AmericanCatholic.org
 
Skip Navigation Links
Home
Year of Mercy
Catholic News
Saints
Seasonal
Special Reports
Shopping
Donate
Blog
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Of Gods and Men

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Not long after midnight on March 27, 1996, seven Trappist monks were kidnapped from the monastery of Our Lady of Atlas in Tibhirine, Algeria. After two months in captivity, they were beheaded; their bodies were never found.

The monastery was begun in 1934 and located 272 miles south east of the capital of Algiers. The murders of these priests counted among the estimated 150,00-200,000 Algerian people who were killed during the Algerian Civil War (1991-2001), among them nuns, priests, and at least one bishop. The conflict ended with government victory over two Islamic militaristic groups though armed incidents continue even today.

The film, by the prolific French filmmaker Xavier Beauvois, captures the monks’ simple life of work and prayer. Of Gods and Men won the Grand Prize at the Cannes Film Festival in 2010. It reminded me of Philip Groning’s fascinating 2005 film Into Great Silenceabout life in the Grande Chartreuse, the main house of the Carthusian Order. Yet in many ways, Of Gods and Men is reminiscent of the style of the famous Danish filmmaker Carl Theodor Dreyer (1889–1968), especially in his 1955 film Ordet. Dreyer filmed the stark, unadorned fundamentalist Protestant lifestyle of a farming family in a crisis of faith and the possibility of miracles.

The superior, Fr. Christian (Lambert Wilson), even helps people with government paperwork. An elderly monk is a doctor and cares for the people who come to him. The others farm the rough terrain and tend beehives. The people, especially the women and children, genuinely care for the monks. The community will have its crisis and their legacy of faith and charity in utter simplicity is the miracle.

One of the most meaningful and memorable scenes in the film is when the brothers take Christian to task for not including the community in his decision that they will not leave the country or accept government protection. They are also afraid because Christian refused to help guerillas that wanted a doctor and medicine for their injured. For anyone considering religious life, this community meeting is portrayed authentically. It reflects the inner conflicts and tensions of power, the fraternity and love that unites a religious community, and the humility that is essential for wisdom to emerge.

It turns out that some do wish to leave, a few at a time, while others want to stay. Ultimately, they all remain. As Christian explains to Christophe (Olivier Rabourdin), who is strongly inclined to depart: They made their decision to stay when they made their vows to Christ. Death, he implies, is a matter of when and with what interior disposition we embrace it, not geography.

The chapel centers the film and the Divine Office provides a rhythmic framework for the narrative. The soundtrack is haunting and the monk’s chants are other-worldly yet plain. 
A mystical scene toward the end, filled with all the grace and transcendence that cinema can offer, signals that these monks, gathered as a community, are prepared for whatever their love for God will ask of them. It is a promise of a celestial banquet. Their meals are always taken in silence, but here the monks share wine in blithe silence as they listen and move to the dramatic theme of Swan Lake. This is their anointing, joy and music conferring strength when fear hovers just below the surface.

This two-hour film is without violence but taunt with the expectation of what is to come. The acting is fine, and we feel as if we know these ordinary men who have followed a rare call to holiness is the desert of monastic life in a hostile, far-away country.




Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







First Martyrs of the Church of Rome: There were Christians in Rome within a dozen or so years after the death of Jesus, though they were not the converts of the “Apostle of the Gentiles” (Romans 15:20). Paul had not yet visited them at the time he wrote his great letter in 57-58 A.D.. 
<p>There was a large Jewish population in Rome. Probably as a result of controversy between Jews and Jewish Christians, the Emperor Claudius expelled all Jews from Rome in 49-50 A.D. Suetonius the historian says that the expulsion was due to disturbances in the city “caused by the certain Chrestus” [Christ]. Perhaps many came back after Claudius’s death in 54 A.D. Paul’s letter was addressed to a Church with members from Jewish and Gentile backgrounds. </p><p>In July of 64 A.D., more than half of Rome was destroyed by fire. Rumor blamed the tragedy on Nero, who wanted to enlarge his palace. He shifted the blame by accusing the Christians. According to the historian Tacitus, many Christians were put to death because of their “hatred of the human race.” Peter and Paul were probably among the victims. </p><p>Threatened by an army revolt and condemned to death by the senate, Nero committed suicide in 68 A.D. at the age of 31.</p> American Catholic Blog People are not perfect. But God does not only call upon great saints to reveal his love for the world. He also calls the broken and desperate. We are all called to act as God’s light in this darkening world.

Find a

 
CATHOLIC GREETINGS
Vacation
Enter the holiday spirit by sending an e-card to schedule a summer cookout!

Sts. Peter and Paul
Honored both separately and together, these apostles were probably martyred during the reign of the emperor Nero.

Wedding
Help the bride and groom see their love as a mirror of God’s love.

Our Lady of Perpetual Help
God gave Mary to us as a help in our quest for holiness.

Thank You
Don’t forget to express your gratitude for the thoughtfulness of others.




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2016