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ON FAITH & MEDIA View Comments

Larry Crowne

By
John Mulderig
Source: Catholic News Service


Julia Roberts and Tom Hanks star in a scene from the movie "Larry Crowne."
With "Larry Crowne" (Universal), director, co-writer and star Tom Hanks creates a timely—and generally genial—romantic comedy, one that projects a hopeful message about starting anew.

The low-key proceedings are somewhat problematic from a faith perspective, however, since the second chances on offer include not only midlife educational and vocational opportunities, but marital mulligans for both partners in the film's central pairing.

Hanks plays the title character, a divorced clerk at a Walmart-like suburban chain store whose personable manner and enthusiastic approach to his work fail to prevent his sudden firing. Management's rationale for this decision? Because he enlisted in the Navy instead of going to college, Larry will always be barred from future advancement in the organization, so it's better to let him go altogether.

One wonders what the legal staff at Veterans Affairs—not to mention 12 reasonably patriotic jurors—would make of such reasoning. But Larry is too mild-mannered to find out.

Instead he enrolls in his local community college where, after forsaking his gas-guzzling SUV in favor of a beaten-up but economical motorbike, he befriends the members of a student scooter-riding club (led by Gugu Mbatha-Raw and Wilmer Valderrama).

Larry's personal prospects brighten even further when the instructor for the course in public speaking he has signed up for turns out to be Julia Roberts in the guise of professor Mercedes Tainot. Disillusioned at work, Mercedes is in a bad way; she spends her down time whipping up alcohol-laced giggle juice in the blender and quarrelling with her lazy, Internet porn-obsessed spouse, Dean (Bryan Cranston).

As Larry falls for and charms Mercedes, Dean's loutishness becomes ever more apparent, until Mercedes has finally had enough and kicks him out. This is clearly a move the script—as collaborated on by Hanks and Nia Vardalos—intends us to applaud since, according to the story's underlying values, the justified jettisoning of hubby No. 1 clears the way for Larry and Mercedes to stroll into the sunset together.

For better or worse, however, canon law makes no provision for the annulment of a valid marriage based on a wife's belated discovery that her husband is an oaf.

Larry is every bit the gentleman Dean so obviously is not—as he proves one night while escorting Mercedes home. She has been drowning her sorrows again, and invites him in for a frolic. Larry sticks around long enough to do some necking on the doorstep, but then ends the encounter by seeing to it that Mercedes gets safely inside.

As the socially successful outcome of Larry's vehicular downsizing demonstrates, this is a film that prizes human connectedness over material goods. To that degree, at least, it's reminiscent of such Depression-era Hollywood features as the Frank Capra classic "You Can't Take It With You."

Indeed, "Larry Crowne" even goes so far as to imply that its hero's upbeat, lemonade-out-of-lemons approach toward his financial woes—difficulties that all too many viewers may currently find it easy to empathize with—ultimately transforms these travails into so many steppingstones to a better, more fulfilling life.

The film contains brief nongraphic but adulterous sexual activity, acceptability of divorce, pornography theme with fleeting suggestive images, a bit of sexual humor, at least one instance of profanity and a couple of rough and some crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog We have a responsibility to balance the scales, to show love where there is hate, to provide food where there is hunger, and to protect what is vulnerable. If life has treated you well, then justice demands that you help balance the scales.

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