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ON FAITH & MEDIA View Comments

Source Code

By
John Mulderig
Source: Catholic News Service


Michelle Monaghan and Jake Gyllenhaal star in "Source Code."
Taut direction by Duncan Jones and game performances all around help disguise the logical conundrums underlying the time travel-themed sci-fi thriller "Source Code" (Summit).

As for the musings on life, death and parallel existences that crop up in Ben Ripley's screenplay, these are too confused either to challenge or reinforce beliefs of any stripe. Instead we're left—as the closing credits roll—with a perfectly acceptable, though hardly original, message about seizing the day.

At the other end of the film's sometimes grim and often claustrophobic proceedings, we're as befuddled as he is when heroic Afghan War veteran Capt. Colter Stevens (Jake Gyllenhaal) awakens to find himself inhabiting the body of a stranger. Accompanied, apparently, by his girlfriend (Michelle Monaghan), said alter ego is a passenger on a Chicago-bound commuter train.

Long before Stevens can even begin to figure out what he's doing there, however, the train is suddenly engulfed by a huge explosion, with obviously fatal consequences for everyone on board.

Jolted awake again—this time in an environment that resembles the helicopter he pilots in combat—Stevens gradually discovers that he's part of a cutting-edge antiterrorism operation being run by Air Force Capt. Colleen Goodwin (Vera Farmiga).

As Goodwin explains via a video hookup, Stevens' task is to keep reliving the last eight minutes of the other man's life until he can identify the plotter who bombed the train, thereby forestalling a far worse follow-up attack.

The technology enabling Stevens to do so has been developed by Dr. Rutledge (Jeffrey Wright), an obviously over-intense, perhaps quasi-mad military scientist with an interest in harnessing the "afterglow" of dying people's consciousness.

As "Groundhog Day" meets a Kafka novel, the downbeat atmosphere is offset by an emphasis on Stevens' humanity. Thus we witness him falling for Monaghan's character in one reality—their unique circumstances, needless to say, preclude any premarital shenanigans—and soliciting Goodwin's help to reconnect with his estranged father in the other.

Both experiences eventually involve a blurring of chronology—not to mention the relation of cause and effect—that defies sober analysis. But most viewers will likely be happy enough with the surface entertainment on offer not to ask too many probing questions.

The film contains recurring action violence, some of it potentially disturbing, brief gory medical images, about a half-dozen uses of profanity, at least one instance of the F-word and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

Mulderig is on the staff of Catholic News Service.



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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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