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ON FAITH & MEDIA View Comments

There Be Dragons

By
John Mulderig
Source: Catholic News Service


Wes Bentley stars in a scene from the movie "There Be Dragons."
What many people think they know about the Catholic spiritual movement Opus Dei likely comes—unfortunately—from the slanderous misrepresentations of it fobbed off on the public by author Dan Brown in his 2003 novel "The Da Vinci Code." Brown's fallacies, moreover, were only perpetuated by the 2006 screen version of his feverish fantasy, helmed by Ron Howard.

A healthy antidote to such sensationalized misconceptions—a murderous albino monk, you say?—comes with the release of "There Be Dragons" (Samuel Goldwyn), a generally powerful, partly fictionalized dramatization of passages in the life of Opus Dei's founder, St. Josemaria Escriva de Balaguer (1902-75), intensely yet appealingly portrayed by Charlie Cox.

As fictional Spanish-born reporter Robert Torres (Dougray Scott) investigates Escriva's life, he's surprised to discover that his own father Manolo (Wes Bentley)—from whom Robert has long been estranged—was the future religious leader's childhood friend and seminary classmate.

With the tumult of the Spanish Civil War looming, however, the two men took diametrically different paths.

Once ordained, Escriva labored for the establishment of a community dedicated to achieving personal sanctity through everyday work, an organization whose structure—unprecedented in the modern church—would embrace women as well as men, laypeople as well as priests.

Having rejected the faith in favor of a bitterly cynical materialism, meanwhile, Manolo is shown pursuing a duplicitous role in the conflict engulfing his society.

Not the least of the obstacles Escriva confronted in furthering his "Work of God" (the English meaning of the Latin phrase "Opus Dei") was the increasingly violent anti-clericalism of the Loyalist side in the Spanish struggle.

Yet when these leftists begin desecrating churches and murdering priests in cold blood, Escriva remains evenhandedly neutral, sympathizing with his adversaries' motivations and aspirations and urging his handful of early followers to react with Christian forbearance.

This nuanced and charitable approach to the situation belies Escriva's reputation, in some circles, as an unabashed devotee of Franco's fascist vision.

The striking portrait of an anything-but-plaster saint that forms the heart of writer-director Roland Joffe's hybrid tale grippingly conveys its subject's struggle to discern his vocation and to live out the Christian message of peace, even in the most trying circumstances.

But the impact of these fact-based biographical elements is blunted by the fictive framework with which Joffe has chosen to surround them, a storytelling device that turns out to be more burden than enhancement. Thus, imaginary subplots such as the conflict between Robert and Manolo never seem quite convincing, and only serve to distract from a primary story which is both spiritually valuable and ably depicted.

The significance of that central chronicle is such, however, as to make "There Be Dragons" probably acceptable for older teens.

The film contains occasionally bloody action violence, a few sexual references, a couple of crude and a half-dozen crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog When you go to Jesus, you’re not going to a God who only knows heaven; instead, you’re placing your hurting heart into pierced hands that understand both the pain of suffering and the glory of redemption.

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