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ON FAITH & MEDIA View Comments

Rango

By
John P. McCarthy
Source: Catholic News Service


Rango, voiced by Johnny Depp, and Beans, voiced by Isla Fisher, are shown in a scene from the movie "Rango."
A mysterious stranger arrives in a remote outpost and protects desperate townsfolk from villainous elements. It's a staple setup of Westerns, both traditional and newfangled, and few iterations of the genre could be judged more novel than "Rango" (Paramount), a cartoon adventure populated by desert fauna.

Paying homage to classics such as "High Noon"—as well as to the spaghetti Westerns that put Clint Eastwood on the map in the 1960s—this comparatively edgy movie targets family audiences, yet is better suited to adults. In fact, even many of them will be put off by the script's passing, but nonetheless ill-advised, foray into religious humor.

So, once again, the marketing of a Hollywood release belies its content. In addition to anything else, centering as it does on a lonely chameleon (voiced by Johnny Depp), "Rango" would befuddle and occasionally bore children, when not scaring them.

On the plus side, in their first animated feature, the special-effects wizards at Industrial Light & Magic have fashioned a visually striking picture without using 3D technology. And although derivative, the script is clever and literate, even when resorting to toilet gags, which it does fairly often.

Reteaming with Depp, star of his "Pirates of the Caribbean" series, director Gore Verbinski puts considerable emphasis on the surreal aspects of the hero's search for an identity, particularly in dream sequences that have a psychedelic tinge.

Following a highway mishap, Rango, as the domesticated pet soon dubs himself, wanders into a Mojave Desert community that's experiencing a severe drought. A teller of tall tales, mostly because he craves social interaction, he poses as a brave gunfighter and becomes sheriff of the town of Dirt.

This parched hamlet is home to a menagerie of colorful critters native to the harsh environment. They include The Mayor, a wheelchair-bound tortoise (voiced by Ned Beatty), who appears to be hoarding water, plus the comely lizard Beans (voice of Isla Fisher), who is struggling to save her late father's ranch.

The spiritual content, though slight, is distinctly mixed and nets out in the negative column. Initially, for instance, Rango is encouraged to embark on a spiritual quest by an armadillo called Roadkill (voice of Alfred Molina).

But in a later scene—reminiscent of a revival meeting and calculated to disconcert viewers of all denominations—the townspeople are shown venerating the water-yielding "Holy Spigot." A reference to the "face of God" during this episode approaches outright blasphemy.

Nor does Rango's brief recitation of the Lord's Prayer while fearfully crossing the desert earlier on in the movie register as entirely sincere.

The film contains some fairly intense cartoon violence, brief irreverent and frequent toilet humor, occasional innuendo and sexual references, an inaudible crude term and at least one instance of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Mary: Pius XII established this feast in 1954. But Mary’s queenship has roots in Scripture. At the Annunciation, Gabriel announced that Mary’s Son would receive the throne of David and rule forever. At the Visitation, Elizabeth calls Mary “mother of my Lord.” As in all the mysteries of Mary’s life, Mary is closely associated with Jesus: Her queenship is a share in Jesus’ kingship. We can also recall that in the Old Testament the mother of the king has great influence in court. 
<p>In the fourth century St. Ephrem (June 9)  called Mary “Lady” and “Queen.” Later Church fathers and doctors continued to use the title. Hymns of the 11th to 13th centuries address Mary as queen: “Hail, Holy Queen,” “Hail, Queen of Heaven,” “Queen of Heaven.” The Dominican rosary and the Franciscan crown as well as numerous invocations in Mary’s litany celebrate her queenship. </p><p>The feast is a logical follow-up to the Assumption and is now celebrated on the octave day of that feast. In his 1954 encyclical <i>To the Queen of Heaven</i>, Pius XII points out that Mary deserves the title because she is Mother of God, because she is closely associated as the New Eve with Jesus’ redemptive work, because of her preeminent perfection and because of her intercessory power.</p> American Catholic Blog No one listens willingly to someone who speaks to them from a position of self-righteousness and judgment. Again and again in the Gospels, Jesus reserves his harshest words for those who ignore their own weakness in order to lord it over others.

 
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