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ON FAITH & MEDIA View Comments

There Be Dragons

By
John Mulderig
Source: Catholic News Service


Wes Bentley stars in a scene from the movie "There Be Dragons."
What many people think they know about the Catholic spiritual movement Opus Dei likely comes—unfortunately—from the slanderous misrepresentations of it fobbed off on the public by author Dan Brown in his 2003 novel "The Da Vinci Code." Brown's fallacies, moreover, were only perpetuated by the 2006 screen version of his feverish fantasy, helmed by Ron Howard.

A healthy antidote to such sensationalized misconceptions—a murderous albino monk, you say?—comes with the release of "There Be Dragons" (Samuel Goldwyn), a generally powerful, partly fictionalized dramatization of passages in the life of Opus Dei's founder, St. Josemaria Escriva de Balaguer (1902-75), intensely yet appealingly portrayed by Charlie Cox.

As fictional Spanish-born reporter Robert Torres (Dougray Scott) investigates Escriva's life, he's surprised to discover that his own father Manolo (Wes Bentley)—from whom Robert has long been estranged—was the future religious leader's childhood friend and seminary classmate.

With the tumult of the Spanish Civil War looming, however, the two men took diametrically different paths.

Once ordained, Escriva labored for the establishment of a community dedicated to achieving personal sanctity through everyday work, an organization whose structure—unprecedented in the modern church—would embrace women as well as men, laypeople as well as priests.

Having rejected the faith in favor of a bitterly cynical materialism, meanwhile, Manolo is shown pursuing a duplicitous role in the conflict engulfing his society.

Not the least of the obstacles Escriva confronted in furthering his "Work of God" (the English meaning of the Latin phrase "Opus Dei") was the increasingly violent anti-clericalism of the Loyalist side in the Spanish struggle.

Yet when these leftists begin desecrating churches and murdering priests in cold blood, Escriva remains evenhandedly neutral, sympathizing with his adversaries' motivations and aspirations and urging his handful of early followers to react with Christian forbearance.

This nuanced and charitable approach to the situation belies Escriva's reputation, in some circles, as an unabashed devotee of Franco's fascist vision.

The striking portrait of an anything-but-plaster saint that forms the heart of writer-director Roland Joffe's hybrid tale grippingly conveys its subject's struggle to discern his vocation and to live out the Christian message of peace, even in the most trying circumstances.

But the impact of these fact-based biographical elements is blunted by the fictive framework with which Joffe has chosen to surround them, a storytelling device that turns out to be more burden than enhancement. Thus, imaginary subplots such as the conflict between Robert and Manolo never seem quite convincing, and only serve to distract from a primary story which is both spiritually valuable and ably depicted.

The significance of that central chronicle is such, however, as to make "There Be Dragons" probably acceptable for older teens.

The film contains occasionally bloody action violence, a few sexual references, a couple of crude and a half-dozen crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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