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ON FAITH & MEDIA View Comments

Midnight in Paris

By
Sr. Rose Pacatte, F.S.P.
Source: AmericanCatholic.org

Director/writer Woody Allen’s film opened the Cannes Film Festival earlier this month and it is indeed one of his best films in a long time; clever, sharp, entertaining and though not overly self-conscious as Allen’s films can be, the litany of writers and artists in the film meet Allen’s cinematic requirement for neurosis.

Gil (Owen Wilson) is in Paris with his fiancé Inez (Rachel McAdams) and her parents who have business in the city of lights. Gil is a screenwriter trying to write a novel about a man who runs a nostalgia shop. When a friend of Inez, Paul (Michael Sheen) and his wife run into them in a restaurant, Gil wants nothing to do with the boorish, pseudo-intellectual professor. Instead of dancing, he goes for a walk.

At midnight, a vintage car stops in front of him, and F. Scott Fitzgerald (Tom Hiddleston) and his wife Zelda (Alison Pill) invite him to come along to a party. There he meets expats, or the famous Lost Generation, from America and other countries who form the vibrant artist community of Paris in the 1920s; include Cole Porter and Spanish filmmaker Luis Buñuel.

The funniest encounter is with Hemingway who tosses off words straight from his novels with references to his “A Moveable Feast” and seems itching for a fight. Gil runs into a litany of famous people and falls for Picasso’s mistress, Adrianna (Marion Cotillard)  who wants to live in 1890’s Paris, the city’s “Golden Age”.

Hemingway, or Fitzgerald, tells Gil that “Nostalgia is a flaw of the romantic imagination” and that nostalgia is denial.

There’s something to this, I think. After one of my younger sisters and I saw the 1992 Merchant-Ivory period masterpiece “Howard’s End”, she said, “I was born in the wrong place and the wrong time.” And then she sighed as she grasped her young daughter’s hand to return home.

Gil realizes that living in the present, while appreciating the past, is probably the best way –and that the icons of the past were just humans, too, gifted and flawed. And he decides to move to Paris.


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Gregory VII: The 10th century and the first half of the 11th were dark days for the Church, partly because the papacy was the pawn of various Roman families. In 1049, things began to change when Pope Leo IX, a reformer, was elected. He brought a young monk named Hildebrand to Rome as his counselor and special representative on important missions. He was to become Gregory VII. 
<p>Three evils plagued the Church then: simony (the buying and selling of sacred offices and things), the unlawful marriage of the clergy and lay investiture (kings and nobles controlling the appointment of Church officials). To all of these Hildebrand directed his reformer’s attention, first as counselor to the popes and later (1073-1085) as pope himself. </p><p>Gregory’s papal letters stress the role of bishop of Rome as the vicar of Christ and the visible center of unity in the Church. He is well known for his long dispute with Holy Roman Emperor Henry IV over who should control the selection of bishops and abbots. </p><p>Gregory fiercely resisted any attack on the liberty of the Church. For this he suffered and finally died in exile. He said, “I have loved justice and hated iniquity; therefore I die in exile.” Thirty years later the Church finally won its struggle against lay investiture.</p> American Catholic Blog In Christ, true God and true man, our humanity was taken to God. Christ opened the path to us. If we entrust our life to him, if we let ourselves be guided by him, we are certain to be in safe hands, in the hands of our Savior.

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