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ON FAITH & MEDIA View Comments

Of Gods and Men

By
John Mulderig
Source: Catholic News Service


Lambert Wilson and Jean-Marie Frin star in "Of Gods and Men."
A brilliant dramatization of real events, "Of Gods and Men" (Sony Pictures Classics) is a restrained religious masterpiece and a memorable viewing experience from which every adult—as well as many mature teens—can expect to profit.

The film recounts the fate of a small community of French Trappists living in Algeria during that nation's civil war in the 1990s.

Targeted by violent Muslim extremists—the Algerian conflict pitted militant Islamists against a secularly oriented military government—the monks must decide whether to continue their medical and social work for the vulnerable local population or abandon them by fleeing to safety.

From the first, their headstrong prior, Brother Christian (Lambert Wilson), is resolved to stay. He also refuses the military guard that civic officials offer to put in place to protect the monastery, regarding such a measure as out of keeping with his order's commitment to peace.

Brother Christian's confreres, however, forcefully point out to him that, with all their lives at stake, the decision on whether to remain must ultimately be a collective one. As each individual struggles with the issue, weighing his own welfare against his sense of commitment to his vocation and to those he serves, their varied personalities are subtly but strikingly profiled.

By contrast to the tightly wound Brother Christian, for example, Brother Luc (Michael Lonsdale) emerges as an avuncular, unflappable character whose faith endows him with a courageous good humor that nothing, it seems, can disturb.

Using the tools of the monastic life itself, director Xavier Beauvois finds a path to the heart of the Gospel through simplicity, a compassionate sense of brotherhood and an atmosphere of prayer enriched by sacred music and potent silence. The result is a profound mediation on what Lutheran theologian Dietrich Bonhoffer famously termed the cost of discipleship.

While thoroughly measured in its portrayal of Muslim characters—the monks are shown to be on good terms with their sympathetic neighbors, and even one of the area's militia leaders ultimately demonstrates his respect for other faiths—"Of Gods and Men" presents a timely and artistically adept testimony to the power of nonviolence in the face of anti-Christian fanaticism.

Viewers of faith will also welcome the lyrical, though not unrealistic, image of religious life presented here, conveyed most powerfully in the climactic scene of a shared meal that movingly evokes the Last Supper. Indeed, in addition to its success on so many other levels, "Of Gods and Men" could serve as a highly effective tool for the vocation directors of various religious orders.

If that seems ironic, given the life-threatening peril that forms the dark backdrop for this masterful piece of cinema, it's an irony—or, perhaps more accurately, a divine paradox—as old as the church itself.

The film, in French with subtitles, contains brief gory violence, some unsettling images and a single instance each of rough and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog Our Lord has a very special love for the chaste. His own mother and St. Joseph and St. John, the beloved disciple, were chaste. We desire to be chaste because we belong to Jesus Christ, Son of the Living God. We want to be chaste because of the work we do as coworkers of Christ. Our chastity must be so pure that it draws the most impure to the Sacred Heart of Christ.

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