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ON FAITH & MEDIA View Comments

Insidious

By
Kurt Jensen
Source: Catholic News Service


Patrick Wilson, Ty Simpkins and Rose Byrne star in a scene from the movie "Insidious."
An awful place, The Further is. The farther you go into this hellish territory that provides the setting for much of "Insidious" (FilmDistrict), the more it looks like a reasonably ambitious Halloween house, complete with garish zombies popping out of windows, closets and walls, a fog machine and a cackling old lady or two.

Such is the mash-up nature of this horror homage that borrows liberally from older films in the genre such as "Poltergeist" and "The Amityville Horror" to create a workmanlike blend of cliches, droll sendups and banal references to a spiritual existence beyond the grave.

Director James Wan and screenwriter Leigh Whannell break no new ground. But the use of 1960s pop phenom Tiny Tim's falsetto warbling of "Tiptoe Through the Tulips" at certain key moments does lend the proceedings a sort of geeky charm.

If you can manage to sit tight through an entire hour of disconnected spooky doings—involving a family fleeing what they think is a haunted house—medium Elise Rainier (Lin Shaye) and her ghostbusting team, Specs and Tucker (Whannell and Angus Sampson), eventually explain it all for you.

Dalton (Ty Simpkins)—the oldest child of feckless couple Josh and Renai Lambert (Patrick Wilson and Rose Byrne)—falls into what doctors call an unexplained coma. It's not.

Dalton doesn't dream at night; he uses astral projection to visit The Further, a Stygian netherworld of dead souls and red-faced devils who, evidently, are big fans of Tiny Tim. Now poor Dalton is stuck there, and all manner of creepy-crawlies have been coming around his bedroom to try to take over his physical body.

Who shall rescue him? Dalton's father, it seems, doesn't know best, but Elise has a plan.

Along the way, a Catholic priest, Father Martin (John Henry Binder), makes an appearance for about as long as it takes to read this sentence. He offers no advice, tells hospitable Renai "Thanks for the tea," and departs as Josh reminds his wife that she's never been religious.

So this astral plane of tortured spirits is purely secular? Well, at least that approach keeps bad theology from being added to the mix.

The film contains fleeting crude and profane language and intense but nonviolent scenes involving children. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The people who know God well—the hermits, the prayerful people, those who risk everything to find God—always meet a lover, not a dictator. God is never found to be an abusive father or a manipulative mother, but a lover who is more than we dared hope for.

 
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