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ON FAITH & MEDIA View Comments

Hanna

By
Kurt Jensen
Source: Catholic News Service


Irish actor Saoirse Ronan stars in "Hanna."
The title character in "Hanna" (Focus)—played by Saoirse Ronan—spends all of her screen time running, jumping and hiding. At least, that is, when she's not efficiently dispatching various people who are out to get her.

According to Seth Lochhead and David Farr's script, however, Hanna's killer instinct isn't a moral failing; it's in her genes. She's hardhearted Hanna, short on social and communication skills because she's a teen Terminator. Set loose in the world, she's an innocent...until she's threatened.

Engaging performances overcome plot improbabilities, though not moral murkiness, to keep this espionage thriller watchable. But director Joe Wright substitutes fight and chase sequences—and extreme close-ups—for dialogue, leaving the audience on its own until nearly the end to figure out how this slim girl became so ruthless.

Hanna Heller, raised in a remote cabin near the Arctic Circle, has been trained by her father, Erik (Eric Bana), to kill as instinctively as a wild animal.

To what specific end such training has been undertaken is never made clear. But when Hanna decides she's sufficiently prepared, she switches on a signaling device that will lure the CIA to the cabin. Her dad—known by the agency as a "rogue asset"—disappears for a planned rendezvous with Hanna in Berlin. American soldiers descend, and the body count starts piling up.

Taken into custody and transported to a secret base in Morocco, Hanna escapes and makes her way across the country and eventually to Europe by posing as an ethereal German girl.

Somewhat like Frankenstein's monster, she's befuddled by technology as simple as an electric light, since she has never encountered it before. As for matters more personal, woe betides the rash lad who attempts to give Hanna her first kiss—a chaste one at that—in the midst of a party.

Trailing Hanna is CIA agent Marissa (Cate Blanchett), the only person who knows what dark secrets Hanna and Erik possess.

The ending is as predictable as these things get, though muddled story lines instrumental to the wrap-up—and references to genetic manipulation and abortion—restrict the film's appropriate audience to religiously and ethically well-grounded adults.

The film contains mature themes, extensive but non-gory gun and martial-arts violence, a single profanity and fleeting crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.


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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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