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ON FAITH & MEDIA View Comments

Insidious

By
Kurt Jensen
Source: Catholic News Service


Patrick Wilson, Ty Simpkins and Rose Byrne star in a scene from the movie "Insidious."
An awful place, The Further is. The farther you go into this hellish territory that provides the setting for much of "Insidious" (FilmDistrict), the more it looks like a reasonably ambitious Halloween house, complete with garish zombies popping out of windows, closets and walls, a fog machine and a cackling old lady or two.

Such is the mash-up nature of this horror homage that borrows liberally from older films in the genre such as "Poltergeist" and "The Amityville Horror" to create a workmanlike blend of cliches, droll sendups and banal references to a spiritual existence beyond the grave.

Director James Wan and screenwriter Leigh Whannell break no new ground. But the use of 1960s pop phenom Tiny Tim's falsetto warbling of "Tiptoe Through the Tulips" at certain key moments does lend the proceedings a sort of geeky charm.

If you can manage to sit tight through an entire hour of disconnected spooky doings—involving a family fleeing what they think is a haunted house—medium Elise Rainier (Lin Shaye) and her ghostbusting team, Specs and Tucker (Whannell and Angus Sampson), eventually explain it all for you.

Dalton (Ty Simpkins)—the oldest child of feckless couple Josh and Renai Lambert (Patrick Wilson and Rose Byrne)—falls into what doctors call an unexplained coma. It's not.

Dalton doesn't dream at night; he uses astral projection to visit The Further, a Stygian netherworld of dead souls and red-faced devils who, evidently, are big fans of Tiny Tim. Now poor Dalton is stuck there, and all manner of creepy-crawlies have been coming around his bedroom to try to take over his physical body.

Who shall rescue him? Dalton's father, it seems, doesn't know best, but Elise has a plan.

Along the way, a Catholic priest, Father Martin (John Henry Binder), makes an appearance for about as long as it takes to read this sentence. He offers no advice, tells hospitable Renai "Thanks for the tea," and departs as Josh reminds his wife that she's never been religious.

So this astral plane of tortured spirits is purely secular? Well, at least that approach keeps bad theology from being added to the mix.

The film contains fleeting crude and profane language and intense but nonviolent scenes involving children. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Pope Urban V: In 1362, the man elected pope declined the office. When the cardinals could not find another person among them for that important office, they turned to a relative stranger: the holy person we honor today. 
<p>The new Pope Urban V proved a wise choice. A Benedictine monk and canon lawyer, he was deeply spiritual and brilliant. He lived simply and modestly, which did not always earn him friends among clergymen who had become used to comfort and privilege. Still, he pressed for reform and saw to the restoration of churches and monasteries. Except for a brief period he spent most of his eight years as pope living away from Rome at Avignon, seat of the papacy from 1309 until shortly after his death.
</p><p>He came close but was not able to achieve one of his biggest goals—reuniting the Eastern and Western churches.
</p><p>As pope, Urban continued to follow the Benedictine Rule. Shortly before his death in 1370 he asked to be moved from the papal palace to the nearby home of his brother so he could say goodbye to the ordinary people he had so often helped.</p> American Catholic Blog Jesus does not demand great actions from us but simply surrender and gratitude.

 
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