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ON FAITH & MEDIA View Comments

Bad Teacher

By
John P. McCarthy
Source: Catholic News Service

In keeping with the trend of building film comedies around unsympathetic protagonists, "Bad Teacher" (Columbia) celebrates the immoral behavior of a loathsome middle-school educator.

What differentiates the low-grade movie—without at all rescuing it from the depths of coarseness—is that the title character is female, purposefully incompetent, and fully cognizant of being ethically bankrupt. In addition, only a token effort is made to redeem her. All in all, the tawdry exhibition fails to shock, subvert, or entertain.

At the outset, Elizabeth Halsey (Cameron Diaz) eagerly gives up her teaching job at a Chicago-area public school to marry her wealthy fiance. But when he calls off the wedding (at the instigation of his mother, who realizes what Elizabeth is really after), she returns to the position and strategizes about making her way back to Easy Street.

Enter substitute teacher Scott Delacorte (Justin Timberlake), heir to a watch company fortune. Elizabeth thinks she needs breast implants to land Scott and begins hatching larcenous schemes to raise money for the procedure. Meanwhile, a feud with by-the-book colleague Amy Squirrel (Lucy Punch) develops, and Elizabeth rejects the advances of low-salaried—if witty—gym teacher Russell Gettis (Jason Segel).

A full inventory of Elizabeth's transgressions against professional decorum and general decency would go on and on. She's foul-mouthed, slatternly, racist, conniving, lazy and cruel.

She self-medicates with alcohol and marijuana, often while on the job, and her idea of instructing her seventh-grade charges is to show them Hollywood films about the teaching profession. Designed to exploit Diaz's sex appeal, the role is the opposite of empowering.

Working from a script by Gene Stupnitsky and Lee Eisenberg, director Jake Kasdan has fashioned a monotone picture in which every stab at humor derives from humiliation. And although the simulated, elongated sketch comedy lacks precision and is incapable of inciting outrage (let alone sullying the teaching profession), it does make the viewer feel rather dirty.

True, Elizabeth ultimately gives Russell a chance, yet the possibility she can be saved by the right guy is undercut by doubts regarding his character and motivation. So, ultimately, this dreadful teacher doesn't really grow or learn anything new—and neither does her audience.

The film contains several scenes depicting nonmarital sexual activity, much drug use and alcohol consumption, at least one instance of upper female nudity, frequent explicit sexual humor, some uses of profanity, pervasive rough, crude, and crass language and some scatological humor. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is R - restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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