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ON FAITH & MEDIA View Comments

Rio

By
John Mulderig
Source: Catholic News Service


Animated characters Blu and Jewell appear in a scene from the movie "Rio."
There's not much to blame on "Rio" (Fox). Instead, praiseworthy lessons about environmental stewardship and love-inspired loyalty are decked out in kaleidoscopic colors and delivered in an overwhelmingly child-friendly tone in this animated 3-D flight of fancy.

Living as a cosseted pet in chilly Minnesota, Brazilian-born macaw Blu (voice of Jesse Eisenberg) has daily mugs of hot chocolate and—more importantly—the loving protection of his devoted owner, small bookstore proprietor Linda (voice of Leslie Mann), to keep him warm.

Blu's jungle origins and the traumatic experience of being kidnapped by exotic bird traders—only a happy accident eventually landed him in Linda's possession—are long past and barely remembered.

So it comes as a shock when eccentric Rio de Janeiro-based scientist Tulio (voice of Rodrigo Santoro) turns up in the North Star State to inform Linda that Blu is the last living male of his species. As such, Tulio explains, it's imperative that Blu return to his native land, at least temporarily, to mate with his sole remaining female counterpart.

Reluctantly, homebody Linda and thoroughly domesticated Blu agree to Tulio's plan.

But Blu's opposite number—fetching yet feisty Jewel (voiced by Anne Hathaway)—immediately intimidates her shy blind date and proves far more concerned with breaking out of the captivity of Tulio's lab than with perpetuating her kind. Things only go from bad to worse when the lovebirds are suddenly nabbed (in Blu's case, yet again) by illegal avian dealers.

Jemaine Clement's voice work as Nigel, the elegantly odious cockatoo who aids these human villains, is one of the comic highlights of "Rio." Jake T. Austin as Fernando, a boy from the "favelas," or slums, of Rio offers, by contrast, a gentle but poignant reminder that the real life of the Brazilian capital involves more than just bikini-clad girls strolling along the beach at Ipanema.

Perhaps inevitably, director Carlos Saldanha sets the climactic scenes of his buoyant adventure—which also includes a handful of upbeat musical numbers— against the dazzling background of Rio's legendary carnival.

In a bit of possibly excessive realism, though, this occasion is used to show off some questionable costuming choices, not least that of one minor male character who briefly dons a gold lame set of men's underwear. His walk on the wild side—though calculated to make kids laugh—may strike some parents as a step in the wrong direction.

Otherwise, there's just one vaguely sexual joke aimed over the heads of youngsters and a couple of allusions to bodily functions couched in terms even the members of the target demographic might acceptably use.

The film contains a few nursery-level bathroom references and a fleeting double entendre. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences.

*****
John Mulderig is on the staff of Catholic News Service.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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