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ON FAITH & MEDIA View Comments

The Rite

By
John Mulderig
Source: Catholic News Service


Oscar-winner Anthony Hopkins and Marta Gastini star in "The Rite."
Any movie that opens with a quotation from Pope John Paul II and ends with the sight of a dedicated priest hearing his parishioners' confessions is well calculated to win the support and approval of viewers of faith. And so it is with the religiously honorable drama "The Rite" (Warner Bros.).

Considered purely as a piece of cinema, however, this descent into the tortured world of the demonically possessed, and of those who courageously minister to them, proves aesthetically tentative, its ultimate impact weakened by the effort to showcase its main character's spiritual journey—a conversion tale based on real events—as an old-fashioned chillfest.

That central character is skeptical seminarian Michael Kovak, played by feature film newcomer Colin O'Donoghue in an impressive first outing.

Having pursued priestly studies mainly to get a free college education and avoid following in the footsteps of his undertaker father, Istvan (Rutger Hauer)—with whom he shares a tangled relationship —Michael sends off a resignation e-mail soon after his ordination as a transitional deacon.

But the recipient of his message—his superior, Father Matthew (Toby Jones)—is convinced that Michael possesses at least the pastoral qualities of a good priest. So, to forestall his departure, Father Matthew dispatches Michael to Rome to complete a Vatican-sponsored course in exorcism.

There Michael vents his ongoing doubts—not just about devils and such, but about the very existence of God as well—both to fellow student Angeline (Alice Braga), an Italian reporter who has enrolled in the class for research purposes, and to their instructor, Dominican Father Xavier (Ciaran Hinds).

Knowing a hard case when he sees one, Father Xavier arranges for Michael to serve an informal apprenticeship with veteran demon fighter Father Lucas (Anthony Hopkins), a forthright Welshman renowned for his unusual but effective approach to his work.

The inexplicable experiences that follow, as Father Lucas and his initially reluctant protege wrestle with the dark forces at work on pregnant teen Rosaria (Marta Gastini), force Michael to reassess his secular certainties.

The idea that a contemporary doubter should be moved toward belief in the source of absolute good by witnessing the effects of absolute evil run amok is certainly an intriguing one.

But Michael's story—a fictionalized version of the life of Father Gary Thomas of the Diocese of San Jose, Calif., as recounted in journalist Matt Baglio's 2009 book, "The Rite: The Making of a Modern Exorcist"—would have been more effectively presented on its own terms.

Instead, it has been wedged, somewhat uncomfortably, into the mold of a conventional horror movie. The effect is to diffuse its valuable underlying message, though enough of that endures to make the picture, despite the objectionable features listed below, possibly acceptable for mature teens.

The film contains incest and suicide themes, some gruesome imagery, incidental irreverence, a couple of uses of profanity and a few rough and crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13

*****
John Mulderig is on the staff of Catholic News Service.





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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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