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ON FAITH & MEDIA View Comments

The Way Back

By
Kurt Jensen
Source: Catholic News Service

"The Way Back" (Newmarket), is an inspirational story with a nagging caveat—its stunning portrayal of a 4,000-mile trek from Siberia to India by escaped political prisoners may not be quite the truth.

The film, directed by Peter Weir, who co-wrote the script with Keith R. Clarke, is nonetheless superbly made, and with skilled actors displaying deeply felt emotions along with striking courage, many will find it a refreshing break from Hollywood's special-effects overload and increasingly vulgar story lines.

At 133 minutes, others may find it an overlong saga about a hike through rugged scenery without the essential plot tension of a pursuit.

Back to that accuracy issue: "The Long Walk"—the 1956 book on which Weir and Clarke's script is based—was ghostwritten by a British journalist for Slavomir Rawicz, a former Polish cavalry officer. Its tale of Rawicz's heroic 1940 escape from a gulag in the Soviet Union, through snowstorms, across the Gobi Desert and the Himalayas to political asylum on the Indian subcontinent made it a sensation during the height of the Cold War.

The details of the narrative have not held up to fact-checking, however, and there is some evidence—as reported by the BBC—that elements of others' escapes may have been woven into a single story, and that Rawicz himself may never, in fact, have fled.

All the same, this is a compelling drama. Its uplifting message about the need for extraordinary solidarity and Christian compassion in the face of every horror man and the wilderness can impose shows the power of a well-crafted epic.

Jim Sturgess leads the group as Janusz, a Polish prisoner jailed as a foreign spy. Others in the group include Ed Harris as an American known only as Mr. Smith, Colin Farrell as Valka, a Russian gangster, and Saiorse Ronan as Irena, a Soviet orphan.

Some of the escapees fall apart physically as they battle blizzards, heat, hallucinations from hunger, packs of wolves and their own turbulent feelings. The fact that their story may fall short of documentary truth doesn't make it any less gripping, while the positive underlying values probably make it acceptable for older teens.

The film contains fleeting rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog In prayer we discover what we already have. You start where you are and you deepen what you already have and you realize that you are already there. We already have everything, but we don’t know it and we don’t experience it.

 
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