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ON FAITH & MEDIA View Comments

The Rite

By
John Mulderig
Source: Catholic News Service


Oscar-winner Anthony Hopkins and Marta Gastini star in "The Rite."
Any movie that opens with a quotation from Pope John Paul II and ends with the sight of a dedicated priest hearing his parishioners' confessions is well calculated to win the support and approval of viewers of faith. And so it is with the religiously honorable drama "The Rite" (Warner Bros.).

Considered purely as a piece of cinema, however, this descent into the tortured world of the demonically possessed, and of those who courageously minister to them, proves aesthetically tentative, its ultimate impact weakened by the effort to showcase its main character's spiritual journey—a conversion tale based on real events—as an old-fashioned chillfest.

That central character is skeptical seminarian Michael Kovak, played by feature film newcomer Colin O'Donoghue in an impressive first outing.

Having pursued priestly studies mainly to get a free college education and avoid following in the footsteps of his undertaker father, Istvan (Rutger Hauer)—with whom he shares a tangled relationship —Michael sends off a resignation e-mail soon after his ordination as a transitional deacon.

But the recipient of his message—his superior, Father Matthew (Toby Jones)—is convinced that Michael possesses at least the pastoral qualities of a good priest. So, to forestall his departure, Father Matthew dispatches Michael to Rome to complete a Vatican-sponsored course in exorcism.

There Michael vents his ongoing doubts—not just about devils and such, but about the very existence of God as well—both to fellow student Angeline (Alice Braga), an Italian reporter who has enrolled in the class for research purposes, and to their instructor, Dominican Father Xavier (Ciaran Hinds).

Knowing a hard case when he sees one, Father Xavier arranges for Michael to serve an informal apprenticeship with veteran demon fighter Father Lucas (Anthony Hopkins), a forthright Welshman renowned for his unusual but effective approach to his work.

The inexplicable experiences that follow, as Father Lucas and his initially reluctant protege wrestle with the dark forces at work on pregnant teen Rosaria (Marta Gastini), force Michael to reassess his secular certainties.

The idea that a contemporary doubter should be moved toward belief in the source of absolute good by witnessing the effects of absolute evil run amok is certainly an intriguing one.

But Michael's story—a fictionalized version of the life of Father Gary Thomas of the Diocese of San Jose, Calif., as recounted in journalist Matt Baglio's 2009 book, "The Rite: The Making of a Modern Exorcist"—would have been more effectively presented on its own terms.

Instead, it has been wedged, somewhat uncomfortably, into the mold of a conventional horror movie. The effect is to diffuse its valuable underlying message, though enough of that endures to make the picture, despite the objectionable features listed below, possibly acceptable for mature teens.

The film contains incest and suicide themes, some gruesome imagery, incidental irreverence, a couple of uses of profanity and a few rough and crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13

*****
John Mulderig is on the staff of Catholic News Service.



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Catharine of Bologna: Some Franciscan saints led fairly public lives; Catharine represents the saints who served the Lord in obscurity. 
<p>Catharine, born in Bologna, was related to the nobility in Ferrara and was educated at court there. She received a liberal education at the court and developed some interest and talent in painting. In later years as a Poor Clare, Catharine sometimes did manuscript illumination and also painted miniatures. </p><p>At the age of 17, she joined a group of religious women in Ferrara. Four years later the whole group joined the Poor Clares in that city. Jobs as convent baker and portress preceded her selection as novice mistress. </p><p>In 1456, she and 15 other sisters were sent to establish a Poor Clare monastery in Florence. As abbess Catharine worked to preserve the peace of the new community. Her reputation for holiness drew many young women to the Poor Clare life. She was canonized in 1712.</p> American Catholic Blog Dear God, when you pour yourself into the little vase of my being, I suffer the agony of not being able to contain you. The inner walls of this heart feel as if they were about to burst, and I am surprised this has not happened already.


 
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