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ON FAITH & MEDIA View Comments

Jumping the Broom

By
Kurt Jensen
Source: Catholic News Service


Laz Alonso and Paula Patton star in a scene from the movie "Jumping the Broom."
Expertly performed faith-tinged family comedies such as "Jumping the Broom" (TriStar) are such a rare and welcome treat, is it even fair to quibble?

We must. The family secret at the heart of the plot is so emotionally painful and morally and legally complex, it would stop people in their tracks in real life, after which they would probably seek out the likes of Dr. Phil.

There is a clergyman on hand -- the Rev. James, played by Bishop T.D. Jakes, senior pastor of the Potter's Field megachurch in Dallas, and also a producer of this film. But director Salim Akil and screenwriters Elizabeth Hunter and Arlene Gibbs use him mostly as window dressing; he offers some wisdom about soul mates early on, and delivers a sermonette at the end.

But, in between, the characters are left to sort out their serious conflicts without his counsel.

It's a false note in an otherwise engaging story about the lead-up to a Martha's Vineyard wedding. The nuptials will unite stockbroker Jason Taylor (Laz Alonso), the son of overprotective Brooklyn postal worker Pam (Loretta Devine), who struggles with anger issues, and lawyer Sabrina Watson (Paula Patton), the daughter of wealthy Claudine and Greg (Angela Bassett and Brian Stokes Mitchell), who are edging toward a divorce.

There are unexpected twists mixed in with the helpings of sweet potato pie and the time-honored formula of upscale vs. downscale. Sabrina and Jason have known each other only six months, and because of a promise she made to God about leading a chaste life, they're not having premarital sex.

Pam's devoted Bible reading, though sincerely pursued, is shown to be less than effective in keeping her on the side of righteousness. And, of course, the Watsons' money and accoutrements prove useless in shielding them from devastating family issues.

Problems are resolved in a series of quick conversations, since the bickering and divergences between the two families (both mothers are masters of the comic slow burn) are mere speed bumps on the way to...well, it is a comedy.

The film contains mature themes; fleeting, mild sexual banter; and a couple of references to masturbation. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog Teaching by example forms a durable base from which to form character. It is the base, but alone it won’t raise the kind of person you want. Being a moral adult is fundamental to teaching children morals. But it is not sufficient, in and of itself.

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