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ON FAITH & MEDIA View Comments

Dylan Dog: Dead of Night

By
Kurt Jensen
Source: Catholic News Service

"Dylan Dog: Dead of Night" (Freestyle) may prove that your mother was right when she used to warn you, "Those comic books will rot your brain!" Scenes of mayhem and some language issues, moreover, mark this maladroit screen adaptation of an Italian series of comics as off-limits to its youthful target audience.

The movie's potentially diverting premise holds that the undead—vampires, zombies and the occasional werewolf—co-exist peacefully with the living, and perform useful jobs such as morgue attendant, until something goes wrong that plunges them into murderous behavior.

But director Kevin Munroe and screenwriters Thomas Dean Donnelly and Joshua Oppenheimer drive it all into the ground, hobbled by a low budget that only allows for vampire teeth, some glowing eyes, a few wigs and what appears to be a single werewolf outfit.

Supernatural? It ain't so super, and it's not all that natural, either.

Brandon Routh as private eye Dylan Dog—who prowls through New Orleans to find out why the killing spree has begun with cases involving his client Elizabeth (Anita Briem) and his dead sidekick Marcus (Sam Huntington)—has little to do except for cocking his eyebrows and spouting leaden dialogue.

Typical of the macabre humor occasionally on display is the idea of a "parts shop" where the undead from all over the country can purchase all manner of body parts that have dropped off, or been torn off, during their nights of mayhem.

The film contains considerable action violence, a few drug references and fleeting crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Ansgar: The “apostle of the north” (Scandinavia) had enough frustrations to become a saint—and he did. He became a Benedictine at Corbie, France, where he had been educated. Three years later, when the king of Denmark became a convert, Ansgar went to that country for three years of missionary work, without noticeable success. Sweden asked for Christian missionaries, and he went there, suffering capture by pirates and other hardships on the way. Fewer than two years later, he was recalled, to become abbot of New Corbie (Corvey) and bishop of Hamburg. The pope made him legate for the Scandinavian missions. Funds for the northern apostolate stopped with Emperor Louis’s death. After 13 years’ work in Hamburg, Ansgar saw it burned to the ground by invading Northmen; Sweden and Denmark returned to paganism. 
<p>He directed new apostolic activities in the North, traveling to Denmark and being instrumental in the conversion of another king. By the strange device of casting lots, the king of Sweden allowed the Christian missionaries to return. </p><p>Ansgar’s biographers remark that he was an extraordinary preacher, a humble and ascetical priest. He was devoted to the poor and the sick, imitating the Lord in washing their feet and waiting on them at table. He died peacefully at Bremen, Germany, without achieving his wish to be a martyr. </p><p>Sweden became pagan again after his death, and remained so until the coming of missionaries two centuries later.</p> American Catholic Blog Every vocation is a vocation to sacrifice and to joy. It is a call to the knowledge of God, to the recognition of God as our Father, to joy in the understanding of His mercy.

 
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