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ON FAITH & MEDIA View Comments

Jane Eyre

By
Joseph McAleer
Source: Catholic News Service


Mia Wasikowska stars as the title character in the romantic drama "Jane Eyre."
Charlotte Bronte's classic novel gets the horror film treatment in "Jane Eyre" (Focus), an adaptation that remains true to the original story but ramps up the gothic and scary elements. Creepiness aside, this is a well-acted film that recreates a bygone era when individuality took a back seat to convention, and the weather was very wet indeed.

Mia Wasikowska, recently seen in the role of Alice wandering aimlessly through Wonderland, plays another lost soul in a strange place as the title character here. Told in flashback, the film opens to find young Jane (Amelia Clarkson) a 10-year-old orphan consigned to the "care" of her uncle's family where she's abused and unloved.

But Jane is no pushover, and her independent streak, strong character, and personal piety sustain her through the multiple miseries that are to come.

Jane is sent to a religious boarding school, where the mistreatment continues; it's a fire-and-brimstone place where frequent mortifications are seen as the way to purge the body of sin. Needless to say, the prevailing Protestant Christianity is depicted as more repressive than uplifting. But Jane's faith never wavers, focusing on God himself, not on his whip-wielding minister.

Jane endures until she is old enough to take a position as governess at Thornfield Hall, home of the enigmatic Edward Rochester (Michael Fassbender). He falls for Jane quite literally, tumbling off his bewitched horse when he first encounters her on a country lane. But it's hardly love at first sight, since Rochester harbors demons that are gradually revealed in due course.

Jane focuses on her work, teaching Adele Varens (Romy Settbon Moore), a young French girl in Rochester's care, while trying to understand the eccentricities of her spiritually tormented employer. Her guide and confidante is the busybody housekeeper Mrs. Fairfax (Judi Dench, who nearly steals the film).

Thornfield Hall makes the Haunted Mansion look like child's play. Watch out for things that go bump in the night—and who's making all that racket in the attic?

Soon Rochester's bedroom is on fire, and Jane saves his life—and melts his heart. They make plans to marry. But fate, of course, has other things in store for these star-crossed lovers.

Director Cary Joji Fukunaga ("Sin Nombre") makes the most of the English settings and, especially, the gloomy weather. The moors are misty, the rain is drenching, and the wind howls, while the manor houses are forbiddingly grand and the ladies' corsets tight. The mood is appropriately claustrophobic as Jane struggles against the stiff customs and propriety of the age, all the while keeping her faith in God and upholding her moral code.

Possibly acceptable for mature teens, despite the elements listed below.

The film contains adult themes, some intense scenes of nonsexual child abuse, and an artistic nude image. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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