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ON FAITH & MEDIA View Comments

The Tree of Life

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

When director/writer Terrence Malick’s new film opens we hear the quiet voice of 1950’s wife and mother Mrs. Obrien (Jessica Chastain): “The nuns always taught us that there is the way of nature and the way of grace; it is up to us to choose.”

Actually, it’s not that simple, as we discern during the roll out of Malick’s cinematic epic overflowing with color, sights, sounds, and realize we are witnessing the artist’s rendition of God’s creative act. We move through the ages and see aggression played out between dinosaurs. Then we are with the O’Brien’s in a small Texas town where their three sons are born, baptized and confirmed in their parish church.

Mr. O’Brien (Brad Pitt) is an inventor, disappointed that his creations do not succeed. He takes out his frustrations on his wife and children, especially Jack (Hunter McCracken as a child; Sean Penn later). Mrs. O’Brien is kind and protective of her children.

The threads the film weaves together often comes in pairs: nature and grace; nature and nurture; stern, intimidating father and sweet, strong mother; the astonishing beauty of God’s creation entwined with cement and steel, creations of humans.

We realize that the tapestry shows how twisted life can be – and that grace builds on nature if we nurture it. Scriptural allusions and motifs are abundant. Think the Garden of Eden and the river that ran through it, the narrow gate, and life after death.

To me, the film seemed deeply personal, almost autobiographical, though the production notes provided to film critics do not mention this. I felt the tense family dynamic, I could feel the hot, dry summer breezes that blew through the home in days before air conditioning; I, too, wandered the streets in the summer with my siblings and friends, looking for something to do.

“The Tree of Life” is a man’s story, however, and it seemed a man’s world. I felt like an onlooker, just as I did when I tried to figure out the behavior and thinking of my own three brothers in the 1950s.

“The Tree of Life” is about mystery and about grace, about certainty and the questions, and about the complexity of human freedom in relation to the Creator, to creation, and to one another.

You always have to take your time with a Terrence Malick film, and he has only made five in his forty-year career. If he finds an image that attracts him, he stays with it, and seems unable to edit it out. He asks us to marvel with him, as he did in “The Thin Red Line” (1998; a film about World War II), or more recently “The New World” (2005): Who are we to You, God? Who are you to us? What does this life, this creation mean?

“The Tree of Life” requires intentionality on the part of the audience: this is a film you choose because you are ready to slow down and journey with the filmmaker, to find God in the darkness of the theater and let the light of grace wash over you. This is a film that commands a big screen because the ideas and images – and the questions - are so huge.




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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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