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ON FAITH & MEDIA View Comments

Mars Needs Moms

By
John Mulderig
Source: Catholic News Service


The characters Gribble and Milo are pictured in a scene from the movie "Mars Needs Moms."
Vivid animation and a ringing endorsement of the traditional family combine to make the endearing adventure "Mars Needs Moms" (Disney) a film kids can enjoy and parents will appreciate.

But, though suitable for all (a few mild potty jokes aside), director and co-writer Simon Wells' technically accomplished screen version of Berkeley Breathed's children's book sees its characters running a long gauntlet of dangers, and so may prove too scary for the most sensitive.

With its cartoon images based on the live-action motions of its cast—as we're shown during the closing credits—this is the visually rich tale of Milo (Seth Green), a typical 9-year-old boy who is destined to have some very unusual experiences.

A fan of zombie movies, but not of broccoli or taking out the garbage, Milo has a run-in in the opening scenes with his loving but no-nonsense Mom (Joan Cusack)—Dad (Tom Everett Scott) is away on a business trip—and drives her to tears by hastily remarking that he'd be better off without her.

Milo's ill-considered theory unexpectedly gets put to the test later that night when a crew of Martians arrives and kidnaps Mom. Stowing away on their rocker, Milo too is transported to the Red Planet.

Once there, Milo learns that the aliens—led by Mindy Sterling as a prune-faced villainess called The Supervisor—have developed a procedure for extracting the nurturing qualities of particularly effective human mothers and transplanting them into the otherwise clueless nanny-bots who have charge of their own young. He also discovers that the process, if completed, will cost Mom her life.

Milo's rescue efforts are aided by Gribble (Dan Fogler), a goofy but good-hearted human fugitive who first came to Mars when his mom was abducted for the same purpose, and by Ki (Elisabeth Harnois), a free-spirited Martian rebel whose protests against the system take the form of bright psychedelic graffiti.

As our heroes fight the emotionless, authoritarian matriarchy that now prevails on Mars—boy babies are sent to a male underworld at birth and even the girls who remain above are raised entirely by the robots and have no ties to either of their parents—the trio uncovers evidence that affectionate nuclear families like Milo's were once the norm there.

Wells' script—penned in collaboration with wife Wendy Wells—clearly affirms that this older model of society is a far preferable one, based as it is on what Milo calls "the love thing." And, inevitably, the crusade to save Mom merges with the struggle to restore Martian familial bonds.

Bolstered by this welcome celebration of venerable values, and free of any genuinely objectionable material, "Mars Needs Moms" can be warmly recommended for all but easily frightened small fry. For them, the 3D-enhanced sight of Milo dangling off a cliff or, in a later scene, gasping for air when accidentally exposed to the hostile atmosphere on Mars might be much too intense.

The film contains considerable peril and a bit of light scatological humor. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



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Andrew Kim Taegon, Paul Chong Hasang and Companions: This first native Korean priest was the son of Korean converts. His father, Ignatius Kim, was martyred during the persecution of 1839 and was beatified in 1925. After Baptism at the age of 15, Andrew traveled 1,300 miles to the seminary in Macao, China. After six years he managed to return to his country through Manchuria. That same year he crossed the Yellow Sea to Shanghai and was ordained a priest. Back home again, he was assigned to arrange for more missionaries to enter by a water route that would elude the border patrol. He was arrested, tortured and finally beheaded at the Han River near Seoul, the capital. Paul Chong Hasang was a lay apostle and married man, aged 45. 
<p>Christianity came to Korea during the Japanese invasion in 1592 when some Koreans were baptized, probably by Christian Japanese soldiers. Evangelization was difficult because Korea refused all contact with the outside world except for bringing taxes to Beijing annually. On one of these occasions, around 1777, Christian literature obtained from Jesuits in China led educated Korean Christians to study. A home Church began. When a Chinese priest managed to enter secretly a dozen years later, he found 4,000 Catholics, none of whom had ever seen a priest. Seven years later there were 10,000 Catholics. Religious freedom came in 1883. </p><p>When Pope John Paul II visited Korea in 1984 he canonized, besides Andrew and Paul, 98 Koreans and three French missionaries who had been martyred between 1839 and 1867. Among them were bishops and priests, but for the most part they were lay persons: 47 women, 45 men. </p><p>Among the martyrs in 1839 was Columba Kim, an unmarried woman of 26. She was put in prison, pierced with hot tools and seared with burning coals. She and her sister Agnes were disrobed and kept for two days in a cell with condemned criminals, but were not molested. After Columba complained about the indignity, no more women were subjected to it. The two were beheaded. A boy of 13, Peter Ryou, had his flesh so badly torn that he could pull off pieces and throw them at the judges. He was killed by strangulation. Protase Chong, a 41-year-old noble, apostatized under torture and was freed. Later he came back, confessed his faith and was tortured to death. </p><p>Today, there are almost 5.1 million Catholics in Korea.</p> American Catholic Blog We never think of connecting violence with our tongues. But the first weapon, the most cruel weapon, is the tongue. Examine what part your tongue has played in creating peace or violence. We can really wound a person, we can kill a person, with our tongue.

 
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