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ON FAITH & MEDIA View Comments

Pirates of the Caribbean: On Stranger Tides

By
John P. McCarthy
Source: Catholic News Service

The fourth movie in the series inspired by the Disneyland attraction, "Pirates of the Caribbean: On Stranger Tides" (Disney), spins a yarn that leads to the Fountain of Youth. No wonder it makes the popular franchise feel long in the tooth. While not a bust or a bore, "On Stranger Tides" would benefit from more vim and vigor.

After 2007's convoluted, never-ending installment "At World's End," producer Jerry Bruckheimer hired director Rob Marshall to do just that. In exchange for a leaner, more compact entertainment, this picture lacks awe-inspiring visuals and a grand scale.

"On Stranger Tides" amounts to miniaturized hooey—the cinematic equivalent of a ship in a bottle. There's not much memorable swashbuckling and the humor isn't particularly jolly. Johnny Depp doesn't appear enthused about reprising the role of foppish Captain Jack Sparrow, despite being given a worthy new love interest played by Penelope Cruz.

Much of the enervating aura can be attributed to the fact that few scenes take place on the open ocean. Marshall heightens the sense of claustrophobia by favoring medium shots and close-ups, adopting the perspective of a spectator in the front row of the orchestra section rather than that of a viewer in the back of the auditorium positioned to take in the full breadth of the spectacle. On the plus side, the scenario doesn't attempt to incorporate previous story lines or introduce a confusing array of new characters.

In mid-1700s London, we learn of Jack's interest in finding the Fountain of Youth discovered by explorer Ponce de Leon two centuries earlier. Reluctant to join his rival Captain Barbossa (Geoffrey Rush) on an expedition backed by England's King George (Richard Griffiths), Sparrow is conscripted by sword-wielding old flame Angelica (Cruz). Angelica's father is the malevolent pirate Blackbeard (Ian McShane), a character schooled in the dark arts and the only one wearing more eye mascara than Jack. They set sail aboard his vessel Queen Anne's Revenge, crewed by zombie officers.

Meanwhile, the Spanish crown has dispatched three galleons to the island where the font of eternal life is supposedly located. The ritual necessary to unlock its regenerative powers entails obtaining a mermaid's fresh tear. The movie's centerpiece is an aquatic melee involving a host of these enticingly beautiful yet predatory creatures. Philip Swift (Sam Claflin), a missionary clergyman in Blackbeard's custody, falls in love with one, whom he dubs Syrena (Astrid Berges-Frisbey).

Their romance adds a youthful note to "On Stranger Tides," but Swift's faith also affords screenwriters Ted Elliott and Terry Rossio the chance to fortify the plot by contrasting his theistic worldview to one rooted in magic, including voodoo, and a pagan belief in Fate. There's considerable banter about the salvation of souls promised by Christianity and the fountain's superficial kind of redemption. This includes some mildly provocative comments regarding religion, and Catholicism in particular. They needn't deter potential viewers, however, especially since the values of compassion and kindness championed by faithful agents are appropriately affirmed.

And yet plotwise, the tension between theology and magic does end in a sort of a stand-off. As regards the handling of almost any substantive topic in a mainstream summer movie, "On Stranger Tides" hedges its bets, taking great care not to offend—or to say anything of real consequence.

The film contains recurring action-adventure violence and peril, including nongraphic knife play and swordplay; some lightly suggestive humor and innuendo; several scary sequences; one rude expression; and frequent alcohol consumption.

The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.


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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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