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ON FAITH & MEDIA View Comments

Red Riding Hood

By
John Mulderig
Source: Catholic News Service


Amanda Seyfried stars in "Red Riding Hood."
A tipoff to the off-kilter portrayal of the church that mars "Red Riding Hood" (Warner Bros.)—an uninvolving update of the classic fairy tale—comes when an attendant gravely announces the arrival on the scene of "His Eminence, Father Solomon."

Such an ecclesiastical gaffe might be forgiven with a smile, did not Father Solomon (Gary Oldman) shortly turn out to be a cynical, sensual inquisitor. A priest renowned for laying lycanthropes low, he has come to the imaginary medieval village of Daggerhorn, where we lay our scene, to rid it of its resident werewolf.

(You can almost hear the pitch meeting: "He's not just a wolf, he's a werewolf!")

Said creature—long held in check by the townsfolk's offering of a chained pig for him to devour every full moon—has lately returned to the rampage, with fatal consequences for the sister of the titular maiden (Amanda Seyfried) who here goes by the name Valerie.

Poor Valerie's life is complicated enough without marauding monsters to worry about. As the opening scenes reveal, she is caught in a love triangle with Peter (Shiloh Fernandez)—the youth she has loved since childhood—in one corner, and Henry (Max Irons)—scion of the richest family in town to whom she has been unwillingly betrothed—in the other.

Valerie, needless to say, lives only for romance, but her more practical-minded parents Suzette (Virginia Madsen) and Cesaire (Billy Burke) think hubby Henry will put food on the table. Where is a girl to turn for solace? Why to Grandmother's (Julie Christie) house, of course.

Father Solomon, meanwhile, has infected Daggerhorn with paranoia by announcing to the assembled citizenry that the wolf-man is no stranger, but someone in their very midst.

This might have been the departure point for an interesting study in mutual suspicion, along the lines of Arthur Miller's anti-McCarthy allegory, "The Crucible."

Instead, Father Solomon busies himself torturing a defenseless half-wit before setting his prosecutorial sights on Valerie, after deciding the girl in the harlot-colored hood—who, it turns out, can communicate with his beastly adversary—is a witch.

Peter and Henry put their rivalry aside and struggle gallantly to spring her from Solomon's clutches. (Even so, one doubts the appearance, anytime soon, of T-shirts reading "Camp Peter" or "Camp Henry.")

Though screenwriter David Leslie Johnson is to be commended for turning out a script virtually devoid of objectionable language, he has included a scene where only chance intervenes to prevent the physical consummation of Valerie and Peter's bond.

As directed by Catherine Hardwicke, moreover, the glum proceedings are low on entertainment value or emotional impact. As for the complexities of church history embodied in Father Solomon's problematic persona, while well-grounded adults may be counted on to sort them through, they make this "Twilight" wannabe totally unsuitable for its targeted teen audience.

The film contains a skewed treatment of Catholicism, brief nongraphic premarital sexual activity and moderate but sometimes gory violence. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Leopold Mandic: Western Christians who are working for greater dialogue with Orthodox Christians may be reaping the fruits of Father Leopold’s prayers.
<p>A native of Croatia, Leopold joined the Capuchin Franciscans and was ordained several years later in spite of several health problems. He could not speak loudly enough to preach publicly. For many years he also suffered from severe arthritis, poor eyesight and a stomach ailment.
</p><p>Leopold taught patrology, the study of the Church Fathers, to the clerics of his province for several years, but he is best known for his work in the confessional, where he sometimes spent 13-15 hours a day. Several bishops sought out his spiritual advice.
</p><p>Leopold’s dream was to go to the Orthodox Christians and work for the reunion of Roman Catholicism and Orthodoxy. His health never permitted it. Leopold often renewed his vow to go to the Eastern Christians; the cause of unity was constantly in his prayers.
</p><p>At a time when Pope Pius XII said that the greatest sin of our time is "to have lost all sense of sin," Leopold had a profound sense of sin and an even firmer sense of God’s grace awaiting human cooperation.
</p><p>Leopold, who lived most of his life in Padua, died on July 30, 1942, and was canonized in 1982.</p> American Catholic Blog Confession is one of the greatest gifts Christ gave to His Church. The sacrament of penance offers you grace that is incomparable in your quest for sanctity.

 
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