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ON FAITH & MEDIA View Comments

Hoodwinked Too! Hood vs. Evil

By
Joseph McAleer
Source: Catholic News Service

The same studio which brought us the best film of 2010, "The King's Speech," now presents what will likely prove one of the worst of 2011: "Hoodwinked Too! Hood vs. Evil" (Weinstein).

Though objectionable elements are few, and mostly consist of childish potty jokes, viewers expecting Pixar—or DreamWorks-style enchantment—from this 3-D animated sequel to 2006's "Hoodwinked!" are in for a big disappointment: The script is unoriginal, the production substandard, and the voices are as tired as the frequently clumsy action sequences.

Once again, things have gone awry in the fairy-tale world. Hansel and Gretel (voices of Bill Hader and Amy Poehler) have been kidnapped, and the prime suspect is Verushka the Witch (voice of Joan Cusack). This is clearly a job for the super-spies of the Happily Ever After Agency, led by the long-legged frog Nicky Flippers (voice of David Ogden Stiers).

A rescue mission is mounted, headed by Granny Puckett (voice of Glenn Close) and the Big Bad Wolf (voice of Patrick Warburton). Wolf is missing his partner, Red Riding Hood (voice of Hayden Panettiere), who is away receiving kung-fu training from the "Sisters of the Hood"—not nuns with martial arts skills, happily, but a group of enlightened high-kicking ladies who also bake.

Without Red, the mission is a failure, and Granny is captured. Verushka chains her to the stove, and demands that she whip up the world's biggest weapon—a chocolate truffle (of all things) that renders the eater invincible. Granny, you see, is herself a Sister of the Hood and knows the recipe.

Red must be recalled to save the day. "Will the villains get their just desserts?" she asks. Does anyone care?

Directed by newcomer Mike Disa, "Hoodwinked Too! Hood vs. Evil" is a pastiche, freely stealing scenes and dialogue from films as varied as "Kung Fu Panda" and "Spider-Man" at one end of the spectrum and "Silence of the Lambs" at the other.

For no apparent reason, the script—co-written by Disa with Cory Edwards, Tony Leech and Todd Edwards—also displays an animus toward the Food Network and its celebrity chefs, with Verushka proclaiming, "Rachael Ray is the devil!"

Theologians take note. Or not.

The film contains mildly rude bathroom humor and some very loud action sequences. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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