic character called Red Skull. Acting in cahoots with evil scientist Arnim Zola (Toby Jones), Schmidt is out to destroy the world—or at least the eastern third of the United States.

Schmidt's source of power: a magic crystal that used to belong to the Norse gods. His preferred music: Wagner's operas. The filmmakers, as you can tell from such details, have brushed up not just on their old movies, but on their cultural cliches as well.

The film contains much action violence, including gunplay. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

Kurt Jensen is a guest reviewer for Catholic News Service.



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Apollonia: The persecution of Christians began in Alexandria during the reign of the Emperor Philip. The first victim of the pagan mob was an old man named Metrius, who was tortured and then stoned to death. The second person who refused to worship their false idols was a Christian woman named Quinta. Her words infuriated the mob and she was scourged and stoned. 
<p>While most of the Christians were fleeing the city, abandoning all their worldly possessions, an old deaconess, Apollonia, was seized. The crowds beat her, knocking out all of her teeth. Then they lit a large fire and threatened to throw her in it if she did not curse her God. She begged them to wait a moment, acting as if she was considering their requests. Instead, she jumped willingly into the flames and so suffered martyrdom.</p><p>There were many churches and altars dedicated to her. Apollonia is the patroness of dentists, and people suffering from toothache and other dental diseases often ask her intercession. She is pictured with a pair of pincers holding a tooth or with a golden tooth suspended from her necklace. St. Augustine explained her voluntary martyrdom as a special inspiration of the Holy Spirit, since no one is allowed to cause his or her own death.</p> American Catholic Blog We can find Christ among the despised, voiceless, and forgotten of the world. We have to move beyond that which we wish to ignore and forget about: embrace the seemingly un-embraceable, love the unlovable, and dare to know what we most fear and wish to leave unknowable.

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