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ON FAITH & MEDIA View Comments

Cave of Forgotten Dreams

By
Kurt Jensen
Source: Catholic News Service

The Chauvet caves in southern France hold the world's oldest art treasures, and Werner Herzog's 3-D documentary, "Cave of Forgotten Dreams" (IFC), is the only way to fully experience their awe-inspiring paintings.

Although rated G, like any other visit to an art museum, it would be better appreciated by mature older adolescents, given its frank discussions of paintings and sculptures of nude women. The 32,000-year-old cave paintings are breathtaking, and snickering would be intrusive.

Herzog doesn't use the 3-D technology just to add novelty and depth to cave features such as stalactites. Almost all the Paleolithic paintings of 13 species, including horses, antelope, bison, lions, birds and rhinoceros, were made on curved rock walls, and when they were created by torchlight, and now illuminated by the flickering lights of the camera crew, were and are meant to give the illusion of depth and motion.

Many of the paintings are so sophisticated in execution that when they were first discovered in 1994—before being quickly sealed off by the French government to protect them—there was much investigation to determine that they weren't modern frauds.

What does the artwork mean? Several authorities offer theories, although since the caves were never used as homes, it's generally assumed that the art holds spiritual meaning. Everyone's tone is appropriately hushed.

The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is G—general audiences. All ages admitted.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

Keeping Mary Close by Mike Aquilina

 
CATHOLIC GREETINGS
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Mary’s song of joy on this occasion traces all her blessings to God’s generosity.

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Ultimately it is the Eucharist that feeds us and leads us to the heavenly banquet.

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This weekend remember all those who have fought and died for peace.




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