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ON FAITH & MEDIA View Comments

Hanna

By
Kurt Jensen
Source: Catholic News Service


Irish actor Saoirse Ronan stars in "Hanna."
The title character in "Hanna" (Focus)—played by Saoirse Ronan—spends all of her screen time running, jumping and hiding. At least, that is, when she's not efficiently dispatching various people who are out to get her.

According to Seth Lochhead and David Farr's script, however, Hanna's killer instinct isn't a moral failing; it's in her genes. She's hardhearted Hanna, short on social and communication skills because she's a teen Terminator. Set loose in the world, she's an innocent...until she's threatened.

Engaging performances overcome plot improbabilities, though not moral murkiness, to keep this espionage thriller watchable. But director Joe Wright substitutes fight and chase sequences—and extreme close-ups—for dialogue, leaving the audience on its own until nearly the end to figure out how this slim girl became so ruthless.

Hanna Heller, raised in a remote cabin near the Arctic Circle, has been trained by her father, Erik (Eric Bana), to kill as instinctively as a wild animal.

To what specific end such training has been undertaken is never made clear. But when Hanna decides she's sufficiently prepared, she switches on a signaling device that will lure the CIA to the cabin. Her dad—known by the agency as a "rogue asset"—disappears for a planned rendezvous with Hanna in Berlin. American soldiers descend, and the body count starts piling up.

Taken into custody and transported to a secret base in Morocco, Hanna escapes and makes her way across the country and eventually to Europe by posing as an ethereal German girl.

Somewhat like Frankenstein's monster, she's befuddled by technology as simple as an electric light, since she has never encountered it before. As for matters more personal, woe betides the rash lad who attempts to give Hanna her first kiss—a chaste one at that—in the midst of a party.

Trailing Hanna is CIA agent Marissa (Cate Blanchett), the only person who knows what dark secrets Hanna and Erik possess.

The ending is as predictable as these things get, though muddled story lines instrumental to the wrap-up—and references to genetic manipulation and abortion—restrict the film's appropriate audience to religiously and ethically well-grounded adults.

The film contains mature themes, extensive but non-gory gun and martial-arts violence, a single profanity and fleeting crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.




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Catherine of Siena: The value Catherine makes central in her short life and which sounds clearly and consistently through her experience is complete surrender to Christ. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. 
<p>She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful and intensely religious person. Catherine disappointed her mother by cutting off her hair as a protest against being overly encouraged to improve her appearance in order to attract a husband. Her father ordered her to be left in peace, and she was given a room of her own for prayer and meditation. </p><p>She entered the Dominican Third Order at 18 and spent the next three years in seclusion, prayer and austerity. Gradually a group of followers gathered around her—men and women, priests and religious. An active public apostolate grew out of her contemplative life. Her letters, mostly for spiritual instruction and encouragement of her followers, began to take more and more note of public affairs. Opposition and slander resulted from her mixing fearlessly with the world and speaking with the candor and authority of one completely committed to Christ. She was cleared of all charges at the Dominican General Chapter of 1374. </p><p>Her public influence reached great heights because of her evident holiness, her membership in the Dominican Third Order, and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and for peace between Florence and the pope </p><p>In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her "children" and was canonized in 1461. </p><p>Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Paul VI named her and Teresa of Avila doctors of the Church in 1970. Her spiritual testament is found in <i>The Dialogue</i>.</p> American Catholic Blog The gates of hell cannot withstand the power of heaven. Gates of sin melt in the presence of saving grace; gates of death fall in the presence of eternal life; gates of falsehood collapse in the presence of living truth; gates of violence are flattened in the presence of divine love. These are the tools with which Christ has equipped his Church.

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