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ON FAITH & MEDIA View Comments

Prom

By
John Mulderig
Source: Catholic News Service

Like the rite of passage for which it's named, "Prom" (Disney)—a wholesome but ho-hum high school-set romantic comedy—conjures opportunities and problems that seem to matter a great deal more to its youthful participants than to more mature outside observers.

Still, if the characters onscreen appear to have little to worry about, the same can also, fortunately, be said for parents dispatching or accompanying youngsters to director Joe Nussbaum's low-key, carefully choreographed social square dance.

Do-si-doing their way through the buildup to the big night—as they discover, renew or lose love—are a variety of teen couples led, in a classic case of attracted opposites, by clean-cut class president Nova (Aimee Teegarden) and mild bad boy Jesse (Thomas McDonell).

Nova—who seems destined to be her alma mater's answer to Martha Stewart, or perhaps Albert Speer—has devoted so much time and attention to prom preparations that she's crushed when the storage shed housing all the decorations goes up in smoke. And things seem to only get worse when the principal, as a means of punishing the rebel, assigns brooding, motorcycle-riding Jesse to be her helper in the Herculean task of reconstruction.

Despite the chopper—and a haircut reminiscent of Arlo Guthrie, circa "Alice's Restaurant"—Jesse turns out to be an OK guy who, in turn, discovers all the virtues initially hidden by Nova's emotional corset stays.

Concealing something else is Mei (Yin Chang), the distaff half of the school's longest running duo. Mei can't bring herself to tell her boyfriend Justin (Jared Kusnitz) that she's been accepted to a college she fancies more than the one they had planned to attend together.

Then there's goodhearted music nerd and promising lacrosse player Lucas (Nolan Sotillo). Not to be held back by his peas-in-the-pod friendship with even dorkier Corey (Cameron Monaghan)—who likes the same bands, but lacks coordination—Lucas aspires to win the affections of his fetching classmate Simone (Danielle Campbell). To do so, however, he'll have to overcome the rivalry of the lacrosse captain himself, Tyler (De'Vaughn Nixon).

Well, this is the movies after all.

Though Katie Wech's script varies what often feels like trivializing realism with such Hollywood flights of fancy, it does gather some emotional momentum as it proceeds. And the closest thing to problematic material comes with a brief dust-up between Jesse and a trio of louts who harass his mother at the diner where she toils as a waitress.

"Prom," in sum, registers as appropriate and agreeable—if not especially enthralling—entertainment for all.

The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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