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ON FAITH & MEDIA View Comments

Dylan Dog: Dead of Night

By
Kurt Jensen
Source: Catholic News Service

"Dylan Dog: Dead of Night" (Freestyle) may prove that your mother was right when she used to warn you, "Those comic books will rot your brain!" Scenes of mayhem and some language issues, moreover, mark this maladroit screen adaptation of an Italian series of comics as off-limits to its youthful target audience.

The movie's potentially diverting premise holds that the undead—vampires, zombies and the occasional werewolf—co-exist peacefully with the living, and perform useful jobs such as morgue attendant, until something goes wrong that plunges them into murderous behavior.

But director Kevin Munroe and screenwriters Thomas Dean Donnelly and Joshua Oppenheimer drive it all into the ground, hobbled by a low budget that only allows for vampire teeth, some glowing eyes, a few wigs and what appears to be a single werewolf outfit.

Supernatural? It ain't so super, and it's not all that natural, either.

Brandon Routh as private eye Dylan Dog—who prowls through New Orleans to find out why the killing spree has begun with cases involving his client Elizabeth (Anita Briem) and his dead sidekick Marcus (Sam Huntington)—has little to do except for cocking his eyebrows and spouting leaden dialogue.

Typical of the macabre humor occasionally on display is the idea of a "parts shop" where the undead from all over the country can purchase all manner of body parts that have dropped off, or been torn off, during their nights of mayhem.

The film contains considerable action violence, a few drug references and fleeting crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Paul Miki and Companions: Nagasaki, Japan, is familiar to Americans as the city on which the second atomic bomb was dropped, immediately killing over 37,000 people. Three and a half centuries before, 26 martyrs of Japan were crucified on a hill, now known as the Holy Mountain, overlooking Nagasaki. Among them were priests, brothers and laymen, Franciscans, Jesuits and members of the Secular Franciscan Order; there were catechists, doctors, simple artisans and servants, old men and innocent children—all united in a common faith and love for Jesus and his Church. 
<p>Brother Paul Miki, a Jesuit and a native of Japan, has become the best known among the martyrs of Japan. While hanging upon a cross, Paul Miki preached to the people gathered for the execution: “The sentence of judgment says these men came to Japan from the Philippines, but I did not come from any other country. I am a true Japanese. The only reason for my being killed is that I have taught the doctrine of Christ. I certainly did teach the doctrine of Christ. I thank God it is for this reason I die. I believe that I am telling only the truth before I die. I know you believe me and I want to say to you all once again: Ask Christ to help you to become happy. I obey Christ. After Christ’s example I forgive my persecutors. I do not hate them. I ask God to have pity on all, and I hope my blood will fall on my fellow men as a fruitful rain.” </p><p>When missionaries returned to Japan in the 1860s, at first they found no trace of Christianity. But after establishing themselves they found that thousands of Christians lived around Nagasaki and that they had secretly preserved the faith. Beatified in 1627, the martyrs of Japan were finally canonized in 1862.</p> American Catholic Blog By way of analogy, we are taught that we all have the same sun shining on us and we all have the same rain falling on us. It is how we deal with sun and rain, how we deal with the happy and the not-so-happy things of life that causes our interior weather. Basically, we do it to ourselves.

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