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ON FAITH & MEDIA View Comments

The Rite

By
John Mulderig
Source: Catholic News Service


Oscar-winner Anthony Hopkins and Marta Gastini star in "The Rite."
Any movie that opens with a quotation from Pope John Paul II and ends with the sight of a dedicated priest hearing his parishioners' confessions is well calculated to win the support and approval of viewers of faith. And so it is with the religiously honorable drama "The Rite" (Warner Bros.).

Considered purely as a piece of cinema, however, this descent into the tortured world of the demonically possessed, and of those who courageously minister to them, proves aesthetically tentative, its ultimate impact weakened by the effort to showcase its main character's spiritual journey—a conversion tale based on real events—as an old-fashioned chillfest.

That central character is skeptical seminarian Michael Kovak, played by feature film newcomer Colin O'Donoghue in an impressive first outing.

Having pursued priestly studies mainly to get a free college education and avoid following in the footsteps of his undertaker father, Istvan (Rutger Hauer)—with whom he shares a tangled relationship —Michael sends off a resignation e-mail soon after his ordination as a transitional deacon.

But the recipient of his message—his superior, Father Matthew (Toby Jones)—is convinced that Michael possesses at least the pastoral qualities of a good priest. So, to forestall his departure, Father Matthew dispatches Michael to Rome to complete a Vatican-sponsored course in exorcism.

There Michael vents his ongoing doubts—not just about devils and such, but about the very existence of God as well—both to fellow student Angeline (Alice Braga), an Italian reporter who has enrolled in the class for research purposes, and to their instructor, Dominican Father Xavier (Ciaran Hinds).

Knowing a hard case when he sees one, Father Xavier arranges for Michael to serve an informal apprenticeship with veteran demon fighter Father Lucas (Anthony Hopkins), a forthright Welshman renowned for his unusual but effective approach to his work.

The inexplicable experiences that follow, as Father Lucas and his initially reluctant protege wrestle with the dark forces at work on pregnant teen Rosaria (Marta Gastini), force Michael to reassess his secular certainties.

The idea that a contemporary doubter should be moved toward belief in the source of absolute good by witnessing the effects of absolute evil run amok is certainly an intriguing one.

But Michael's story—a fictionalized version of the life of Father Gary Thomas of the Diocese of San Jose, Calif., as recounted in journalist Matt Baglio's 2009 book, "The Rite: The Making of a Modern Exorcist"—would have been more effectively presented on its own terms.

Instead, it has been wedged, somewhat uncomfortably, into the mold of a conventional horror movie. The effect is to diffuse its valuable underlying message, though enough of that endures to make the picture, despite the objectionable features listed below, possibly acceptable for mature teens.

The film contains incest and suicide themes, some gruesome imagery, incidental irreverence, a couple of uses of profanity and a few rough and crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13

*****
John Mulderig is on the staff of Catholic News Service.





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Louis of France: At his coronation as king of France, Louis IX bound himself by oath to behave as God’s anointed, as the father of his people and feudal lord of the King of Peace. Other kings had done the same, of course. Louis was different in that he actually interpreted his kingly duties in the light of faith. After the violence of two previous reigns, he brought peace and justice. 
<p>He was crowned king at 12, at his father’s death. His mother, Blanche of Castile, ruled during his minority. When he was 19 and his bride 12, he was married to Marguerite of Provence. It was a loving marriage, though not without challenge. They had 11 children. </p><p>Louis “took the cross” for a Crusade when he was 30. His army seized Damietta ini Egypt but not long after, weakened by dysentery and without support, they were surrounded and captured. Louis obtained the release of the army by giving up the city of Damietta in addition to paying a ransom. He stayed in Syria four years. </p><p>He deserves credit for extending justice in civil administration. His regulations for royal officials became the first of a series of reform laws. He replaced trial by battle with a form of examination of witnesses and encouraged the use of written records in court. </p><p>Louis was always respectful of the papacy, but defended royal interests against the popes and refused to acknowledge Innocent IV’s sentence against Emperor Frederick II. </p><p>Louis was devoted to his people, founding hospitals, visiting the sick and, like his patron St. Francis (October 4), caring even for people with leprosy. (He is one of the patrons of the Secular Franciscan Order.) Louis united France—lords and townsfolk, peasants and priests and knights—by the force of his personality and holiness. For many years the nation was at peace. </p><p>Every day Louis had 13 special guests from among the poor to eat with him, and a large number of poor were served meals near his palace. During Advent and Lent, all who presented themselves were given a meal, and Louis often served them in person. He kept lists of needy people, whom he regularly relieved, in every province of his dominion. </p><p>Disturbed by new Muslim advances in Syria, he led another crusade in 1267, at the age of 41. His crusade was diverted to Tunis for his brother’s sake. The army was decimated by disease within a month, and Louis himself died on foreign soil at the age of 44. He was canonized 27 years later.</p> American Catholic Blog God passes through the thicket of the world, and wherever His glance falls He turns all things to beauty. <br />–St. John of the Cross

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