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ON FAITH & MEDIA View Comments

Pirates of the Caribbean: On Stranger Tides

By
John P. McCarthy
Source: Catholic News Service

The fourth movie in the series inspired by the Disneyland attraction, "Pirates of the Caribbean: On Stranger Tides" (Disney), spins a yarn that leads to the Fountain of Youth. No wonder it makes the popular franchise feel long in the tooth. While not a bust or a bore, "On Stranger Tides" would benefit from more vim and vigor.

After 2007's convoluted, never-ending installment "At World's End," producer Jerry Bruckheimer hired director Rob Marshall to do just that. In exchange for a leaner, more compact entertainment, this picture lacks awe-inspiring visuals and a grand scale.

"On Stranger Tides" amounts to miniaturized hooey—the cinematic equivalent of a ship in a bottle. There's not much memorable swashbuckling and the humor isn't particularly jolly. Johnny Depp doesn't appear enthused about reprising the role of foppish Captain Jack Sparrow, despite being given a worthy new love interest played by Penelope Cruz.

Much of the enervating aura can be attributed to the fact that few scenes take place on the open ocean. Marshall heightens the sense of claustrophobia by favoring medium shots and close-ups, adopting the perspective of a spectator in the front row of the orchestra section rather than that of a viewer in the back of the auditorium positioned to take in the full breadth of the spectacle. On the plus side, the scenario doesn't attempt to incorporate previous story lines or introduce a confusing array of new characters.

In mid-1700s London, we learn of Jack's interest in finding the Fountain of Youth discovered by explorer Ponce de Leon two centuries earlier. Reluctant to join his rival Captain Barbossa (Geoffrey Rush) on an expedition backed by England's King George (Richard Griffiths), Sparrow is conscripted by sword-wielding old flame Angelica (Cruz). Angelica's father is the malevolent pirate Blackbeard (Ian McShane), a character schooled in the dark arts and the only one wearing more eye mascara than Jack. They set sail aboard his vessel Queen Anne's Revenge, crewed by zombie officers.

Meanwhile, the Spanish crown has dispatched three galleons to the island where the font of eternal life is supposedly located. The ritual necessary to unlock its regenerative powers entails obtaining a mermaid's fresh tear. The movie's centerpiece is an aquatic melee involving a host of these enticingly beautiful yet predatory creatures. Philip Swift (Sam Claflin), a missionary clergyman in Blackbeard's custody, falls in love with one, whom he dubs Syrena (Astrid Berges-Frisbey).

Their romance adds a youthful note to "On Stranger Tides," but Swift's faith also affords screenwriters Ted Elliott and Terry Rossio the chance to fortify the plot by contrasting his theistic worldview to one rooted in magic, including voodoo, and a pagan belief in Fate. There's considerable banter about the salvation of souls promised by Christianity and the fountain's superficial kind of redemption. This includes some mildly provocative comments regarding religion, and Catholicism in particular. They needn't deter potential viewers, however, especially since the values of compassion and kindness championed by faithful agents are appropriately affirmed.

And yet plotwise, the tension between theology and magic does end in a sort of a stand-off. As regards the handling of almost any substantive topic in a mainstream summer movie, "On Stranger Tides" hedges its bets, taking great care not to offend—or to say anything of real consequence.

The film contains recurring action-adventure violence and peril, including nongraphic knife play and swordplay; some lightly suggestive humor and innuendo; several scary sequences; one rude expression; and frequent alcohol consumption.

The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.




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Mary Magdalene de' Pazzi: Mystical ecstasy is the elevation of the spirit to God in such a way that the person is aware of this union with God while both internal and external senses are detached from the sensible world. Mary Magdalene de' Pazzi was so generously given this special gift of God that she is called the "ecstatic saint." 
<p>She was born into a noble family in Florence in 1566. The normal course would have been for Catherine de' Pazzi to have married wealth and enjoyed comfort, but she chose to follow her own path. At nine she learned to meditate from the family confessor. She made her first Communion at the then-early age of 10 and made a vow of virginity one month later. When 16, she entered the Carmelite convent in Florence because she could receive Communion daily there. </p><p>Catherine had taken the name Mary Magdalene and had been a novice for a year when she became critically ill. Death seemed near so her superiors let her make her profession of vows from a cot in the chapel in a private ceremony. Immediately after, she fell into an ecstasy that lasted about two hours. This was repeated after Communion on the following 40 mornings. These ecstasies were rich experiences of union with God and contained marvelous insights into divine truths. </p><p>As a safeguard against deception and to preserve the revelations, her confessor asked Mary Magdalene to dictate her experiences to sister secretaries. Over the next six years, five large volumes were filled. The first three books record ecstasies from May of 1584 through Pentecost week the following year. This week was a preparation for a severe five-year trial. The fourth book records that trial and the fifth is a collection of letters concerning reform and renewal. Another book, <i>Admonitions</i>, is a collection of her sayings arising from her experiences in the formation of women religious. </p><p>The extraordinary was ordinary for this saint. She read the thoughts of others and predicted future events. During her lifetime, she appeared to several persons in distant places and cured a number of sick people. </p><p>It would be easy to dwell on the ecstasies and pretend that Mary Magdalene only had spiritual highs. This is far from true. It seems that God permitted her this special closeness to prepare her for the five years of desolation that followed when she experienced spiritual dryness. She was plunged into a state of darkness in which she saw nothing but what was horrible in herself and all around her. She had violent temptations and endured great physical suffering. She died in 1607 at 41, and was canonized in 1669.</p> American Catholic Blog Lord, keep me in your care. Guard me in my actions. Teach me to love, and help me to turn to you throughout the day. The world is filled with temptations. As I move through my day, keep me close. May those I encounter feel your loving presence. Lord, be the work of my hands and my heart. Amen.

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