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ON FAITH & MEDIA View Comments

Priest

By
John Mulderig
Source: Catholic News Service

"To go against the church is to go against God." Such is the slogan of the distorted version of the Catholic Church, which is portrayed as holding Big Brother-style sway over society in the malign futuristic horror exercise "Priest" (Screen Gems).

Not surprisingly, everything in this screen version of Min-Woo Hyung's series of graphic novels—adapted by director Scott Stewart and screenwriter Cory Goodman—sends the opposite message: to rebel against the corrupt, evil force of the totalitarian church is a duty, a source of honor and the beginning of individual liberation.

Discovering that supposed truth is the otherwise nameless main character of the title (Paul Bettany). A tough veteran of the apocalyptic war which saw the church helping humanity to defeat a race of brutally aggressive vampires, this consecrated warrior, like all his comrades, has fallen on hard times since the coming of peace.

Not so his religious superiors—a council of elderly gents somewhat absurdly termed the Monsignors —who have parlayed the successful outcome of the crusade against bloodsuckers into an iron grip on all aspects of life. As led by Msgr. Orelas (Christopher Plummer -- a long way from his days as the devout Baron von Trapp) they specialize in suppressing disagreeable realities.

So when Priest requests permission to go to the rescue of his niece Lucy (Lily Collins), who has been abducted during a fresh outbreak of bloodsucker violence, the Monsignors turn him down flat. The war is over; the victory was absolute. To admit that Lucy has been kidnapped by vein-drainers would be to shake the populace's confidence in the church's ability to provide them with perfect security.

But off on his quest Priest goes nonetheless. Along the way, he allies himself with Lucy's boyfriend Hicks (Cam Gigandet) and gains the help of a priestess called, um, Priestess (Maggie Q), whose disenchantment with the hierarchy is similar to his own. Together they battle to thwart the ambitions of Black Hat (Karl Urban), a new, seemingly invincible chieftain of the undead.

Incidental to the plot, but not to the feelings of Catholic viewers, is the borderline blasphemous depiction of sacramental practice. Thus, confession via electronic screens is one method of enforcing clerical control; Mass prayers drawing parallels between the blood of Christ and the ordinary variety sought by the vamps is another.

As Priest's loyalties shift, he half-heartedly recites the act of contrition, saying in effect, that he would like to renounce sin, "but I can't." There is also a disturbing appropriation of cherished Christian symbols to this project's often violent ends, with both crosses and rosaries serving, at various times, as weapons in combat.

The film contains pervasive anti-Catholicism, sometimes approaching sacrilege; much morbid, occasionally bloody violence; at least one use of profanity and of the F-word; and a few crude and crass terms. The Catholic News Service classification is O—morally offensive. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Wolfgang of Regensburg: Wolfgang was born in Swabia, Germany, and was educated at a school located at the abbey of Reichenau. There he encountered Henry, a young noble who went on to become Archbishop of Trier. Meanwhile, Wolfgang remained in close contact with the archbishop, teaching in his cathedral school and supporting his efforts to reform the clergy. 
<p>At the death of the archbishop, Wolfgang chose to become a Benedictine monk and moved to an abbey in Einsiedeln, now part of Switzerland. Ordained a priest, he was appointed director of the monastery school there. Later he was sent to Hungary as a missionary, though his zeal and good will yielded limited results. </p><p>Emperor Otto II appointed him Bishop of Regensburg near Munich. He immediately initiated reform of the clergy and of religious life, preaching with vigor and effectiveness and always demonstrating special concern for the poor. He wore the habit of a monk and lived an austere life. </p><p>The draw to monastic life never left him, including the desire for a life of solitude. At one point he left his diocese so that he could devote himself to prayer, but his responsibilities as bishop called him back. </p><p>In 994 Wolfgang became ill while on a journey; he died in Puppingen near Linz, Austria. He was canonized in 1052. His feast day is celebrated widely in much of central Europe. </p> American Catholic Blog Keep your gaze always on our most beloved Jesus, asking him in the depths of his heart what he desires for you, and never deny him anything even if it means going strongly against the grain for you. –Blessed Maria Sagrario of St. Aloysius Gonzaga

 
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