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ON FAITH & MEDIA View Comments

The Lincoln Lawyer

By
John Mulderig
Source: Catholic News Service


Michael Pena and Matthew McConaughey star in the thriller "The Lincoln Lawyer."
A generally engaging central character, convincingly brought to life by Matthew McConaughey, lends verve to "The Lincoln Lawyer" (Lionsgate). Yet, though vibrant, this thriller is also frequently seamy and includes numerous moral and visual elements that narrowly circumscribe its appropriate audience.

McConaughey plays the titular Los Angeles attorney, Michael "Mick" Haller, a peripatetic defender of petty criminals whose classic Lincoln Continental—license plate: "NTGUILTY"—serves as his traveling office. Though given to ethical corner-cutting, Mick is fundamentally decent, and usually has his clients' best interests at heart.

On the personal side, too, Mick longs to reconcile with his ex-wife, Maggie (Marisa Tomei), a prosecutor with whom he has a young daughter.

When Mick is offered the chance to represent Beverly Hills playboy Louis Roulet (Ryan Phillippe), scion of a powerful real estate dynasty, it seems like an easy step up to the big time. All the more so, since the high-profile case against Louis—he's charged with the attempted murder of a girl he picked up in a singles bar—at first seems quite flimsy.

Clues uncovered by Mick's intrepid investigator—and longtime friend—Frank Levin (William H. Macy), however, soon suggest a murkier scenario.

Driven by McConaughey's kinetic performance, director Brad Furman's adaptation of Michael Connelly's novel makes for a lively drama, both inside the courtroom and beyond.

But its protagonist's occasional scams and eventual resort to borderline vigilantism, his client's libertine lifestyle and—above all—acrid flashbacks detailing violent sexual assaults all mark this whodunit as off-limits for young or casual viewers. Well-grounded adults disposed to take on challenging material, on the other hand, may discern at least a few glints amid the grit.

The film contains considerable explicit violence—including scenes of rape—vigilantism issues, brief nongraphic marital lovemaking, fleeting rear nudity, a half-dozen uses of profanity, a few rough terms and much crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.




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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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