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ON FAITH & MEDIA View Comments

Red Riding Hood

By
John Mulderig
Source: Catholic News Service


Amanda Seyfried stars in "Red Riding Hood."
A tipoff to the off-kilter portrayal of the church that mars "Red Riding Hood" (Warner Bros.)—an uninvolving update of the classic fairy tale—comes when an attendant gravely announces the arrival on the scene of "His Eminence, Father Solomon."

Such an ecclesiastical gaffe might be forgiven with a smile, did not Father Solomon (Gary Oldman) shortly turn out to be a cynical, sensual inquisitor. A priest renowned for laying lycanthropes low, he has come to the imaginary medieval village of Daggerhorn, where we lay our scene, to rid it of its resident werewolf.

(You can almost hear the pitch meeting: "He's not just a wolf, he's a werewolf!")

Said creature—long held in check by the townsfolk's offering of a chained pig for him to devour every full moon—has lately returned to the rampage, with fatal consequences for the sister of the titular maiden (Amanda Seyfried) who here goes by the name Valerie.

Poor Valerie's life is complicated enough without marauding monsters to worry about. As the opening scenes reveal, she is caught in a love triangle with Peter (Shiloh Fernandez)—the youth she has loved since childhood—in one corner, and Henry (Max Irons)—scion of the richest family in town to whom she has been unwillingly betrothed—in the other.

Valerie, needless to say, lives only for romance, but her more practical-minded parents Suzette (Virginia Madsen) and Cesaire (Billy Burke) think hubby Henry will put food on the table. Where is a girl to turn for solace? Why to Grandmother's (Julie Christie) house, of course.

Father Solomon, meanwhile, has infected Daggerhorn with paranoia by announcing to the assembled citizenry that the wolf-man is no stranger, but someone in their very midst.

This might have been the departure point for an interesting study in mutual suspicion, along the lines of Arthur Miller's anti-McCarthy allegory, "The Crucible."

Instead, Father Solomon busies himself torturing a defenseless half-wit before setting his prosecutorial sights on Valerie, after deciding the girl in the harlot-colored hood—who, it turns out, can communicate with his beastly adversary—is a witch.

Peter and Henry put their rivalry aside and struggle gallantly to spring her from Solomon's clutches. (Even so, one doubts the appearance, anytime soon, of T-shirts reading "Camp Peter" or "Camp Henry.")

Though screenwriter David Leslie Johnson is to be commended for turning out a script virtually devoid of objectionable language, he has included a scene where only chance intervenes to prevent the physical consummation of Valerie and Peter's bond.

As directed by Catherine Hardwicke, moreover, the glum proceedings are low on entertainment value or emotional impact. As for the complexities of church history embodied in Father Solomon's problematic persona, while well-grounded adults may be counted on to sort them through, they make this "Twilight" wannabe totally unsuitable for its targeted teen audience.

The film contains a skewed treatment of Catholicism, brief nongraphic premarital sexual activity and moderate but sometimes gory violence. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Alphonsus Rodriguez: Tragedy and challenge beset today’s saint early in life, but Alphonsus Rodriguez found happiness and contentment through simple service and prayer. 
<p>Born in Spain in 1533, Alphonsus inherited the family textile business at 23. Within the space of three years, his wife, daughter and mother died; meanwhile, business was poor. Alphonsus stepped back and reassessed his life. He sold the business and, with his young son, moved into his sisters’ home. There he learned the discipline of prayer and meditation. </p><p>Years later, at the death of his son, Alphonsus, almost 40 by then, sought to join the Jesuits. He was not helped by his poor education. He applied twice before being admitted. For 45 years he served as doorkeeper at the Jesuits’ college in Majorca. When not at his post, he was almost always at prayer, though he often encountered difficulties and temptations. </p><p>His holiness and prayerfulness attracted many to him, including St. Peter Claver, then a Jesuit seminarian. Alphonsus’s life as doorkeeper may have been humdrum, but he caught the attention of poet and fellow-Jesuit Gerard Manley Hopkins, who made him the subject of one of his poems. </p><p>Alphonsus died in 1617. He is the patron saint of Majorca.</p> American Catholic Blog People mess up, and it’s especially hard to watch as our children and other young people go down paths we know are likely to lead to heartbreak. Providing gentle guidance when it’s needed, and love even when that guidance isn’t followed, helps them to start fresh.

 
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