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ON FAITH & MEDIA View Comments

Thor

By
John P. McCarthy
Source: Catholic News Service

Over the centuries, Norse mythology, like its Greek and Roman counterparts, has been appropriated by artists seeking to enlighten as well as by those with the more modest goal of providing entertainment. Based on the exploits of the titular Marvel Comics superhero, "Thor" (Paramount) falls satisfyingly into the latter category.

The potential blockbuster's contributions to cinema, let alone to Western civilization, are negligible, yet it has enough positive qualities to constitute a commendable diversion. While no one will mistake the hammer-wielding protagonist for, say, Wagner's Parsifal or Siegfried, the story's Christian framework is readily discernable, even to moviegoers with less-than-Wagnerian attention spans.

At first glance, British actor/director Kenneth Branagh, best known for his Shakespeare adaptations, was a curious choice to direct. But the decision pays off. Exhibiting a mature, light touch, he presents the epic yarn with economy, balancing thematic portentousness with significant humor.

So, while "Thor" sometimes resembles a mash-up of "Clash of the Titans" and "Race to Witch Mountain," it also bears the intelligent markings of the "Iron Man" mold. Those anticipating a loud, headache-inducing picture will be pleasantly surprised. On the other hand, those looking for cutting-edge special effects may be disappointed. Once again, the 3-D formatting seems obligatory rather than enhancing.

As he's about to crown Thor (Chris Hemsworth) his successor, Odin (Anthony Hopkins), king of the celestial realm of Asgard, instead banishes his son and heir to Earth. Thor's brother Loki (Tom Hiddleston) has engineered the exile by goading the hotheaded warrior-prince to defy Odin and break a truce with the race of Frost Giants.

Down on Earth—in the desert outskirts of a small New Mexico town, to be exact—Thor meets comely astrophysicist Jane Foster (Natalie Portman) and her team, who try to hide the strapping alien from federal authorities. Back up in Asgard, the dissembling Loki seizes the throne from an incapacitated Odin.

Switching back and forth between its two settings, the movie doesn't spend much time explicating any one aspect of the scenario. Branagh and company trust their viewers and the result is neither mindless nor too taxing. However, the pared-down storytelling does make the climax seem fairly abrupt and the rush to a sequel more transparent than usual.

Visually, the special effects are no better than passable. But successful jokes—stemming mostly from the incongruity between Thor's stiff manner and the vagaries of modern life, best represented by Jane's droll assistant Darcy (Kat Dennings)—do provide a counterpoint to the cosmic melodrama.

The notion of a self-sacrificing hero who overcomes pride and takes redemptive action for others certainly registers. And because the narrative has many Christian echoes, "Thor" can't be criticized for propagating a pagan worldview. Besides, the theological implications of the underlying myth are never seriously explored.

The bond between Thor and Jane is both believable and restrained, leading only to a single passionate kiss. While its violence quotient renders "Thor" inappropriate for small children, parents needn't be alarmed if mature middle-schoolers ask to attend.

Such pure models of heroism and nobility are quite rare on screen nowadays, after all, and therefore quite refreshing.

The film contains much moderately intense, but bloodless, hand-to-hand combat, a few scary sequences and a couple of mild oaths. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Fidelis of Sigmaringen: If a poor man needed some clothing, Fidelis would often give the man the clothes right off his back. Complete generosity to others characterized this saint's life. 
<p>Born in 1577, Mark Rey (Fidelis was his religious name) became a lawyer who constantly upheld the causes of the poor and oppressed people. Nicknamed "the poor man's lawyer," Fidelis soon grew disgusted with the corruption and injustice he saw among his colleagues. He left his law career to become a priest, joining his brother George as a member of the Capuchin Order. His wealth was divided between needy seminarians and the poor. </p><p>As a follower of Francis, Fidelis continued his devotion to the weak and needy. During a severe epidemic in a city where he was guardian of a friary, Fidelis cared for and cured many sick soldiers. </p><p>He was appointed head of a group of Capuchins sent to preach against the Calvinists and Zwinglians in Switzerland. Almost certain violence threatened. Those who observed the mission felt that success was more attributable to the prayer of Fidelis during the night than to his sermons and instructions. </p><p>He was accused of opposing the peasants' national aspirations for independence from Austria. While he was preaching at Seewis, to which he had gone against the advice of his friends, a gun was fired at him, but he escaped unharmed. A Protestant offered to shelter Fidelis, but he declined, saying his life was in God's hands. On the road back, he was set upon by a group of armed men and killed. </p><p>He was canonized in 1746. Fifteen years later, the Congregation for the Propagation of the Faith, which was established in 1622, recognized him as its first martyr.</p> American Catholic Blog Obedience means total surrender and wholehearted free service to the poorest of the poor. All the difficulties that come in our work are the result of disobedience.

 
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