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Kurt Jensen
Source: Catholic News Service

Irish actor Saoirse Ronan stars in "Hanna."
The title character in "Hanna" (Focus)—played by Saoirse Ronan—spends all of her screen time running, jumping and hiding. At least, that is, when she's not efficiently dispatching various people who are out to get her.

According to Seth Lochhead and David Farr's script, however, Hanna's killer instinct isn't a moral failing; it's in her genes. She's hardhearted Hanna, short on social and communication skills because she's a teen Terminator. Set loose in the world, she's an innocent...until she's threatened.

Engaging performances overcome plot improbabilities, though not moral murkiness, to keep this espionage thriller watchable. But director Joe Wright substitutes fight and chase sequences—and extreme close-ups—for dialogue, leaving the audience on its own until nearly the end to figure out how this slim girl became so ruthless.

Hanna Heller, raised in a remote cabin near the Arctic Circle, has been trained by her father, Erik (Eric Bana), to kill as instinctively as a wild animal.

To what specific end such training has been undertaken is never made clear. But when Hanna decides she's sufficiently prepared, she switches on a signaling device that will lure the CIA to the cabin. Her dad—known by the agency as a "rogue asset"—disappears for a planned rendezvous with Hanna in Berlin. American soldiers descend, and the body count starts piling up.

Taken into custody and transported to a secret base in Morocco, Hanna escapes and makes her way across the country and eventually to Europe by posing as an ethereal German girl.

Somewhat like Frankenstein's monster, she's befuddled by technology as simple as an electric light, since she has never encountered it before. As for matters more personal, woe betides the rash lad who attempts to give Hanna her first kiss—a chaste one at that—in the midst of a party.

Trailing Hanna is CIA agent Marissa (Cate Blanchett), the only person who knows what dark secrets Hanna and Erik possess.

The ending is as predictable as these things get, though muddled story lines instrumental to the wrap-up—and references to genetic manipulation and abortion—restrict the film's appropriate audience to religiously and ethically well-grounded adults.

The film contains mature themes, extensive but non-gory gun and martial-arts violence, a single profanity and fleeting crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

Kurt Jensen is a guest reviewer for Catholic News Service.

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Francesco Antonio Fasani: Born in Lucera (southeast Italy), Francesco entered the Conventual Franciscans in 1695. After his ordination 10 years later, he taught philosophy to younger friars, served as guardian of his friary and later became provincial. When his term of office ended, Francesco became master of novices and finally pastor in his hometown. 
<p>In his various ministries, he was loving, devout and penitential. He was a sought-after confessor and preacher. One witness at the canonical hearings regarding Francesco’s holiness testified, "In his preaching he spoke in a familiar way, filled as he was with the love of God and neighbor; fired by the Spirit, he made use of the words and deed of Holy Scripture, stirring his listeners and moving them to do penance." Francesco showed himself a loyal friend of the poor, never hesitating to seek from benefactors what was needed. </p><p>At his death in Lucera, children ran through the streets and cried out, "The saint is dead! The saint is dead!" Francesco was canonized in 1986.</p> American Catholic Blog Even in the innocence and devotion of my dog, I see a reminder from heaven to stay simple and devout! I call our funny little canine “a smile from heaven” because God uses him to make us laugh every single day, no matter what else is going on in our lives. Everywhere I look, it seems that God is sending me coded messages.

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