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ON FAITH & MEDIA View Comments

Bridesmaids

By
John Mulderig
Source: Catholic News Service

Those who watched the seemingly flawless nuptials uniting Britain's newly minted Duke and Duchess of Cambridge will find a very different wedding experience awaiting them with the arrival on the big screen of the ill-tempered comedy "Bridesmaids" (Universal).

As written by Annie Mumolo and Kristen Wiig, director Paul Feig's stumble toward the altar starts with a graphic, commitment-free bedroom scene and proceeds to lift the veil -- to supposedly humorous effect -- on other uninviting matters such as the symptoms of food poisoning.

Wiig stars as Annie, a failed bakery owner who finds the downward spiral of her fortunes accelerating after her lifelong best friend Lillian (Maya Rudolph) becomes engaged and asks her to serve as maid of honor.

What follows is a frantic rivalry pitting Annie against Helen (Rose Byrne) -- another of the attendants and a newfound pal of Lillian's who, Annie fears, may displace her in the bride-to-be's affections -- as well a series of disastrous misadventures for the titular ensemble as a whole (which also includes Melissa McCarthy, Ellie Kemper and Wendi McLendon-Covey).

Since most of these calamities are directly attributable to Annie's misguided efforts to best rich, glamorous and fanatically organized Helen, Lillian -- not surprisingly -- begins to lose patience with her old buddy. So, too, will many viewers.

One glimmer of hope in Annie's life is her budding romance with Irish-born local policeman Rhodes (Chris O'Dowd). But their potentially winning relationship -- Rhodes, for instance, thoughtfully encourages Annie to start baking again -- turns prematurely physical after only a few social encounters.

This is in keeping with the long-standing, utterly loveless affair linking Annie with wealthy, frivolous Ted (Jon Hamm). As revealed in that opening scene, which also features some obscene dialogue, their bond is strictly zoological.

Although Annie's willingness to play along with this base arrangement is presented as a symptom of her lack of self-respect, that doesn't prevent the screenwriters from trying to make comic hay out of it.

On the whole, then, this is one wedding that deserves a bad reception.

The film contains explicit nonmarital sexual activity, much sexual and scatological humor, a same-gender kiss, at least a half-dozen uses of profanity and pervasive rough and crude language. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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