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ON FAITH & MEDIA View Comments

Pirates of the Caribbean: On Stranger Tides

By
John P. McCarthy
Source: Catholic News Service

The fourth movie in the series inspired by the Disneyland attraction, "Pirates of the Caribbean: On Stranger Tides" (Disney), spins a yarn that leads to the Fountain of Youth. No wonder it makes the popular franchise feel long in the tooth. While not a bust or a bore, "On Stranger Tides" would benefit from more vim and vigor.

After 2007's convoluted, never-ending installment "At World's End," producer Jerry Bruckheimer hired director Rob Marshall to do just that. In exchange for a leaner, more compact entertainment, this picture lacks awe-inspiring visuals and a grand scale.

"On Stranger Tides" amounts to miniaturized hooey—the cinematic equivalent of a ship in a bottle. There's not much memorable swashbuckling and the humor isn't particularly jolly. Johnny Depp doesn't appear enthused about reprising the role of foppish Captain Jack Sparrow, despite being given a worthy new love interest played by Penelope Cruz.

Much of the enervating aura can be attributed to the fact that few scenes take place on the open ocean. Marshall heightens the sense of claustrophobia by favoring medium shots and close-ups, adopting the perspective of a spectator in the front row of the orchestra section rather than that of a viewer in the back of the auditorium positioned to take in the full breadth of the spectacle. On the plus side, the scenario doesn't attempt to incorporate previous story lines or introduce a confusing array of new characters.

In mid-1700s London, we learn of Jack's interest in finding the Fountain of Youth discovered by explorer Ponce de Leon two centuries earlier. Reluctant to join his rival Captain Barbossa (Geoffrey Rush) on an expedition backed by England's King George (Richard Griffiths), Sparrow is conscripted by sword-wielding old flame Angelica (Cruz). Angelica's father is the malevolent pirate Blackbeard (Ian McShane), a character schooled in the dark arts and the only one wearing more eye mascara than Jack. They set sail aboard his vessel Queen Anne's Revenge, crewed by zombie officers.

Meanwhile, the Spanish crown has dispatched three galleons to the island where the font of eternal life is supposedly located. The ritual necessary to unlock its regenerative powers entails obtaining a mermaid's fresh tear. The movie's centerpiece is an aquatic melee involving a host of these enticingly beautiful yet predatory creatures. Philip Swift (Sam Claflin), a missionary clergyman in Blackbeard's custody, falls in love with one, whom he dubs Syrena (Astrid Berges-Frisbey).

Their romance adds a youthful note to "On Stranger Tides," but Swift's faith also affords screenwriters Ted Elliott and Terry Rossio the chance to fortify the plot by contrasting his theistic worldview to one rooted in magic, including voodoo, and a pagan belief in Fate. There's considerable banter about the salvation of souls promised by Christianity and the fountain's superficial kind of redemption. This includes some mildly provocative comments regarding religion, and Catholicism in particular. They needn't deter potential viewers, however, especially since the values of compassion and kindness championed by faithful agents are appropriately affirmed.

And yet plotwise, the tension between theology and magic does end in a sort of a stand-off. As regards the handling of almost any substantive topic in a mainstream summer movie, "On Stranger Tides" hedges its bets, taking great care not to offend—or to say anything of real consequence.

The film contains recurring action-adventure violence and peril, including nongraphic knife play and swordplay; some lightly suggestive humor and innuendo; several scary sequences; one rude expression; and frequent alcohol consumption.

The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.


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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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