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ON FAITH & MEDIA View Comments

The Labyrinth

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

A 17 year-old teenager was on the first transport to Auschwitz in 1940. His name was Marian Kolodziej and he had asked his priest if it was a good idea to join the Polish resistance. The priest said yes, but Marian was no match for the Nazi machine. He was captured almost immediately and the number 432 was tattooed on his forearm. He says of his first weeks there, “I built Auschwitz because I arrived there in the first transport. It was also true that for almost fifty years I did not speak about Auschwitz. But nevertheless throughout that whole time Auschwitz was present in everything I did.”

After the war he married and designed sets for theaters. He also kept silent about Auschwitz until he had a stroke when he was 72 years old. He fell into a depression and then one day asked for paper and pencil and began to draw his way to healing. The tragic images flowed from his haunted memory and became large murals and panels numbering more than 300. “Until his death in 2009,” explains filmmaker Father Ron Schmidt, SJ, “Marian kept adding new pieces and rearranging the drawings as his memory invited him.”

Today the art of Marian Kolodziej is on display in the basement of a Franciscan church in Harmeze, about 13 km from Auschwitz, or Oświęcim as the town is called in Polish. As this stunning documentary shows, Marian arranged the murals in the shape of a classic multipath labyrinth, the kind that is a maze that is difficult to navigate. “Marian’s labyrinth metaphor,” Fr. Schmidt added in an interview, “is that as the prisoners never knew what the Nazis would do next, where they would go or what they would have to do or how they would be punished, they never saw the end in sight. Marian’s labyrinth is a maze where people can wander not knowing where the path will lead them until they finally reach a stairway that leads to the light outside.”

The narration is by Roman S. Czarny, whose mature, Polish-accented English gives the film great authenticity; he makes you think that Marian himself is guiding you through his experience of the death camp. The musical score is haunting yet contemplative.

Themes of survival, art as a healer, the resilience of the human person, man’s inhumanity, and finally hope, are some of the themes the film reflects as it leads us through this phenomenal maze of genius. For more information about this film and to order a copy of the DVD, visit www.thelabyrinthdocumentary.com


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Agnes of Bohemia: Agnes had no children of her own but was certainly life-giving for all who knew her. 
<p>Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. At the age of three, she was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. </p><p>After declining marriages to King Henry VII of Germany and Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. </p><p>After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. St. Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. </p><p>Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess; nevertheless, the title she preferred was "senior sister." Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother’s offer to set up an endowment for the monastery. </p><p>Devotion to Agnes arose soon after her death on March 6, 1282. She was canonized in 1989.</p> American Catholic Blog We do not need to pile up words upon words in order to be heard in the heart of God. Jesus also has a very comforting message: The Father knows what we need even before we ask for it.


 
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