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ON FAITH & MEDIA View Comments

Sanctum

By
John P. McCarthy
Source: Catholic News Service

Don't be misled by the religious ring of "Sanctum" (Universal). This 3-D action adventure is, in fact, an unholy contribution to the cult -- and culture -- of death.

Even on an artistic level, executive producer James Cameron's track record of designing innovative tools for making nature films and blockbusters such as "Titanic" and "Avatar" doesn't hold true for this shallow effort about a deadly caving expedition in Papua New Guinea.

Weeks into the exploration of one of the world's largest cave systems, fatigue has set in and nerves are fraying. Master diver Frank McGuire (Richard Roxburgh) leads the complex operation, whose ultimate aim is to follow a subterranean river to the sea.

Frank and his colleague George (Dan Wyllie) are joined by Frank's teenage son Josh (Rhys Wakefield); Carl (Ioan Gruffudd), the billionaire financing the project; and Carl's girlfriend, Victoria (Alice Parkinson).

When a tropical storm lashes the island site and the cave begins to flood, the five are trapped miles underground. As they are forced to swim, climb and rappel through a dark, perilous environment, the picture invites us to wonder who among them can withstand Mother Nature -- not to mention the uglier aspects of human nature -- and make it to the surface.

Laughably pedestrian dialogue, paper-thin characters and predictable plotting can be excused in this context if there's a palpable sense of adventure and enough visual fireworks. Yet far more serious than director Alister Grierson's failure to engage viewers or to take advantage of a lush setting is his project's fundamental lack of respect for human life.

Presumably, rational people courageous enough to cave-dive have come to terms with their mortality, but these daredevils seem to court death. Worse, the mild qualms expressed when Frank dispatches a gravely injured character are what pass for humane behavior in John Garvin and Andrew Wight's script.

And when it comes to yet a second act of euthanasia, the offense is deepened as well as doubled, since the demise of the person now in question is much less certain.

Adding to the overall queasiness is the misogynistic way in which the two female characters -- Victoria and, earlier, the doomed Judes (Allison Cratchley) -- are killed off with relative relish after each panics.

This perverse embrace of death is made all the more egregious by the discovery that the screenplay was inspired by a real-life incident during which 15 divers (including Wight) were trapped in an underground cave from which all were rescued. In the death chamber that is "Sanctum," the intrepid are not so fortunate.

The film contains implicit endorsement of euthanasia; skewed values; some gore; brief irreverence; fleeting rear male nudity; a cascade of rough, crude and crass language; occasional sexual banter and toilet humor; and an obscene gesture. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.





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Joseph Calasanz: 
		<p>From Aragon, where he was born in 1556, to Rome, where he died 92 years later, fortune alternately smiled and frowned on the work of Joseph Calasanz. A priest with university training in canon law and theology, respected for his wisdom and administrative expertise, he put aside his career because he was deeply concerned with the need for education of poor children.</p>
		<p>When he was unable to get other institutes to undertake this apostolate at Rome, he and several companions personally provided a free school for deprived children. So overwhelming was the response that there was a constant need for larger facilities to house their effort. Soon Pope Clement VIII gave support to the school, and this aid continued under Pope Paul V. Other schools were opened; other men were attracted to the work and in 1621 the community (for so the teachers lived) was recognized as a religious community, the Clerks Regular of Religious Schools (Piarists or Scolopi). Not long after, Joseph was appointed superior for life.</p>
		<p>A combination of various prejudices and political ambition and maneuvering caused the institute much turmoil. Some did not favor educating the poor, for education would leave the poor dissatisfied with their lowly tasks for society! Others were shocked that some of the Piarists were sent for instruction to Galileo (a friend of Joseph) as superior, thus dividing the members into opposite camps. Repeatedly investigated by papal commissions, Joseph was demoted; when the struggle within the institute persisted, the Piarists were suppressed. Only after Joseph’s death were they formally recognized as a religious community.</p>
American Catholic Blog The Church’s motherhood is a spiritual reality that profoundly affects the lives of believers. In fact, the famous convert to Catholicism Cardinal John Henry Newman once said that it was through his reading and encounter with the Church of the Fathers that “I found my spiritual Mother.”

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