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ON FAITH & MEDIA View Comments

Rango

By
John P. McCarthy
Source: Catholic News Service


Rango, voiced by Johnny Depp, and Beans, voiced by Isla Fisher, are shown in a scene from the movie "Rango."
A mysterious stranger arrives in a remote outpost and protects desperate townsfolk from villainous elements. It's a staple setup of Westerns, both traditional and newfangled, and few iterations of the genre could be judged more novel than "Rango" (Paramount), a cartoon adventure populated by desert fauna.

Paying homage to classics such as "High Noon"—as well as to the spaghetti Westerns that put Clint Eastwood on the map in the 1960s—this comparatively edgy movie targets family audiences, yet is better suited to adults. In fact, even many of them will be put off by the script's passing, but nonetheless ill-advised, foray into religious humor.

So, once again, the marketing of a Hollywood release belies its content. In addition to anything else, centering as it does on a lonely chameleon (voiced by Johnny Depp), "Rango" would befuddle and occasionally bore children, when not scaring them.

On the plus side, in their first animated feature, the special-effects wizards at Industrial Light & Magic have fashioned a visually striking picture without using 3D technology. And although derivative, the script is clever and literate, even when resorting to toilet gags, which it does fairly often.

Reteaming with Depp, star of his "Pirates of the Caribbean" series, director Gore Verbinski puts considerable emphasis on the surreal aspects of the hero's search for an identity, particularly in dream sequences that have a psychedelic tinge.

Following a highway mishap, Rango, as the domesticated pet soon dubs himself, wanders into a Mojave Desert community that's experiencing a severe drought. A teller of tall tales, mostly because he craves social interaction, he poses as a brave gunfighter and becomes sheriff of the town of Dirt.

This parched hamlet is home to a menagerie of colorful critters native to the harsh environment. They include The Mayor, a wheelchair-bound tortoise (voiced by Ned Beatty), who appears to be hoarding water, plus the comely lizard Beans (voice of Isla Fisher), who is struggling to save her late father's ranch.

The spiritual content, though slight, is distinctly mixed and nets out in the negative column. Initially, for instance, Rango is encouraged to embark on a spiritual quest by an armadillo called Roadkill (voice of Alfred Molina).

But in a later scene—reminiscent of a revival meeting and calculated to disconcert viewers of all denominations—the townspeople are shown venerating the water-yielding "Holy Spigot." A reference to the "face of God" during this episode approaches outright blasphemy.

Nor does Rango's brief recitation of the Lord's Prayer while fearfully crossing the desert earlier on in the movie register as entirely sincere.

The film contains some fairly intense cartoon violence, brief irreverent and frequent toilet humor, occasional innuendo and sexual references, an inaudible crude term and at least one instance of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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