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ON FAITH & MEDIA View Comments

Gnomeo & Juliet

By
Joseph McAleer
Source: Catholic News Service


Animated characters are shown in a scene from the movie "Gnomeo & Juliet."
William Shakespeare's classic tragedy of star-crossed lovers morphs into an animated comedy in "Gnomeo & Juliet" (Touchstone), a slightly warped but ultimately winning film that offers good clean fun for the entire family.

"This story has been told before, many times," our narrator, a garden gnome in a pointy hat, tells us, "but never like this." Indeed not: what with talking statues, a philosophical flamingo, a love-sick frog and a rock-and-roll soundtrack by Elton John and Lady Gaga, we're definitely not in Kansas, let alone fair Verona.

"Gnomeo & Juliet" takes several strands from Shakespeare's play and weaves them into a clever morality tale wrapped around themes of good versus evil and the importance of family.

In modern-day Stratford-upon-Avon, grumpy old Mr. Capulet (voice of Richard Wilson) lives next door to grumpier Miss Montague (voice of Julie Walters). He prefers the color red; she, blue. He lives at apartment number 2B (get it?), she's also at 2B, but it's crossed out (and therefore not 2B).

Their rivalry extends to their backyards, where each maintains an elaborate garden filled with—you guessed it—smiling gnomes of every shape in their favorite colors.

When the adults aren't around, the gnomes come to life, a la "Toy Story," and proudly tend their gardens, keeping a wary eye on each other across the fence. Juliet Capulet (voice of Emily Blunt) stands atop a tower, pondering her Red-bound fate and longing for adventure. "I can't stay here tucked away on this pedestal all my life," she laments.

Meanwhile, Gnomeo Montague (voice of James McAvoy) is the big gnome on the Blue campus. He challenges Juliet's cousin Tybalt (voice of Jason Statham) to drag races with lawnmowers in the back alley. In "West Side Story" fashion, these intensify the blood feud between the young Reds and Blues, as they chant, "Let's kick some grass."

Fate brings Juliet and Gnomeo together in an abandoned greenhouse, and it's love at first ceramic clink—the result of their effort to kiss. "Will you build a garden with me?" Gnomeo asks. Family tensions and (literal) differences in color threaten to drive them apart, but a wise pink flamingo named Featherstone (voice of Jim Cummings) puts everything in perspective.

The voice talent in "Gnomeo & Juliet" is first-rate, and ranges from the mighty (Maggie Smith, Michael Caine) to the bizarre (Ozzy Osbourne, Dolly Parton). Patrick Stewart is a standout as the statue of "Bill" Shakespeare in the local park, who shakes his head in despair as the gnomes subvert his tragedy with a happy ending.

Directed by Kelly Asbury ("Shrek 2"), "Gnomeo & Juliet" is refreshingly free of the bathroom humor that dominates all too many movies for kids these days. Adults will enjoy the many puns and sight gags, from the "As You Like It" moving van and the "Tempest Teapots" company to Featherstone's various comic pronouncements, including: "A weed by any other name is still a weed."

The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences, all ages admitted.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Anthony Grassi: Anthony’s father died when his son was only 10 years old, but the young lad inherited his father’s devotion to Our Lady of Loreto. As a schoolboy he frequented the local church of the Oratorian Fathers, joining the religious order when he was 17.
<p>Already a fine student, he soon gained a reputation in his religious community as a "walking dictionary" who quickly grasped Scripture and theology. For some time he was tormented by scruples, but they reportedly left him at the very hour he celebrated his first Mass. From that day, serenity penetrated his very being.
</p><p>In 1621, at age 29, Anthony was struck by lightning while praying in the church of the Holy House at Loreto. He was carried paralyzed from the church, expecting to die. When he recovered in a few days he realized that he had been cured of acute indigestion. His scorched clothes were donated to the Loreto church as an offering of thanks for his new gift of life.
</p><p>More important, Anthony now felt that his life belonged entirely to God. Each year thereafter he made a pilgrimage to Loreto to express his thanks.
</p><p>He also began hearing confessions, and came to be regarded as an outstanding confessor. Simple and direct, he listened carefully to penitents, said a few words and gave a penance and absolution, frequently drawing on his gift of reading consciences.
</p><p>In 1635 he was elected superior of the Fermo Oratory. He was so well regarded that he was reelected every three years until his death. He was a quiet person and a gentle superior who did not know how to be severe. At the same time he kept the Oratorian constitutions literally, encouraging the community to do likewise.
</p><p>He refused social or civic commitments and instead would go out day or night to visit the sick or dying or anyone else needing his services. As he grew older, he had a God-given awareness of the future, a gift which he frequently used to warn or to console.
</p><p>But age brought its challenges as well. He suffered the humility of having to give up his physical faculties one by one. First was his preaching, necessitated after he lost his teeth. Then he could no longer hear confessions. Finally, after a fall, he was confined to his room. The archbishop himself came each day to give him holy Communion. One of Anthony’s final acts was to reconcile two fiercely quarreling brothers.</p> American Catholic Blog God of love, as I come to the end of this Advent season, my heart is ready to celebrate the birth of Jesus. I join with Mary in saying, “Here am I, the servant of the Lord; let it be with me according to your word.” Nothing is impossible with you, O God.

 
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