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Transformers: Dark of the Moon

John Mulderig
Source: Catholic News Service

The animated character Bumblebee is pictured in the movie "Transformers: Dark of the Moon."
Though clearly pitched at youthful viewers—sports cars that turn into robots, cool!—"Transformers: Dark of the Moon" (Paramount) is director Michael Bay's 3-D third installment of a franchise based on a line of Hasbro toys. It includes plot and dialogue elements that make it exclusively suitable, if not especially satisfying, for those who are, chronologically at least, well past adolescence.

Moreover, while gore is virtually absent from the screen during this sci-fi adventure's seemingly endless two-and-a-half-hour running time—even as computer-generated, cannon-fodder extras are bloodlessly vaporized by the dozen—gunplay and explosions feel omnipresent.

Caught up once again in the ongoing mechanical mayhem that sees a race of good shape-shifting alien robots combating an evil army of their own kind is ordinary human—and now college graduate—Sam Witwicky (Shia LaBeouf).

Though the boisterous interplanetary conflict provides distraction from Sam's mostly unsuccessful job hunt—hey, kid, times are tough all over—it also endangers his live-in British girlfriend Carly (Rosie Huntington-Whiteley).

Entertaining outings from John Malkovich as a wacky tycoon and John Turturro as a conspiracy theorist help offset a tedious back story involving an alternate history that would be vaguely offensive if it weren't so silly. According to same, the real reason for the U.S.-Soviet race to the Moon in the 1960s was the Camelot-era crash landing there of one of the Transformers' spacecraft.

Hearing the news of this unusual event from Defense Secretary Robert McNamara, JFK barks—what else?—"Get me Bobby!"

While the outcome of what follows is easily guessed, more suspense hangs on the question of whether our hero will ever put an engagement ring on poor Carly's finger. This despite his growing conviction—fueled by her "Perils of Pauline"-style sufferings at the hands of the baddies—that "she's the one," as well as his late-reel blurting out of the L-word. Ah, modern romance.

The film contains pervasive stylized violence, cohabitation, brief partial nudity, some sexual banter, a couple of uses of profanity and about a dozen instances each of crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

John Mulderig is on the staff of Catholic News Service.

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Columban: Columban was the greatest of the Irish missionaries who worked on the European continent. As a young man who was greatly tormented by temptations of the flesh, he sought the advice of a religious woman who had lived a hermit’s life for years. He saw in her answer a call to leave the world. He went first to a monk on an island in Lough Erne, then to the great monastic seat of learning at Bangor. 
<p>After many years of seclusion and prayer, he traveled to Gaul (modern-day France) with 12 companion missionaries. They won wide respect for the rigor of their discipline, their preaching, and their commitment to charity and religious life in a time characterized by clerical laxity and civil strife. Columban established several monasteries in Europe which became centers of religion and culture. </p><p>Like all saints, he met opposition. Ultimately he had to appeal to the pope against complaints of Frankish bishops, for vindication of his orthodoxy and approval of Irish customs. He reproved the king for his licentious life, insisting that he marry. Since this threatened the power of the queen mother, Columban was deported to Ireland. His ship ran aground in a storm, and he continued his work in Europe, ultimately arriving in Italy, where he found favor with the king of the Lombards. In his last years he established the famous monastery of Bobbio, where he died. His writings include a treatise on penance and against Arianism, sermons, poetry and his monastic rule.</p> American Catholic Blog Jesus was never a careerist or a glory-monger; he did not demand to be hailed as a king or lauded as a hero. He came to live among us, to suffer with us, and to serve us from the heart. He came to teach us how to love.

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