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ON FAITH & MEDIA View Comments

Madea's Big Happy Family

By
Kurt Jensen
Source: Catholic News Service


David Mann and Tyler Perry star in a scene from the movie "Madea's Big Happy Family."
Tyler Perry's broadly drawn morality plays, which include the stage version of "Madea's Big Happy Family" (Lionsgate), have proven so surefire with their targeted audience as to be critic-proof.

In these earthy, over-the-top crowd-pleasers, insults fly, family problems are solved, children learn to defer to adults and short-tempered Madea (Perry in a muumuu) occasionally slaps wrongdoers -- to wild audience cheers. But there's a warm heart somewhere as well as a happy ending; the plays exist in a sentimental universe of their own.

In motion picture form, however, the flaws become more apparent, and they're not above criticism -- nor should they be.

The problem is not in the simple plot, in which Madea's appealingly gentle niece Shirley (Loretta Devine) learns she has terminal cancer and tries to gather her three adult children—Tammy (Natalie Desselle Reid), Kimberly (Shannon Kane) and Byron (Shad "Bow Wow" Moss)—at her house to tell them the bad news.

The grown siblings, we discover, are all locked in dysfunctional relationships, sometimes with insolent children, while recently released ex-con Byron is also dabbling again in the drug dealing that landed him in jail.

The genuinely troublesome parts of this adaptation—which Perry both wrote and directed—consist of bug-eyed characterizations and comments that invoke not so much old racial stereotypes, as newly minted ones of Perry's own creation. These begin with Madea's pot-smoking sister Aunt Bam (Cassi Davis), who supposedly has co-matriarch status with Madea as a moral force, but spends the first half of the film in a literal haze.

There's a particularly ugly comment, moreover, aimed by Madea at husband Joe (also Perry) when she refers to him as a "silverback."

Worthy messages about spouses respecting each other, children obeying adults and families learning to function as a unit while buffeted by the stresses of modern life get somewhat overshadowed by all this unsettling material.

Madea, to Tyler's credit, is never as simplistic as the Atlanta milieu in which she's placed. Although she has no particular religious precepts of her own—she explains that she knows God is angry at her—she fully expects her relatives to live up to the Christian faith they profess to have, and she manages to produce a few fractured Biblical quotations along the way.

Such an off-kilter but engaged approach to religion could yield some interesting results; it's too bad they're largely lost in a flurry of slaps upside the head.

The film contains marijuana use, some adult humor, fleeting crass language and slapstick violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

The Gospel of John the Gospel of Relationship

 
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