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ON FAITH & MEDIA View Comments

Dylan Dog: Dead of Night

By
Kurt Jensen
Source: Catholic News Service

"Dylan Dog: Dead of Night" (Freestyle) may prove that your mother was right when she used to warn you, "Those comic books will rot your brain!" Scenes of mayhem and some language issues, moreover, mark this maladroit screen adaptation of an Italian series of comics as off-limits to its youthful target audience.

The movie's potentially diverting premise holds that the undead—vampires, zombies and the occasional werewolf—co-exist peacefully with the living, and perform useful jobs such as morgue attendant, until something goes wrong that plunges them into murderous behavior.

But director Kevin Munroe and screenwriters Thomas Dean Donnelly and Joshua Oppenheimer drive it all into the ground, hobbled by a low budget that only allows for vampire teeth, some glowing eyes, a few wigs and what appears to be a single werewolf outfit.

Supernatural? It ain't so super, and it's not all that natural, either.

Brandon Routh as private eye Dylan Dog—who prowls through New Orleans to find out why the killing spree has begun with cases involving his client Elizabeth (Anita Briem) and his dead sidekick Marcus (Sam Huntington)—has little to do except for cocking his eyebrows and spouting leaden dialogue.

Typical of the macabre humor occasionally on display is the idea of a "parts shop" where the undead from all over the country can purchase all manner of body parts that have dropped off, or been torn off, during their nights of mayhem.

The film contains considerable action violence, a few drug references and fleeting crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Sharbel Makhluf: Although this saint never traveled far from the Lebanese village of Beka-Kafra, where he was born, his influence has spread widely. 
<p>Joseph Zaroun Makluf was raised by an uncle because his father, a mule driver, died when Joseph was only three. At the age of 23, Joseph joined the Monastery of St. Maron at Annaya, Lebanon, and took the name Sharbel in honor of a second-century martyr. He professed his final vows in 1853 and was ordained six years later. </p><p>Following the example of the fifth-century St. Maron, Sharbel lived as a hermit from 1875 until his death. His reputation for holiness prompted people to seek him to receive a blessing and to be remembered in his prayers. He followed a strict fast and was very devoted to the Blessed Sacrament. When his superiors occasionally asked him to administer the sacraments to nearby villages, Sharbel did so gladly. </p><p>He died in the late afternoon on Christmas Eve. Christians and non-Christians soon made his tomb a place of pilgrimage and of cures. Pope Paul VI beatified him in 1965 and canonized him 12 years later.</p> American Catholic Blog You cannot claim to be ‘for Christ’ and espouse a political cause that implies callous indifference to the needs of millions of human beings and even cooperate in their destruction.

 
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