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ON FAITH & MEDIA View Comments

The Labyrinth

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

A 17 year-old teenager was on the first transport to Auschwitz in 1940. His name was Marian Kolodziej and he had asked his priest if it was a good idea to join the Polish resistance. The priest said yes, but Marian was no match for the Nazi machine. He was captured almost immediately and the number 432 was tattooed on his forearm. He says of his first weeks there, “I built Auschwitz because I arrived there in the first transport. It was also true that for almost fifty years I did not speak about Auschwitz. But nevertheless throughout that whole time Auschwitz was present in everything I did.”

After the war he married and designed sets for theaters. He also kept silent about Auschwitz until he had a stroke when he was 72 years old. He fell into a depression and then one day asked for paper and pencil and began to draw his way to healing. The tragic images flowed from his haunted memory and became large murals and panels numbering more than 300. “Until his death in 2009,” explains filmmaker Father Ron Schmidt, SJ, “Marian kept adding new pieces and rearranging the drawings as his memory invited him.”

Today the art of Marian Kolodziej is on display in the basement of a Franciscan church in Harmeze, about 13 km from Auschwitz, or Oświęcim as the town is called in Polish. As this stunning documentary shows, Marian arranged the murals in the shape of a classic multipath labyrinth, the kind that is a maze that is difficult to navigate. “Marian’s labyrinth metaphor,” Fr. Schmidt added in an interview, “is that as the prisoners never knew what the Nazis would do next, where they would go or what they would have to do or how they would be punished, they never saw the end in sight. Marian’s labyrinth is a maze where people can wander not knowing where the path will lead them until they finally reach a stairway that leads to the light outside.”

The narration is by Roman S. Czarny, whose mature, Polish-accented English gives the film great authenticity; he makes you think that Marian himself is guiding you through his experience of the death camp. The musical score is haunting yet contemplative.

Themes of survival, art as a healer, the resilience of the human person, man’s inhumanity, and finally hope, are some of the themes the film reflects as it leads us through this phenomenal maze of genius. For more information about this film and to order a copy of the DVD, visit www.thelabyrinthdocumentary.com


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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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