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ON FAITH & MEDIA View Comments

Sanctum

By
John P. McCarthy
Source: Catholic News Service

Don't be misled by the religious ring of "Sanctum" (Universal). This 3-D action adventure is, in fact, an unholy contribution to the cult -- and culture -- of death.

Even on an artistic level, executive producer James Cameron's track record of designing innovative tools for making nature films and blockbusters such as "Titanic" and "Avatar" doesn't hold true for this shallow effort about a deadly caving expedition in Papua New Guinea.

Weeks into the exploration of one of the world's largest cave systems, fatigue has set in and nerves are fraying. Master diver Frank McGuire (Richard Roxburgh) leads the complex operation, whose ultimate aim is to follow a subterranean river to the sea.

Frank and his colleague George (Dan Wyllie) are joined by Frank's teenage son Josh (Rhys Wakefield); Carl (Ioan Gruffudd), the billionaire financing the project; and Carl's girlfriend, Victoria (Alice Parkinson).

When a tropical storm lashes the island site and the cave begins to flood, the five are trapped miles underground. As they are forced to swim, climb and rappel through a dark, perilous environment, the picture invites us to wonder who among them can withstand Mother Nature -- not to mention the uglier aspects of human nature -- and make it to the surface.

Laughably pedestrian dialogue, paper-thin characters and predictable plotting can be excused in this context if there's a palpable sense of adventure and enough visual fireworks. Yet far more serious than director Alister Grierson's failure to engage viewers or to take advantage of a lush setting is his project's fundamental lack of respect for human life.

Presumably, rational people courageous enough to cave-dive have come to terms with their mortality, but these daredevils seem to court death. Worse, the mild qualms expressed when Frank dispatches a gravely injured character are what pass for humane behavior in John Garvin and Andrew Wight's script.

And when it comes to yet a second act of euthanasia, the offense is deepened as well as doubled, since the demise of the person now in question is much less certain.

Adding to the overall queasiness is the misogynistic way in which the two female characters -- Victoria and, earlier, the doomed Judes (Allison Cratchley) -- are killed off with relative relish after each panics.

This perverse embrace of death is made all the more egregious by the discovery that the screenplay was inspired by a real-life incident during which 15 divers (including Wight) were trapped in an underground cave from which all were rescued. In the death chamber that is "Sanctum," the intrepid are not so fortunate.

The film contains implicit endorsement of euthanasia; skewed values; some gore; brief irreverence; fleeting rear male nudity; a cascade of rough, crude and crass language; occasional sexual banter and toilet humor; and an obscene gesture. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Josephine Bakhita: For many years, Josephine Bakhita was a slave but her spirit was always free and eventually that spirit prevailed. 
<p>Born in Olgossa in the Darfur region of southern Sudan, Josephine was kidnapped at the age of seven, sold into slavery and given the name Bakhita, which means <i>fortunate</i>. She was re-sold several times, finally in 1883 to Callisto Legnani, Italian consul in Khartoum, Sudan. </p><p>Two years later he took Josephine to Italy and gave her to his friend Augusto Michieli. Bakhita became babysitter to Mimmina Michieli, whom she accompanied to Venice's Institute of the Catechumens, run by the Canossian Sisters. While Mimmina was being instructed, Josephine felt drawn to the Catholic Church. She was baptized and confirmed in 1890, taking the name Josephine. </p><p>When the Michielis returned from Africa and wanted to take Mimmina and Josephine back with them, the future saint refused to go. During the ensuing court case, the Canossian sisters and the patriarch of Venice intervened on Josephine's behalf. The judge concluded that since slavery was illegal in Italy, she had actually been free since 1885. </p><p>Josephine entered the Institute of St. Magdalene of Canossa in 1893 and made her profession three years later. In 1902, she was transferred to the city of Schio (northeast of Verona), where she assisted her religious community through cooking, sewing, embroidery and welcoming visitors at the door. She soon became well loved by the children attending the sisters' school and the local citizens. She once said, "Be good, love the Lord, pray for those who do not know Him. What a great grace it is to know God!" </p><p>The first steps toward her beatification began in 1959. She was beatified in 1992 and canonized eight years later.</p> American Catholic Blog St. Paul talks about the Christian life as a race, and encourages us to run so as to win. So it’s not just OK, it’s commanded to be competitive, to strive to excel. But true greatness consists in sharing in the sacrificial love of Christ, who comes to serve rather than to be served. That means that this race St. Paul is talking about is a race to the bottom.

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