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ON FAITH & MEDIA View Comments

There Be Dragons

By
John Mulderig
Source: Catholic News Service


Wes Bentley stars in a scene from the movie "There Be Dragons."
What many people think they know about the Catholic spiritual movement Opus Dei likely comes—unfortunately—from the slanderous misrepresentations of it fobbed off on the public by author Dan Brown in his 2003 novel "The Da Vinci Code." Brown's fallacies, moreover, were only perpetuated by the 2006 screen version of his feverish fantasy, helmed by Ron Howard.

A healthy antidote to such sensationalized misconceptions—a murderous albino monk, you say?—comes with the release of "There Be Dragons" (Samuel Goldwyn), a generally powerful, partly fictionalized dramatization of passages in the life of Opus Dei's founder, St. Josemaria Escriva de Balaguer (1902-75), intensely yet appealingly portrayed by Charlie Cox.

As fictional Spanish-born reporter Robert Torres (Dougray Scott) investigates Escriva's life, he's surprised to discover that his own father Manolo (Wes Bentley)—from whom Robert has long been estranged—was the future religious leader's childhood friend and seminary classmate.

With the tumult of the Spanish Civil War looming, however, the two men took diametrically different paths.

Once ordained, Escriva labored for the establishment of a community dedicated to achieving personal sanctity through everyday work, an organization whose structure—unprecedented in the modern church—would embrace women as well as men, laypeople as well as priests.

Having rejected the faith in favor of a bitterly cynical materialism, meanwhile, Manolo is shown pursuing a duplicitous role in the conflict engulfing his society.

Not the least of the obstacles Escriva confronted in furthering his "Work of God" (the English meaning of the Latin phrase "Opus Dei") was the increasingly violent anti-clericalism of the Loyalist side in the Spanish struggle.

Yet when these leftists begin desecrating churches and murdering priests in cold blood, Escriva remains evenhandedly neutral, sympathizing with his adversaries' motivations and aspirations and urging his handful of early followers to react with Christian forbearance.

This nuanced and charitable approach to the situation belies Escriva's reputation, in some circles, as an unabashed devotee of Franco's fascist vision.

The striking portrait of an anything-but-plaster saint that forms the heart of writer-director Roland Joffe's hybrid tale grippingly conveys its subject's struggle to discern his vocation and to live out the Christian message of peace, even in the most trying circumstances.

But the impact of these fact-based biographical elements is blunted by the fictive framework with which Joffe has chosen to surround them, a storytelling device that turns out to be more burden than enhancement. Thus, imaginary subplots such as the conflict between Robert and Manolo never seem quite convincing, and only serve to distract from a primary story which is both spiritually valuable and ably depicted.

The significance of that central chronicle is such, however, as to make "There Be Dragons" probably acceptable for older teens.

The film contains occasionally bloody action violence, a few sexual references, a couple of crude and a half-dozen crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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John Vianney: A man with vision overcomes obstacles and performs deeds that seem impossible. John Vianney was a man with vision: He wanted to become a priest. But he had to overcome his meager formal schooling, which inadequately prepared him for seminary studies. 
<p>His failure to comprehend Latin lectures forced him to discontinue. But his vision of being a priest urged him to seek private tutoring. After a lengthy battle with the books, John was ordained. </p><p>Situations calling for “impossible” deeds followed him everywhere. As pastor of the parish at Ars, John encountered people who were indifferent and quite comfortable with their style of living. His vision led him through severe fasts and short nights of sleep. (Some devils can only be cast out by prayer and fasting.) </p><p>With Catherine Lassagne and Benedicta Lardet, he established La Providence, a home for girls. Only a man of vision could have such trust that God would provide for the spiritual and material needs of all those who came to make La Providence their home. </p><p>His work as a confessor is John Vianney’s most remarkable accomplishment. In the winter months he was to spend 11 to 12 hours daily reconciling people with God. In the summer months this time was increased to 16 hours. Unless a man was dedicated to his vision of a priestly vocation, he could not have endured this giving of self day after day. </p><p>Many people look forward to retirement and taking it easy, doing the things they always wanted to do but never had the time. But John Vianney had no thoughts of retirement. As his fame spread, more hours were consumed in serving God’s people. Even the few hours he would allow himself for sleep were disturbed frequently by the devil. </p><p>Who, but a man with vision, could keep going with ever-increasing strength? In 1929, Pope Pius XI named him the patron of parish priests worldwide.</p> American Catholic Blog The most beautiful and spontaneous expressions of joy which I have seen during my life were by poor people who had little to hold on to. –Pope Francis

The Spirit of Saint Francis

 
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Do you know a priest who reminds you of St. John Vianney? Send him an e-card to thank him for his ministry.

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