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ON FAITH & MEDIA View Comments

Of Gods and Men

By
John Mulderig
Source: Catholic News Service


Lambert Wilson and Jean-Marie Frin star in "Of Gods and Men."
A brilliant dramatization of real events, "Of Gods and Men" (Sony Pictures Classics) is a restrained religious masterpiece and a memorable viewing experience from which every adult—as well as many mature teens—can expect to profit.

The film recounts the fate of a small community of French Trappists living in Algeria during that nation's civil war in the 1990s.

Targeted by violent Muslim extremists—the Algerian conflict pitted militant Islamists against a secularly oriented military government—the monks must decide whether to continue their medical and social work for the vulnerable local population or abandon them by fleeing to safety.

From the first, their headstrong prior, Brother Christian (Lambert Wilson), is resolved to stay. He also refuses the military guard that civic officials offer to put in place to protect the monastery, regarding such a measure as out of keeping with his order's commitment to peace.

Brother Christian's confreres, however, forcefully point out to him that, with all their lives at stake, the decision on whether to remain must ultimately be a collective one. As each individual struggles with the issue, weighing his own welfare against his sense of commitment to his vocation and to those he serves, their varied personalities are subtly but strikingly profiled.

By contrast to the tightly wound Brother Christian, for example, Brother Luc (Michael Lonsdale) emerges as an avuncular, unflappable character whose faith endows him with a courageous good humor that nothing, it seems, can disturb.

Using the tools of the monastic life itself, director Xavier Beauvois finds a path to the heart of the Gospel through simplicity, a compassionate sense of brotherhood and an atmosphere of prayer enriched by sacred music and potent silence. The result is a profound mediation on what Lutheran theologian Dietrich Bonhoffer famously termed the cost of discipleship.

While thoroughly measured in its portrayal of Muslim characters—the monks are shown to be on good terms with their sympathetic neighbors, and even one of the area's militia leaders ultimately demonstrates his respect for other faiths—"Of Gods and Men" presents a timely and artistically adept testimony to the power of nonviolence in the face of anti-Christian fanaticism.

Viewers of faith will also welcome the lyrical, though not unrealistic, image of religious life presented here, conveyed most powerfully in the climactic scene of a shared meal that movingly evokes the Last Supper. Indeed, in addition to its success on so many other levels, "Of Gods and Men" could serve as a highly effective tool for the vocation directors of various religious orders.

If that seems ironic, given the life-threatening peril that forms the dark backdrop for this masterful piece of cinema, it's an irony—or, perhaps more accurately, a divine paradox—as old as the church itself.

The film, in French with subtitles, contains brief gory violence, some unsettling images and a single instance each of rough and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Our Lady of Lourdes: On December 8, 1854, Pope Pius IX proclaimed the dogma of the Immaculate Conception in the apostolic constitution <i>Ineffabilis Deus</i>. A little more than three years later, on February 11, 1858, a young lady appeared to Bernadette Soubirous. This began a series of visions. During the apparition on March 25, the lady identified herself with the words: “I am the Immaculate Conception.” 
<p>Bernadette was a sickly child of poor parents. Their practice of the Catholic faith was scarcely more than lukewarm. Bernadette could pray the Our Father, the Hail Mary and the Creed. She also knew the prayer of the Miraculous Medal: “O Mary conceived without sin.” </p><p>During interrogations Bernadette gave an account of what she saw. It was “something white in the shape of a girl.” She used the word <i>aquero</i>, a dialect term meaning “this thing.” It was “a pretty young girl with a rosary over her arm.” Her white robe was encircled by a blue girdle. She wore a white veil. There was a yellow rose on each foot. A rosary was in her hand. Bernadette was also impressed by the fact that the lady did not use the informal form of address (<i>tu</i>), but the polite form (<i>vous</i>). The humble virgin appeared to a humble girl and treated her with dignity. </p><p>Through that humble girl, Mary revitalized and continues to revitalize the faith of millions of people. People began to flock to Lourdes from other parts of France and from all over the world. In 1862 Church authorities confirmed the authenticity of the apparitions and authorized the cult of Our Lady of Lourdes for the diocese. The Feast of Our Lady of Lourdes became worldwide in 1907.</p> American Catholic Blog While the term social justice has received negative connotations in some circles in recent years due to certain media misrepresentations of the tradition, the vocation of all Christian women and men to work toward the common good, protect the dignity of all human life, strive toward ending violence in all forms, and providing for the welfare of all people remains integral to who we are as bearers of the name Christ.

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