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The Way Back

Kurt Jensen
Source: Catholic News Service

"The Way Back" (Newmarket), is an inspirational story with a nagging caveat—its stunning portrayal of a 4,000-mile trek from Siberia to India by escaped political prisoners may not be quite the truth.

The film, directed by Peter Weir, who co-wrote the script with Keith R. Clarke, is nonetheless superbly made, and with skilled actors displaying deeply felt emotions along with striking courage, many will find it a refreshing break from Hollywood's special-effects overload and increasingly vulgar story lines.

At 133 minutes, others may find it an overlong saga about a hike through rugged scenery without the essential plot tension of a pursuit.

Back to that accuracy issue: "The Long Walk"—the 1956 book on which Weir and Clarke's script is based—was ghostwritten by a British journalist for Slavomir Rawicz, a former Polish cavalry officer. Its tale of Rawicz's heroic 1940 escape from a gulag in the Soviet Union, through snowstorms, across the Gobi Desert and the Himalayas to political asylum on the Indian subcontinent made it a sensation during the height of the Cold War.

The details of the narrative have not held up to fact-checking, however, and there is some evidence—as reported by the BBC—that elements of others' escapes may have been woven into a single story, and that Rawicz himself may never, in fact, have fled.

All the same, this is a compelling drama. Its uplifting message about the need for extraordinary solidarity and Christian compassion in the face of every horror man and the wilderness can impose shows the power of a well-crafted epic.

Jim Sturgess leads the group as Janusz, a Polish prisoner jailed as a foreign spy. Others in the group include Ed Harris as an American known only as Mr. Smith, Colin Farrell as Valka, a Russian gangster, and Saiorse Ronan as Irena, a Soviet orphan.

Some of the escapees fall apart physically as they battle blizzards, heat, hallucinations from hunger, packs of wolves and their own turbulent feelings. The fact that their story may fall short of documentary truth doesn't make it any less gripping, while the positive underlying values probably make it acceptable for older teens.

The film contains fleeting rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

Kurt Jensen is a guest reviewer for Catholic News Service.

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Marie-Rose Durocher: Canada was one diocese from coast to coast during the first eight years of Marie-Rose Durocher’s life. Its half-million Catholics had received civil and religious liberty from the English only 44 years before. When Marie-Rose was 29, Bishop Ignace Bourget became bishop of Montreal. He would be a decisive influence in her life. 
<p>He faced a shortage of priests and sisters and a rural population that had been largely deprived of education. Like his counterparts in the United States, he scoured Europe for help and himself founded four communities, one of which was the Sisters of the Holy Names of Jesus and Mary. Its first sister and reluctant co-foundress was Marie-Rose. </p><p>She was born in a little village near Montreal in 1811, the 10th of 11 children. She had a good education, was something of a tomboy, rode a horse named Caesar and could have married well. At 16, she felt the desire to become a religious but was forced to abandon the idea because of her weak constitution. At 18, when her mother died, her priest brother invited her and her father to come to his parish in Beloeil, not far from Montreal. For 13 years she served as housekeeper, hostess and parish worker. She became well known for her graciousness, courtesy, leadership and tact; she was, in fact, called “the saint of Beloeil.” Perhaps she was too tactful during two years when her brother treated her coldly. </p><p>As a young woman she had hoped there would someday be a community of teaching sisters in every parish, never thinking she would found one. But her spiritual director, Father Pierre Telmon, O.M.I., after thoroughly (and severely) leading her in the spiritual life, urged her to found a community herself. Bishop Bourget concurred, but Marie-Rose shrank from the prospect. She was in poor health and her father and her brother needed her. </p><p>She finally agreed and, with two friends, Melodie Dufresne and Henriette Cere, entered a little home in Longueuil, across the Saint Lawrence River from Montreal. With them were 13 young girls already assembled for boarding school. Longueuil became successively her Bethlehem, Nazareth and Gethsemani. She was 32 and would live only six more years—years filled with poverty, trials, sickness and slander. The qualities she had nurtured in her “hidden” life came forward—a strong will, intelligence and common sense, great inner courage and yet a great deference to directors. Thus was born an international congregation of women religious dedicated to education in the faith. </p><p>She was severe with herself and by today’s standards quite strict with her sisters. Beneath it all, of course, was an unshakable love of her crucified Savior. </p><p>On her deathbed the prayers most frequently on her lips were “Jesus, Mary, Joseph! Sweet Jesus, I love you. Jesus, be to me Jesus!” Before she died, she smiled and said to the sister with her, “Your prayers are keeping me here—let me go.” </p><p>She was beatified in 1982.</p> American Catholic Blog It is in them [the saints] that Christian love becomes credible; they are the poor sinners’ guiding stars. But every one of them wishes to point completely away from himself and toward love…. The genuine saints desired nothing but the greater glory of God’s love… <br />—Hans Urs von Balthasar

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