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ON FAITH & MEDIA View Comments

Rango

By
John P. McCarthy
Source: Catholic News Service


Rango, voiced by Johnny Depp, and Beans, voiced by Isla Fisher, are shown in a scene from the movie "Rango."
A mysterious stranger arrives in a remote outpost and protects desperate townsfolk from villainous elements. It's a staple setup of Westerns, both traditional and newfangled, and few iterations of the genre could be judged more novel than "Rango" (Paramount), a cartoon adventure populated by desert fauna.

Paying homage to classics such as "High Noon"—as well as to the spaghetti Westerns that put Clint Eastwood on the map in the 1960s—this comparatively edgy movie targets family audiences, yet is better suited to adults. In fact, even many of them will be put off by the script's passing, but nonetheless ill-advised, foray into religious humor.

So, once again, the marketing of a Hollywood release belies its content. In addition to anything else, centering as it does on a lonely chameleon (voiced by Johnny Depp), "Rango" would befuddle and occasionally bore children, when not scaring them.

On the plus side, in their first animated feature, the special-effects wizards at Industrial Light & Magic have fashioned a visually striking picture without using 3D technology. And although derivative, the script is clever and literate, even when resorting to toilet gags, which it does fairly often.

Reteaming with Depp, star of his "Pirates of the Caribbean" series, director Gore Verbinski puts considerable emphasis on the surreal aspects of the hero's search for an identity, particularly in dream sequences that have a psychedelic tinge.

Following a highway mishap, Rango, as the domesticated pet soon dubs himself, wanders into a Mojave Desert community that's experiencing a severe drought. A teller of tall tales, mostly because he craves social interaction, he poses as a brave gunfighter and becomes sheriff of the town of Dirt.

This parched hamlet is home to a menagerie of colorful critters native to the harsh environment. They include The Mayor, a wheelchair-bound tortoise (voiced by Ned Beatty), who appears to be hoarding water, plus the comely lizard Beans (voice of Isla Fisher), who is struggling to save her late father's ranch.

The spiritual content, though slight, is distinctly mixed and nets out in the negative column. Initially, for instance, Rango is encouraged to embark on a spiritual quest by an armadillo called Roadkill (voice of Alfred Molina).

But in a later scene—reminiscent of a revival meeting and calculated to disconcert viewers of all denominations—the townspeople are shown venerating the water-yielding "Holy Spigot." A reference to the "face of God" during this episode approaches outright blasphemy.

Nor does Rango's brief recitation of the Lord's Prayer while fearfully crossing the desert earlier on in the movie register as entirely sincere.

The film contains some fairly intense cartoon violence, brief irreverent and frequent toilet humor, occasional innuendo and sexual references, an inaudible crude term and at least one instance of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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