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ON FAITH & MEDIA View Comments

Rango

By
John P. McCarthy
Source: Catholic News Service


Rango, voiced by Johnny Depp, and Beans, voiced by Isla Fisher, are shown in a scene from the movie "Rango."
A mysterious stranger arrives in a remote outpost and protects desperate townsfolk from villainous elements. It's a staple setup of Westerns, both traditional and newfangled, and few iterations of the genre could be judged more novel than "Rango" (Paramount), a cartoon adventure populated by desert fauna.

Paying homage to classics such as "High Noon"—as well as to the spaghetti Westerns that put Clint Eastwood on the map in the 1960s—this comparatively edgy movie targets family audiences, yet is better suited to adults. In fact, even many of them will be put off by the script's passing, but nonetheless ill-advised, foray into religious humor.

So, once again, the marketing of a Hollywood release belies its content. In addition to anything else, centering as it does on a lonely chameleon (voiced by Johnny Depp), "Rango" would befuddle and occasionally bore children, when not scaring them.

On the plus side, in their first animated feature, the special-effects wizards at Industrial Light & Magic have fashioned a visually striking picture without using 3D technology. And although derivative, the script is clever and literate, even when resorting to toilet gags, which it does fairly often.

Reteaming with Depp, star of his "Pirates of the Caribbean" series, director Gore Verbinski puts considerable emphasis on the surreal aspects of the hero's search for an identity, particularly in dream sequences that have a psychedelic tinge.

Following a highway mishap, Rango, as the domesticated pet soon dubs himself, wanders into a Mojave Desert community that's experiencing a severe drought. A teller of tall tales, mostly because he craves social interaction, he poses as a brave gunfighter and becomes sheriff of the town of Dirt.

This parched hamlet is home to a menagerie of colorful critters native to the harsh environment. They include The Mayor, a wheelchair-bound tortoise (voiced by Ned Beatty), who appears to be hoarding water, plus the comely lizard Beans (voice of Isla Fisher), who is struggling to save her late father's ranch.

The spiritual content, though slight, is distinctly mixed and nets out in the negative column. Initially, for instance, Rango is encouraged to embark on a spiritual quest by an armadillo called Roadkill (voice of Alfred Molina).

But in a later scene—reminiscent of a revival meeting and calculated to disconcert viewers of all denominations—the townspeople are shown venerating the water-yielding "Holy Spigot." A reference to the "face of God" during this episode approaches outright blasphemy.

Nor does Rango's brief recitation of the Lord's Prayer while fearfully crossing the desert earlier on in the movie register as entirely sincere.

The film contains some fairly intense cartoon violence, brief irreverent and frequent toilet humor, occasional innuendo and sexual references, an inaudible crude term and at least one instance of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Anthony Zaccaria: At the same time that Martin Luther was attacking abuses in the Church, a reformation within the Church was already being attempted. Among the early movers of the Counter-Reformation was Anthony Zaccaria. His mother became a widow at 18 and devoted herself to the spiritual education of her son. He received a medical doctorate at 22 and, while working among the poor of his native Cremona in Italy, was attracted to the religious apostolate. He renounced his rights to any future inheritance, worked as a catechist and was ordained a priest at the age of 26. Called to Milan in a few years, he laid the foundations of three religious congregations, one for men and one for women, plus an association of married couples. Their aim was the reform of the decadent society of their day, beginning with the clergy, religious and lay people. 
<p>Greatly inspired by St. Paul (his congregation is named the Barnabites, after the companion of that saint), Anthony preached with great vigor in church and street, conducted popular missions and was not ashamed of doing public penance. </p><p>He encouraged such innovations as the collaboration of the laity in the apostolate, frequent Communion, the Forty Hours devotion and the ringing of church bells at 3:00 p.m. on Fridays. </p><p>His holiness moved many to reform their lives but, as with all saints, it also moved many to oppose him. Twice his community had to undergo official religious investigation, and twice it was exonerated. </p><p>While on a mission of peace, he became seriously ill and was brought home for a visit to his mother. He died at Cremona at the age of 36.</p> American Catholic Blog Lord, help me make my life more about you and less about me. May others see you in me—your image and likeness. Teach me ways to increase my time with you, my service to others, and my love for my family, for strangers, and for the poor. You are the light in the darkness. With each new day, may we be light to one another.

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