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ON FAITH & MEDIA View Comments

The Eagle

By
John Mulderig
Source: Catholic News Service


Jamie Bell and Channing Tatum star in "The Eagle."
The contradictions of imperialism and the relationship of a marginal culture to a temporarily dominant one are background themes that add some depth to the period action-adventure movie "The Eagle" (Focus).

Even so, adults and mature teens who approach this vigorous screen version of Rosemary Sutcliff's popular 1954 novel "The Eagle of the Ninth" looking for nothing more than a swords-and-sandals outing—or a toga-toting buddy movie—will likely come away satisfied as well.

Taking that outing and making for an unlikely pair of pals are Marcus Aquila (Channing Tatum), a young Roman soldier stationed in second-century Britain, and his native slave, Esca (Jamie Bell). Together they embark on a quest to recover the titular military symbol lost 20 years earlier when the legion Marcus' father, Flavius, commanded disappeared, under unexplained circumstances, in the wilds of modern-day Scotland.

Tormented since childhood by Flavius' ambiguous legacy—did Dad fight to the end or show cowardice by abandoning this gilded emblem of Rome's honor?—Marcus hopes to restore both national and familial pride by returning the totem to imperial custody.

But to achieve this, he will have to journey beyond Hadrian's Wall, the northern limit of the Empire, an undertaking considered impossibly reckless by the cautious uncle (Donald Sutherland) at whose villa Marcus has been recuperating from the battle wounds that put an end to his active military career.

In fact, once he enters this alien world populated by hostile Britons, Marcus will be wholly dependent on Esca as interpreter and guide. Yet, Esca himself is unsure of his loyalties.

As the enslaved son of a local chieftain killed by the occupier, Esca detests Rome and everything it represents. But his first encounter with his master ended with Marcus saving the lad's life, an act Esca —no stranger to the concept of honor himself -- feels duty-bound to repay with faithful service.

Their arduous journey sees the fraught relationship between these representatives of competing civilizations veer from friendship to hostility to mutual understanding, and displays the moral shadings present in both their communities.

Director Kevin Macdonald keeps the pace lively and the battles mostly gore-free while a sense of conflict-transcending human solidarity helps leaven the macho atmosphere that permeates Jeremy Brock's screenplay. (Not only is there no "love angle" in the story, there's nary a female character to be seen.)

Despite the elements listed below, the moral lessons awaiting attentive viewers of this historical expedition make it probably acceptable for older adolescents.

The film contains considerable but largely bloodless combat violence, brief distant images of unclothed corpses, a single use of the S-word and a couple of crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.




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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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