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ON FAITH & MEDIA View Comments

The Eagle

By
John Mulderig
Source: Catholic News Service


Jamie Bell and Channing Tatum star in "The Eagle."
The contradictions of imperialism and the relationship of a marginal culture to a temporarily dominant one are background themes that add some depth to the period action-adventure movie "The Eagle" (Focus).

Even so, adults and mature teens who approach this vigorous screen version of Rosemary Sutcliff's popular 1954 novel "The Eagle of the Ninth" looking for nothing more than a swords-and-sandals outing—or a toga-toting buddy movie—will likely come away satisfied as well.

Taking that outing and making for an unlikely pair of pals are Marcus Aquila (Channing Tatum), a young Roman soldier stationed in second-century Britain, and his native slave, Esca (Jamie Bell). Together they embark on a quest to recover the titular military symbol lost 20 years earlier when the legion Marcus' father, Flavius, commanded disappeared, under unexplained circumstances, in the wilds of modern-day Scotland.

Tormented since childhood by Flavius' ambiguous legacy—did Dad fight to the end or show cowardice by abandoning this gilded emblem of Rome's honor?—Marcus hopes to restore both national and familial pride by returning the totem to imperial custody.

But to achieve this, he will have to journey beyond Hadrian's Wall, the northern limit of the Empire, an undertaking considered impossibly reckless by the cautious uncle (Donald Sutherland) at whose villa Marcus has been recuperating from the battle wounds that put an end to his active military career.

In fact, once he enters this alien world populated by hostile Britons, Marcus will be wholly dependent on Esca as interpreter and guide. Yet, Esca himself is unsure of his loyalties.

As the enslaved son of a local chieftain killed by the occupier, Esca detests Rome and everything it represents. But his first encounter with his master ended with Marcus saving the lad's life, an act Esca —no stranger to the concept of honor himself -- feels duty-bound to repay with faithful service.

Their arduous journey sees the fraught relationship between these representatives of competing civilizations veer from friendship to hostility to mutual understanding, and displays the moral shadings present in both their communities.

Director Kevin Macdonald keeps the pace lively and the battles mostly gore-free while a sense of conflict-transcending human solidarity helps leaven the macho atmosphere that permeates Jeremy Brock's screenplay. (Not only is there no "love angle" in the story, there's nary a female character to be seen.)

Despite the elements listed below, the moral lessons awaiting attentive viewers of this historical expedition make it probably acceptable for older adolescents.

The film contains considerable but largely bloodless combat violence, brief distant images of unclothed corpses, a single use of the S-word and a couple of crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.


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Pio of Pietrelcina: In one of the largest such ceremonies in history, Pope John Paul II canonized Padre Pio of Pietrelcina on June 16, 2002. It was the 45th canonization ceremony in Pope John Paul's pontificate. More than 300,000 people braved blistering heat as they filled St. Peter's Square and nearby streets. They heard the Holy Father praise the new saint for his prayer and charity. "This is the most concrete synthesis of Padre Pio's teaching," said the pope. He also stressed Padre Pio's witness to the power of suffering. If accepted with love, the Holy Father stressed, such suffering can lead to "a privileged path of sanctity." 
<p>Many people have turned to the Italian Capuchin Franciscan to intercede with God on their behalf; among them was the future Pope John Paul II. In 1962, when he was still an archbishop in Poland, he wrote to Padre Pio and asked him to pray for a Polish woman with throat cancer. Within two weeks, she had been cured of her life-threatening disease. </p><p>Born Francesco Forgione, Padre Pio grew up in a family of farmers in southern Italy. Twice (1898-1903 and 1910-17) his father worked in Jamaica, New York, to provide the family income. </p><p>At the age of 15, Francesco joined the Capuchins and took the name of Pio. He was ordained in 1910 and was drafted during World War I. After he was discovered to have tuberculosis, he was discharged. In 1917 he was assigned to the friary in San Giovanni Rotondo, 75 miles from the city of Bari on the Adriatic. </p><p>On September 20, 1918, as he was making his thanksgiving after Mass, Padre Pio had a vision of Jesus. When the vision ended, he had the stigmata in his hands, feet and side. </p><p>Life became more complicated after that. Medical doctors, Church authorities and curiosity seekers came to see Padre Pio. In 1924 and again in 1931, the authenticity of the stigmata was questioned; Padre Pio was not permitted to celebrate Mass publicly or to hear confessions. He did not complain of these decisions, which were soon reversed. However, he wrote no letters after 1924. His only other writing, a pamphlet on the agony of Jesus, was done before 1924. </p><p>Padre Pio rarely left the friary after he received the stigmata, but busloads of people soon began coming to see him. Each morning after a 5 a.m. Mass in a crowded church, he heard confessions until noon. He took a mid-morning break to bless the sick and all who came to see him. Every afternoon he also heard confessions. In time his confessional ministry would take 10 hours a day; penitents had to take a number so that the situation could be handled. Many of them have said that Padre Pio knew details of their lives that they had never mentioned. </p><p>Padre Pio saw Jesus in all the sick and suffering. At his urging, a fine hospital was built on nearby Mount Gargano. The idea arose in 1940; a committee began to collect money. Ground was broken in 1946. Building the hospital was a technical wonder because of the difficulty of getting water there and of hauling up the building supplies. This "House for the Alleviation of Suffering" has 350 beds. </p><p>A number of people have reported cures they believe were received through the intercession of Padre Pio. Those who assisted at his Masses came away edified; several curiosity seekers were deeply moved. Like St. Francis, Padre Pio sometimes had his habit torn or cut by souvenir hunters. </p><p>One of Padre Pio’s sufferings was that unscrupulous people several times circulated prophecies that they claimed originated from him. He never made prophecies about world events and never gave an opinion on matters that he felt belonged to Church authorities to decide. He died on September 23, 1968, and was beatified in 1999.</p> American Catholic Blog In times of intense loss and grief, we take our place with Mary as she embraces all our grief in her own as she is silently holding in her arms the stark presence of our suffering God in the lifeless body of her Son.

 
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