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ON FAITH & MEDIA View Comments

Sanctum

By
John P. McCarthy
Source: Catholic News Service

Don't be misled by the religious ring of "Sanctum" (Universal). This 3-D action adventure is, in fact, an unholy contribution to the cult -- and culture -- of death.

Even on an artistic level, executive producer James Cameron's track record of designing innovative tools for making nature films and blockbusters such as "Titanic" and "Avatar" doesn't hold true for this shallow effort about a deadly caving expedition in Papua New Guinea.

Weeks into the exploration of one of the world's largest cave systems, fatigue has set in and nerves are fraying. Master diver Frank McGuire (Richard Roxburgh) leads the complex operation, whose ultimate aim is to follow a subterranean river to the sea.

Frank and his colleague George (Dan Wyllie) are joined by Frank's teenage son Josh (Rhys Wakefield); Carl (Ioan Gruffudd), the billionaire financing the project; and Carl's girlfriend, Victoria (Alice Parkinson).

When a tropical storm lashes the island site and the cave begins to flood, the five are trapped miles underground. As they are forced to swim, climb and rappel through a dark, perilous environment, the picture invites us to wonder who among them can withstand Mother Nature -- not to mention the uglier aspects of human nature -- and make it to the surface.

Laughably pedestrian dialogue, paper-thin characters and predictable plotting can be excused in this context if there's a palpable sense of adventure and enough visual fireworks. Yet far more serious than director Alister Grierson's failure to engage viewers or to take advantage of a lush setting is his project's fundamental lack of respect for human life.

Presumably, rational people courageous enough to cave-dive have come to terms with their mortality, but these daredevils seem to court death. Worse, the mild qualms expressed when Frank dispatches a gravely injured character are what pass for humane behavior in John Garvin and Andrew Wight's script.

And when it comes to yet a second act of euthanasia, the offense is deepened as well as doubled, since the demise of the person now in question is much less certain.

Adding to the overall queasiness is the misogynistic way in which the two female characters -- Victoria and, earlier, the doomed Judes (Allison Cratchley) -- are killed off with relative relish after each panics.

This perverse embrace of death is made all the more egregious by the discovery that the screenplay was inspired by a real-life incident during which 15 divers (including Wight) were trapped in an underground cave from which all were rescued. In the death chamber that is "Sanctum," the intrepid are not so fortunate.

The film contains implicit endorsement of euthanasia; skewed values; some gore; brief irreverence; fleeting rear male nudity; a cascade of rough, crude and crass language; occasional sexual banter and toilet humor; and an obscene gesture. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog It’s through suffering that we grow in endurance, character, and ultimately, in hope. Our suffering is not without value if we know Jesus. When you are suffering, you can pray and unite your sufferings to the only one who truly loves you perfectly or knows all you are feeling.

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