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ON FAITH & MEDIA View Comments

Monte Carlo

By
Kurt Jensen
Source: Catholic News Service


Katie Cassidy, Selena Gomez and Leighton Meester star in a scene from the movie "Monte Carlo."
"Monte Carlo" (Fox) is the flimsiest of teen-girl romantic fantasies based on the sturdiest of ancient tropes, the mistaken-identity plot.

While Selena Gomez, the Disney Channel star at the heart of this overly long but inoffensive enterprise, is no comedic actor, her devoted fans are unlikely to notice.

Director Thomas Bezucha, who co-wrote with April Blair and Maria Maggenti, wisely supports Gomez—in the central role of recent high school grad Grace—with Katie Cassidy as pal Emma and Leighton Meester as stepsister Meg—then sets the trio loose on misadventures in Paris as well as in the principality of the title.

The three girls from a small town in Texas have scrimped and saved for their dream vacation in the City of Light, which, predictably enough, turns out to be the stereotypical low-budget nightmare compounded of bad hotels and a breathless sprint through the sights.

Accidentally separated from their tour at the Eiffel Tower, the friends are drying out from a rainstorm at the nearest luxury hotel when they discover that Grace is a dead ringer for one of the upscale hostelry's current guests, British socialite Cordelia Winthrop Scott (Gomez again, with an accent that slides around like her lip gloss).

The ingenues abroad have only to walk out the door again for this resemblance to launch them on Cordelia's intended trip to Monte Carlo, where an expensive necklace is to be auctioned off for the benefit a school for impoverished children in Romania.

Doing the right thing early on would, of course, kill the plot and the opportunities to stay in a roomy hotel suite, dress up, meet handsome fellows, loll on the beach, and all that good stuff. The girls know there's a moral quandary involved, but it's such a fun time—and for such a fine cause as well.

"It's stealing!" Meg reflects out loud. "It's seizing the moment," Grace replies. And that's about as profound as the ethical debate ever becomes.

On the plus side, the soundtrack includes Louis Armstrong singing all the lyrics to the Edith Piaf classic "La Vie en Rose," to the lush strains of which we stroll toward the happiest of happy wrap-ups.

The film contains some mild sensuality. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Matthew: Matthew was a Jew who worked for the occupying Roman forces, collecting taxes from other Jews. The Romans were not scrupulous about what the "tax farmers" got for themselves. Hence the latter, known as "publicans," were generally hated as traitors by their fellow Jews. The Pharisees lumped them with "sinners" (see Matthew 9:11-13). So it was shocking to them to hear Jesus call such a man to be one of his intimate followers. 
<p>Matthew got Jesus in further trouble by having a sort of going-away party at his house. The Gospel tells us that "many" tax collectors and "those known as sinners" came to the dinner. The Pharisees were still more badly shocked. What business did the supposedly great teacher have associating with such immoral people? Jesus' answer was, "Those who are well do not need a physician, but the sick do. Go and learn the meaning of the words, 'I desire mercy, not sacrifice.' I did not come to call the righteous but sinners" (Matthew 9:12b-13). Jesus is not setting aside ritual and worship; he is saying that loving others is even more important. </p><p>No other particular incidents about Matthew are found in the New Testament.</p> American Catholic Blog The most appealing invitation to embrace the religious life is the witness of our own lives, the spirit in which we react to our divine calling, the completeness of our dedication, the generosity and cheerfulness of our service to God, the love we have for one another, the apostolic zeal with which we witness to Christ’s love for the poorest of the poor.

 
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