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ON FAITH & MEDIA View Comments

Red Riding Hood

By
John Mulderig
Source: Catholic News Service


Amanda Seyfried stars in "Red Riding Hood."
A tipoff to the off-kilter portrayal of the church that mars "Red Riding Hood" (Warner Bros.)—an uninvolving update of the classic fairy tale—comes when an attendant gravely announces the arrival on the scene of "His Eminence, Father Solomon."

Such an ecclesiastical gaffe might be forgiven with a smile, did not Father Solomon (Gary Oldman) shortly turn out to be a cynical, sensual inquisitor. A priest renowned for laying lycanthropes low, he has come to the imaginary medieval village of Daggerhorn, where we lay our scene, to rid it of its resident werewolf.

(You can almost hear the pitch meeting: "He's not just a wolf, he's a werewolf!")

Said creature—long held in check by the townsfolk's offering of a chained pig for him to devour every full moon—has lately returned to the rampage, with fatal consequences for the sister of the titular maiden (Amanda Seyfried) who here goes by the name Valerie.

Poor Valerie's life is complicated enough without marauding monsters to worry about. As the opening scenes reveal, she is caught in a love triangle with Peter (Shiloh Fernandez)—the youth she has loved since childhood—in one corner, and Henry (Max Irons)—scion of the richest family in town to whom she has been unwillingly betrothed—in the other.

Valerie, needless to say, lives only for romance, but her more practical-minded parents Suzette (Virginia Madsen) and Cesaire (Billy Burke) think hubby Henry will put food on the table. Where is a girl to turn for solace? Why to Grandmother's (Julie Christie) house, of course.

Father Solomon, meanwhile, has infected Daggerhorn with paranoia by announcing to the assembled citizenry that the wolf-man is no stranger, but someone in their very midst.

This might have been the departure point for an interesting study in mutual suspicion, along the lines of Arthur Miller's anti-McCarthy allegory, "The Crucible."

Instead, Father Solomon busies himself torturing a defenseless half-wit before setting his prosecutorial sights on Valerie, after deciding the girl in the harlot-colored hood—who, it turns out, can communicate with his beastly adversary—is a witch.

Peter and Henry put their rivalry aside and struggle gallantly to spring her from Solomon's clutches. (Even so, one doubts the appearance, anytime soon, of T-shirts reading "Camp Peter" or "Camp Henry.")

Though screenwriter David Leslie Johnson is to be commended for turning out a script virtually devoid of objectionable language, he has included a scene where only chance intervenes to prevent the physical consummation of Valerie and Peter's bond.

As directed by Catherine Hardwicke, moreover, the glum proceedings are low on entertainment value or emotional impact. As for the complexities of church history embodied in Father Solomon's problematic persona, while well-grounded adults may be counted on to sort them through, they make this "Twilight" wannabe totally unsuitable for its targeted teen audience.

The film contains a skewed treatment of Catholicism, brief nongraphic premarital sexual activity and moderate but sometimes gory violence. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Angela Merici: Angela has the double distinction of founding the first teaching congregation of women in the Church and what is now called a “secular institute” of religious women. 
<p>As a young woman she became a member of the Third Order of St. Francis (now known as the Secular Franciscan Order), and lived a life of great austerity, wishing, like St. Francis, to own nothing, not even a bed. Early in life she was appalled at the ignorance among poorer children, whose parents could not or would not teach them the elements of religion. Angela’s charming manner and good looks complemented her natural qualities of leadership. Others joined her in giving regular instruction to the little girls of their neighborhood. </p><p>She was invited to live with a family in Brescia (where, she had been told in a vision, she would one day found a religious community). Her work continued and became well known. She became the center of a group of people with similar ideals. </p><p>She eagerly took the opportunity for a trip to the Holy Land. When they had gotten as far as Crete, she was struck with blindness. Her friends wanted to return home, but she insisted on going through with the pilgrimage, and visited the sacred shrines with as much devotion and enthusiasm as if she had her sight. On the way back, while praying before a crucifix, her sight was restored at the same place where it had been lost. </p><p>At 57, she organized a group of 12 girls to help her in catechetical work. Four years later the group had increased to 28. She formed them into the Company of St. Ursula (patroness of medieval universities and venerated as a leader of women) for the purpose of re-Christianizing family life through solid Christian education of future wives and mothers. The members continued to live at home, had no special habit and took no formal vows, though the early Rule prescribed the practice of virginity, poverty and obedience. The idea of a teaching congregation of women was new and took time to develop. The community thus existed as a “secular institute” until some years after Angela’s death.</p> American Catholic Blog I hear far more people discuss the presence of evil in their lives than they do the supreme power of grace. God is bigger than evil!

 
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