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ON FAITH & MEDIA View Comments

Rango

By
John P. McCarthy
Source: Catholic News Service


Rango, voiced by Johnny Depp, and Beans, voiced by Isla Fisher, are shown in a scene from the movie "Rango."
A mysterious stranger arrives in a remote outpost and protects desperate townsfolk from villainous elements. It's a staple setup of Westerns, both traditional and newfangled, and few iterations of the genre could be judged more novel than "Rango" (Paramount), a cartoon adventure populated by desert fauna.

Paying homage to classics such as "High Noon"—as well as to the spaghetti Westerns that put Clint Eastwood on the map in the 1960s—this comparatively edgy movie targets family audiences, yet is better suited to adults. In fact, even many of them will be put off by the script's passing, but nonetheless ill-advised, foray into religious humor.

So, once again, the marketing of a Hollywood release belies its content. In addition to anything else, centering as it does on a lonely chameleon (voiced by Johnny Depp), "Rango" would befuddle and occasionally bore children, when not scaring them.

On the plus side, in their first animated feature, the special-effects wizards at Industrial Light & Magic have fashioned a visually striking picture without using 3D technology. And although derivative, the script is clever and literate, even when resorting to toilet gags, which it does fairly often.

Reteaming with Depp, star of his "Pirates of the Caribbean" series, director Gore Verbinski puts considerable emphasis on the surreal aspects of the hero's search for an identity, particularly in dream sequences that have a psychedelic tinge.

Following a highway mishap, Rango, as the domesticated pet soon dubs himself, wanders into a Mojave Desert community that's experiencing a severe drought. A teller of tall tales, mostly because he craves social interaction, he poses as a brave gunfighter and becomes sheriff of the town of Dirt.

This parched hamlet is home to a menagerie of colorful critters native to the harsh environment. They include The Mayor, a wheelchair-bound tortoise (voiced by Ned Beatty), who appears to be hoarding water, plus the comely lizard Beans (voice of Isla Fisher), who is struggling to save her late father's ranch.

The spiritual content, though slight, is distinctly mixed and nets out in the negative column. Initially, for instance, Rango is encouraged to embark on a spiritual quest by an armadillo called Roadkill (voice of Alfred Molina).

But in a later scene—reminiscent of a revival meeting and calculated to disconcert viewers of all denominations—the townspeople are shown venerating the water-yielding "Holy Spigot." A reference to the "face of God" during this episode approaches outright blasphemy.

Nor does Rango's brief recitation of the Lord's Prayer while fearfully crossing the desert earlier on in the movie register as entirely sincere.

The film contains some fairly intense cartoon violence, brief irreverent and frequent toilet humor, occasional innuendo and sexual references, an inaudible crude term and at least one instance of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.





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James: This James is the brother of John the Evangelist. The two were called by Jesus as they worked with their father in a fishing boat on the Sea of Galilee. Jesus had already called another pair of brothers from a similar occupation: Peter and Andrew. “He walked along a little farther and saw James, the son of Zebedee, and his brother John. They too were in a boat mending their nets. Then he called them. So they left their father Zebedee in the boat along with the hired men and followed him” (Mark 1:19-20). 
<p>James was one of the favored three who had the privilege of witnessing the Transfiguration, the raising to life of the daughter of Jairus and the agony in Gethsemani. </p><p>Two incidents in the Gospels describe the temperament of this man and his brother. St. Matthew tells that their mother came (Mark says it was the brothers themselves) to ask that they have the seats of honor (one on the right, one on the left of Jesus) in the kingdom. “Jesus said in reply, ‘You do not know what you are asking. Can you drink the cup that I am going to drink?’ They said to him, ‘We can’” (Matthew 20:22). Jesus then told them they would indeed drink the cup and share his baptism of pain and death, but that sitting at his right hand or left was not his to give—it “is for those for whom it has been prepared by my Father” (Matthew 20:23b). It remained to be seen how long it would take to realize the implications of their confident “We can!” </p><p>The other disciples became indignant at the ambition of James and John. Then Jesus taught them all the lesson of humble service: The purpose of authority is to serve. They are not to impose their will on others, or lord it over them. This is the position of Jesus himself. He was the servant of all; the service imposed on him was the supreme sacrifice of his own life. </p><p>On another occasion, James and John gave evidence that the nickname Jesus gave them—“sons of thunder”—was an apt one. The Samaritans would not welcome Jesus because he was on his way to hated Jerusalem. “When the disciples James and John saw this they asked, ‘Lord, do you want us to call down fire from heaven to consume them?’ Jesus turned and rebuked them...” (Luke 9:54-55). </p><p>James was apparently the first of the apostles to be martyred. “About that time King Herod laid hands upon some members of the church to harm them. He had James, the brother of John, killed by the sword, and when he saw that this was pleasing to the Jews he proceeded to arrest Peter also” (Acts 12:1-3a). </p><p>This James, sometimes called James the Greater, is not to be confused with James the Lesser (May 3) or with the author of the Letter of James and the leader of the Jerusalem community.</p> American Catholic Blog Walk the talk. Show, don’t tell. Values are caught, not taught—all variations of one theme: A good example is essential for good parenting.

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