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ON FAITH & MEDIA View Comments

Harry Potter and the Deathly Hallows: Part 2

By
John Mulderig
Source: Catholic News Service


Emma Watson, Daniel Radcliffe and Rupert Grint star in "Harry Potter and the Deathly Hallows: Part 2."
One of the most successful movie franchises of all time goes out in style with "Harry Potter and the Deathly Hallows: Part 2" (Warner Bros.).

Though this eighth installment in the series that began with 2001's "Harry Potter and the Sorcerer's Stone" may bewilder newcomers—if there are any of the uninitiated left, they will not find themselves mollycoddled by patient exposition—director David Yates provides a gratifying wrap-up to a decade of blockbuster adaptations.

Based, like its immediate predecessor, on the last volume of J.K. Rowling's run of phenomenal best-sellers, Yates' fantasy is too intense for the youngest viewers. But scenes of combat, although frequent, are mostly bloodless, while the dialogue is marked by only one mildly improper turn of phrase, making this climatic adventure acceptable for most other age groups.

As the titular wizard (Daniel Radcliffe) continues to battle his nemesis, evil Lord Voldemort (Ralph Fiennes), the epic struggle brings Harry's innate courage to the fore but also tests his willingness to sacrifice himself on behalf of others.

At Harry's side once again are pals Ron (Rupert Grint) and Hermione (Emma Watson) -- friends acquired, of course, during his student days at the Hogwarts School of Witchcraft and Wizardry. Once the scene of happier proceedings, during the tenure of its late headmaster, Albus Dumbledore (Michael Gambon), Hogwarts is currently under the apparent misdirection of Dumbledore's enigmatic successor, Severus Snape (Alan Rickman).

Many of symbols deployed and themes highlighted in Rowling's narrative echo Scripture and comport with Judeo-Christian beliefs. Voldemort, for instance, is constantly accompanied by his pet snake Nagini, a slithering embodiment of wickedness.

Similarly, Voldemort's ambition to obtain immortality though illegitimate means parallels the serpent-inspired temptation to which Adam and Eve gave way. And here, as in salvation history, a path to redemption is opened by self-surrendering love.

As with many a time-honored tale—ranging from "The Wizard of Oz" to "The Lord of the Rings" trilogy penned by devoutly Catholic novelist J.R.R. Tolkien -- the element of sorcery in Rowling's story serves merely as a fictional device and a stimulant to the imagination.

Even impressionable audience members are as unlikely to think that the wands and spells they see in use on screen are things to be dabbled with in the real world as they are to believe that they may someday graduate from Hogwarts.

Like a poignant graduation ceremony, this final chapter in the adventures that have taken Harry—and many of his fans as well—from childhood to full maturity manages to strike notes both elegiac and exciting, thereby bringing to an apt conclusion one of the iconic sagas of recent years.

The film contains much action violence, brief gory images and a single crass term. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Maria Goretti: One of the largest crowds ever assembled for a canonization—250,000—symbolized the reaction of millions touched by the simple story of Maria Goretti. 
<p>She was the daughter of a poor Italian tenant farmer, had no chance to go to school, never learned to read or write. When she made her First Communion not long before her death at age 12, she was one of the larger and somewhat backward members of the class. </p><p>On a hot afternoon in July, Maria was sitting at the top of the stairs of her house, mending a shirt. She was not quite 12 years old, but physically mature. A cart stopped outside, and a neighbor, Alessandro, 18 years old, ran up the stairs. He seized her and pulled her into a bedroom. She struggled and tried to call for help. “No, God does not wish it," she cried out. "It is a sin. You would go to hell for it.” Alessandro began striking at her blindly with a long dagger. </p><p>She was taken to a hospital. Her last hours were marked by the usual simple compassion of the good—concern about where her mother would sleep, forgiveness of her murderer (she had been in fear of him, but did not say anything lest she cause trouble to his family) and her devout welcoming of Viaticum, her last Holy Communion. She died about 24 hours after the attack. </p><p>Her murderer was sentenced to 30 years in prison. For a long time he was unrepentant and surly. One night he had a dream or vision of Maria, gathering flowers and offering them to him. His life changed. When he was released after 27 years, his first act was to go to beg the forgiveness of Maria’s mother. </p><p>Devotion to the young martyr grew, miracles were worked, and in less than half a century she was canonized. At her beatification in 1947, her mother (then 82), two sisters and a brother appeared with Pope Pius XII on the balcony of St. Peter’s. Three years later, at her canonization, a 66-year-old Alessandro Serenelli knelt among the quarter-million people and cried tears of joy.</p> American Catholic Blog Lord, may the medals we wear be constant reminders of the lives they depict. While wearing them, may we be blessed through the saints’ intercession and protected from harm. Help us to continue to spread the messages of Jesus and Mary and the saints and angels.

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