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ON FAITH & MEDIA View Comments

The Rite

By
John Mulderig
Source: Catholic News Service


Oscar-winner Anthony Hopkins and Marta Gastini star in "The Rite."
Any movie that opens with a quotation from Pope John Paul II and ends with the sight of a dedicated priest hearing his parishioners' confessions is well calculated to win the support and approval of viewers of faith. And so it is with the religiously honorable drama "The Rite" (Warner Bros.).

Considered purely as a piece of cinema, however, this descent into the tortured world of the demonically possessed, and of those who courageously minister to them, proves aesthetically tentative, its ultimate impact weakened by the effort to showcase its main character's spiritual journey—a conversion tale based on real events—as an old-fashioned chillfest.

That central character is skeptical seminarian Michael Kovak, played by feature film newcomer Colin O'Donoghue in an impressive first outing.

Having pursued priestly studies mainly to get a free college education and avoid following in the footsteps of his undertaker father, Istvan (Rutger Hauer)—with whom he shares a tangled relationship —Michael sends off a resignation e-mail soon after his ordination as a transitional deacon.

But the recipient of his message—his superior, Father Matthew (Toby Jones)—is convinced that Michael possesses at least the pastoral qualities of a good priest. So, to forestall his departure, Father Matthew dispatches Michael to Rome to complete a Vatican-sponsored course in exorcism.

There Michael vents his ongoing doubts—not just about devils and such, but about the very existence of God as well—both to fellow student Angeline (Alice Braga), an Italian reporter who has enrolled in the class for research purposes, and to their instructor, Dominican Father Xavier (Ciaran Hinds).

Knowing a hard case when he sees one, Father Xavier arranges for Michael to serve an informal apprenticeship with veteran demon fighter Father Lucas (Anthony Hopkins), a forthright Welshman renowned for his unusual but effective approach to his work.

The inexplicable experiences that follow, as Father Lucas and his initially reluctant protege wrestle with the dark forces at work on pregnant teen Rosaria (Marta Gastini), force Michael to reassess his secular certainties.

The idea that a contemporary doubter should be moved toward belief in the source of absolute good by witnessing the effects of absolute evil run amok is certainly an intriguing one.

But Michael's story—a fictionalized version of the life of Father Gary Thomas of the Diocese of San Jose, Calif., as recounted in journalist Matt Baglio's 2009 book, "The Rite: The Making of a Modern Exorcist"—would have been more effectively presented on its own terms.

Instead, it has been wedged, somewhat uncomfortably, into the mold of a conventional horror movie. The effect is to diffuse its valuable underlying message, though enough of that endures to make the picture, despite the objectionable features listed below, possibly acceptable for mature teens.

The film contains incest and suicide themes, some gruesome imagery, incidental irreverence, a couple of uses of profanity and a few rough and crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13

*****
John Mulderig is on the staff of Catholic News Service.



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Ansgar: The “apostle of the north” (Scandinavia) had enough frustrations to become a saint—and he did. He became a Benedictine at Corbie, France, where he had been educated. Three years later, when the king of Denmark became a convert, Ansgar went to that country for three years of missionary work, without noticeable success. Sweden asked for Christian missionaries, and he went there, suffering capture by pirates and other hardships on the way. Fewer than two years later, he was recalled, to become abbot of New Corbie (Corvey) and bishop of Hamburg. The pope made him legate for the Scandinavian missions. Funds for the northern apostolate stopped with Emperor Louis’s death. After 13 years’ work in Hamburg, Ansgar saw it burned to the ground by invading Northmen; Sweden and Denmark returned to paganism. 
<p>He directed new apostolic activities in the North, traveling to Denmark and being instrumental in the conversion of another king. By the strange device of casting lots, the king of Sweden allowed the Christian missionaries to return. </p><p>Ansgar’s biographers remark that he was an extraordinary preacher, a humble and ascetical priest. He was devoted to the poor and the sick, imitating the Lord in washing their feet and waiting on them at table. He died peacefully at Bremen, Germany, without achieving his wish to be a martyr. </p><p>Sweden became pagan again after his death, and remained so until the coming of missionaries two centuries later.</p> American Catholic Blog Every vocation is a vocation to sacrifice and to joy. It is a call to the knowledge of God, to the recognition of God as our Father, to joy in the understanding of His mercy.

 
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