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ON FAITH & MEDIA View Comments

Gnomeo & Juliet

By
Joseph McAleer
Source: Catholic News Service


Animated characters are shown in a scene from the movie "Gnomeo & Juliet."
William Shakespeare's classic tragedy of star-crossed lovers morphs into an animated comedy in "Gnomeo & Juliet" (Touchstone), a slightly warped but ultimately winning film that offers good clean fun for the entire family.

"This story has been told before, many times," our narrator, a garden gnome in a pointy hat, tells us, "but never like this." Indeed not: what with talking statues, a philosophical flamingo, a love-sick frog and a rock-and-roll soundtrack by Elton John and Lady Gaga, we're definitely not in Kansas, let alone fair Verona.

"Gnomeo & Juliet" takes several strands from Shakespeare's play and weaves them into a clever morality tale wrapped around themes of good versus evil and the importance of family.

In modern-day Stratford-upon-Avon, grumpy old Mr. Capulet (voice of Richard Wilson) lives next door to grumpier Miss Montague (voice of Julie Walters). He prefers the color red; she, blue. He lives at apartment number 2B (get it?), she's also at 2B, but it's crossed out (and therefore not 2B).

Their rivalry extends to their backyards, where each maintains an elaborate garden filled with—you guessed it—smiling gnomes of every shape in their favorite colors.

When the adults aren't around, the gnomes come to life, a la "Toy Story," and proudly tend their gardens, keeping a wary eye on each other across the fence. Juliet Capulet (voice of Emily Blunt) stands atop a tower, pondering her Red-bound fate and longing for adventure. "I can't stay here tucked away on this pedestal all my life," she laments.

Meanwhile, Gnomeo Montague (voice of James McAvoy) is the big gnome on the Blue campus. He challenges Juliet's cousin Tybalt (voice of Jason Statham) to drag races with lawnmowers in the back alley. In "West Side Story" fashion, these intensify the blood feud between the young Reds and Blues, as they chant, "Let's kick some grass."

Fate brings Juliet and Gnomeo together in an abandoned greenhouse, and it's love at first ceramic clink—the result of their effort to kiss. "Will you build a garden with me?" Gnomeo asks. Family tensions and (literal) differences in color threaten to drive them apart, but a wise pink flamingo named Featherstone (voice of Jim Cummings) puts everything in perspective.

The voice talent in "Gnomeo & Juliet" is first-rate, and ranges from the mighty (Maggie Smith, Michael Caine) to the bizarre (Ozzy Osbourne, Dolly Parton). Patrick Stewart is a standout as the statue of "Bill" Shakespeare in the local park, who shakes his head in despair as the gnomes subvert his tragedy with a happy ending.

Directed by Kelly Asbury ("Shrek 2"), "Gnomeo & Juliet" is refreshingly free of the bathroom humor that dominates all too many movies for kids these days. Adults will enjoy the many puns and sight gags, from the "As You Like It" moving van and the "Tempest Teapots" company to Featherstone's various comic pronouncements, including: "A weed by any other name is still a weed."

The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is G—general audiences, all ages admitted.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.


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Conversion of St. Paul: Paul’s entire life can be explained in terms of one experience—his meeting with Jesus on the road to Damascus. In an instant, he saw that all the zeal of his dynamic personality was being wasted, like the strength of a boxer swinging wildly. Perhaps he had never seen Jesus, who was only a few years older. But he had acquired a zealot’s hatred of all Jesus stood for, as he began to harass the Church: “...entering house after house and dragging out men and women, he handed them over for imprisonment” (Acts 8:3b). Now he himself was “entered,” possessed, all his energy harnessed to one goal—being a slave of Christ in the ministry of reconciliation, an instrument to help others experience the one Savior. 
<p>One sentence determined his theology: “I am Jesus, whom you are persecuting” (Acts 9:5b). Jesus was mysteriously identified with people—the loving group of people Saul had been running down like criminals. Jesus, he saw, was the mysterious fulfillment of all he had been blindly pursuing. </p><p>From then on, his only work was to “present everyone perfect in Christ. For this I labor and struggle, in accord with the exercise of his power working within me” (Colossians 1:28b-29). “For our gospel did not come to you in word alone, but also in power and in the Holy Spirit and [with] much conviction” (1 Thessalonians 1:5a). </p><p>Paul’s life became a tireless proclaiming and living out of the message of the cross: Christians die baptismally to sin and are buried with Christ; they are dead to all that is sinful and unredeemed in the world. They are made into a new creation, already sharing Christ’s victory and someday to rise from the dead like him. Through this risen Christ the Father pours out the Spirit on them, making them completely new. </p><p>So Paul’s great message to the world was: You are saved entirely by God, not by anything you can do. Saving faith is the gift of total, free, personal and loving commitment to Christ, a commitment that then bears fruit in more “works” than the Law could ever contemplate.</p> American Catholic Blog If you’re confused as to why God would die for you, you either need to rethink your vision of His mercy or of your own worth.

 
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