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ON FAITH & MEDIA View Comments

Dylan Dog: Dead of Night

By
Kurt Jensen
Source: Catholic News Service

"Dylan Dog: Dead of Night" (Freestyle) may prove that your mother was right when she used to warn you, "Those comic books will rot your brain!" Scenes of mayhem and some language issues, moreover, mark this maladroit screen adaptation of an Italian series of comics as off-limits to its youthful target audience.

The movie's potentially diverting premise holds that the undead—vampires, zombies and the occasional werewolf—co-exist peacefully with the living, and perform useful jobs such as morgue attendant, until something goes wrong that plunges them into murderous behavior.

But director Kevin Munroe and screenwriters Thomas Dean Donnelly and Joshua Oppenheimer drive it all into the ground, hobbled by a low budget that only allows for vampire teeth, some glowing eyes, a few wigs and what appears to be a single werewolf outfit.

Supernatural? It ain't so super, and it's not all that natural, either.

Brandon Routh as private eye Dylan Dog—who prowls through New Orleans to find out why the killing spree has begun with cases involving his client Elizabeth (Anita Briem) and his dead sidekick Marcus (Sam Huntington)—has little to do except for cocking his eyebrows and spouting leaden dialogue.

Typical of the macabre humor occasionally on display is the idea of a "parts shop" where the undead from all over the country can purchase all manner of body parts that have dropped off, or been torn off, during their nights of mayhem.

The film contains considerable action violence, a few drug references and fleeting crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Peter Chrysologus: A man who vigorously pursues a goal may produce results far beyond his expectations and his intentions. Thus it was with Peter of the Golden Words, as he was called, who as a young man became bishop of Ravenna, the capital of the empire in the West. 
<p>At the time there were abuses and vestiges of paganism evident in his diocese, and these he was determined to battle and overcome. His principal weapon was the short sermon, and many of them have come down to us. They do not contain great originality of thought. They are, however, full of moral applications, sound in doctrine and historically significant in that they reveal Christian life in fifth-century Ravenna. So authentic were the contents of his sermons that, some 13 centuries later, he was declared a doctor of the Church by Pope Benedict XIII. He who had earnestly sought to teach and motivate his own flock was recognized as a teacher of the universal Church. </p><p>In addition to his zeal in the exercise of his office, Peter Chrysologus was distinguished by a fierce loyalty to the Church, not only in its teaching, but in its authority as well. He looked upon learning not as a mere opportunity but as an obligation for all, both as a development of God-given faculties and as a solid support for the worship of God. </p><p>Some time before his death, St. Peter returned to Imola, his birthplace, where he died around A.D. 450.</p> American Catholic Blog Prayer should be more listening than speaking. God gave you two ears and one mouth...use them proportionately.

 
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