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ON FAITH & MEDIA View Comments

Sanctum

By
John P. McCarthy
Source: Catholic News Service

Don't be misled by the religious ring of "Sanctum" (Universal). This 3-D action adventure is, in fact, an unholy contribution to the cult -- and culture -- of death.

Even on an artistic level, executive producer James Cameron's track record of designing innovative tools for making nature films and blockbusters such as "Titanic" and "Avatar" doesn't hold true for this shallow effort about a deadly caving expedition in Papua New Guinea.

Weeks into the exploration of one of the world's largest cave systems, fatigue has set in and nerves are fraying. Master diver Frank McGuire (Richard Roxburgh) leads the complex operation, whose ultimate aim is to follow a subterranean river to the sea.

Frank and his colleague George (Dan Wyllie) are joined by Frank's teenage son Josh (Rhys Wakefield); Carl (Ioan Gruffudd), the billionaire financing the project; and Carl's girlfriend, Victoria (Alice Parkinson).

When a tropical storm lashes the island site and the cave begins to flood, the five are trapped miles underground. As they are forced to swim, climb and rappel through a dark, perilous environment, the picture invites us to wonder who among them can withstand Mother Nature -- not to mention the uglier aspects of human nature -- and make it to the surface.

Laughably pedestrian dialogue, paper-thin characters and predictable plotting can be excused in this context if there's a palpable sense of adventure and enough visual fireworks. Yet far more serious than director Alister Grierson's failure to engage viewers or to take advantage of a lush setting is his project's fundamental lack of respect for human life.

Presumably, rational people courageous enough to cave-dive have come to terms with their mortality, but these daredevils seem to court death. Worse, the mild qualms expressed when Frank dispatches a gravely injured character are what pass for humane behavior in John Garvin and Andrew Wight's script.

And when it comes to yet a second act of euthanasia, the offense is deepened as well as doubled, since the demise of the person now in question is much less certain.

Adding to the overall queasiness is the misogynistic way in which the two female characters -- Victoria and, earlier, the doomed Judes (Allison Cratchley) -- are killed off with relative relish after each panics.

This perverse embrace of death is made all the more egregious by the discovery that the screenplay was inspired by a real-life incident during which 15 divers (including Wight) were trapped in an underground cave from which all were rescued. In the death chamber that is "Sanctum," the intrepid are not so fortunate.

The film contains implicit endorsement of euthanasia; skewed values; some gore; brief irreverence; fleeting rear male nudity; a cascade of rough, crude and crass language; occasional sexual banter and toilet humor; and an obscene gesture. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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